Machine Life explores artists' use of robotics through the work of Norman White and the circle of artists he has taught and influenced throughout the past quarter century. This project examines the aesthetics of interactivity and traces the strategies of the current generation of electronic artists by highlighting the remarkably fruitful set of working methods, attitudes, and ethical positions that constitute the core of Norman White's legacy and influence.

In three (3) essays, this publication traces the tendencies in robotic and interactive electronic art through examination of the motivation and means of White et al., Ihor Holubizky addresses White's early innovations and continuing contributions to the field. Caroline Seck Langill discusses the role of emergence in technology-based art. Jan Allen identifies White's generative methods and effects through a discussion of the works in the exhibition.

Note: A CD-ROM accompanies this exhibition catalogue entitled Machine Life.