Video

untitled

Farheen HaQ

2003, 02:34 minutes, colour

TAPECODE 651.04

A visual exploration of the physicality of being grounded and the lightness of being weightless.

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Critical Writing

Empty History: Un-Working Queer Progress
by Adam Barbu. Toronto: Vtape, 2019.
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by Kevin Griffin. Vancouver Sun, May 6, 2010.
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Bridging the gap between war's myth and reality: Presentation...
by Andrea Carson. The Globe and Mail, Feb. 27, 2008.
The art on war: The Blackwood and Justina M. Barnicke galleries...
by Andrea Grassi. The Medium, Jan. 14, 2008.
Auto Emotion: Autobiography, Emotion and Self-Fashioning
by Matthew Hyland. Switch, Summer 2008, no. 1.2.
TBA:07: Event Details: The Portland Institute of Contemporary Art
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The Inspiration of Home: The Portland Institute of Contemporary Art
by November Paynter and Koken Ergun. PAJ: A Journal of Performance and Art, Jan. 2007, v. 29, no. 1.
The Next Big Thing: Supernovas: The Portland Institute of...
by Amy Karlinsky. Fuse, 2006, v. 29, no. 3.
The Mumbai Container: The Portland Institute of Contemporary Art
by Johan Pijnappel. Leonardo, Aug. 2006, v. 39, no. 4.
Vampire Video: Time in the Art of Aida Ruilova
by Barry Schwabsky. Afterall, Spring 2006, no. 13.
We Loved Getting Tested!
by Shawna Dempsy. Poolside, 2005.
what it feels like for a girl
by Tara Marshall. Canadian Art, Summer 2004, v. 21, no. 2.
Marina Abramovic: Witnessing Shadows
by Peggy Phelan. Theatre Journal, 2004, v. 56.
Jayce Salloum: Everything and Nothing and Other Works From The...
by ?. GALLERY-101, 2003. Ottawa: The Canadian Council for the Arts, 2003.
Tranz<->Tech Toronto International Media Art Biennal 2003
by Dara Gellman. Toronto: Vtape, 2003.
Occupied Territories: Mapping the Transgressions of Cultural...
by Molly Hankwitz and Jayce Salloum. Framework: The Journal of Cinema and Media 43.2, Fall 2002, v. 43, no. 2.
occupied territories
by Molly Hankwitz. Front, Nov. 2001, v. 12, no. 5.
Digital Identity: Introduction
by Elizabeth Kidd and Liane Davison. Digital Identity, 2000. Surrey: Surrey Art Gallery, 2000.
Tranz<->Tech 1999 Catalogue
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Images fest has a thing for sex
by Cameron Bailey. Now, Apr. 22, 1999, v. 18, no. 34.
A moving picture of reel life: Images Festival reflects street heat
by Peter Goddard. The Toronto Star, Apr. 22, 1999.
Great Scots: Video artists record what's Glasgowing on
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Videos d'Ecosse: Video From Scotland
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Videos d'Ecosse: Video From Scotland
by Sally McKay and Harold Alegria Ortiz. The Bank of Symbiosis: An Archaeological Intervention, 1998. Toronto: The Symbiosis Collective, 1998.
In Sight: Media Art from the Middle of Europe (Introduction):...
In Sight: Media Art from the Middle of Europe, 1995. Toronto: YYZ Artists' Outlet, 1995.
In Sight: Media Art from the Middle of Europe (Introduction):...
Beauty #2, 1995. Toronto: The Power Plant, 1995.
Arts and Review: Mayworks: Neither East nor West (Historical...
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Putting All your Eggs in One Basket: A Survey of Single-Shot Film
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Introduction
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The New Sleep: Stasis and the Image-Bound Environment
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Video Refractions
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Production and the Axis of Sexuality
by Barbara Fischer and Anna Gronau. Production and the Axis of Sexuality, July 31, 1984. Banff: The Banff Centre, 1984.
It's the thought that counts: video as attitude
by Catherine Lord. Afterimage, Oct. 1983, v. 11, no. 3.
All the Faces are Us: An Interview with Tom Chomont
by Scott Macdonald. Afterimage, Summer 1981, v. 9, no. 1 & 2.
222 Warehouse
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Reviews: Hannah Wilke, Keith Sonnier, Douglas Davis, Peter Campus,...
by James Collins et al. Artforum, June 1974, v. 12, no. 10.
Joan Jonas: Making the Image Visible
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Video at NSCAD
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