Current and Upcoming

The Stimming Pool

The Stimming Pool

Thursday, February 5th. Doors open 6:30 p.m, screening 7:30 p.m.
Post-screening discussion 8:30 p.m.
CAMH Auditorium, 1025 Queen Street West, 2nd floor
Free to attend—register on Eventbrite!

The Blackwood and Vtape are pleased to present The Stimming Pool, a film screening and discussion with Neurocultures Collective members Georgia Bradburn and Sam Chown Ahern, and filmmaker Steven Eastwood, moderated by Chris Gehman.

Co-created by the Neurocultures Collective (Sam Chown Ahern, Georgia Bradburn, Benjamin Brown, Robin Elliott-Knowles, Lucy Walker) and artist-filmmaker Steven EastwoodThe Stimming Pool is an experimental film whose drifting form is built around the concept of an autistic camera. The curiosity of this camera discovers a relay of subjects who stray through the world, revealing environments often hostile to autistic experience—such as a hectic workplace and a crowded pub—and quiet spaces that offer respite from them. Each of the characters exists in a separate world nested inside one other and often jumping up and down levels. But gradually we come to realise they have common experiences. Some are concealing their autism and dealing with the resulting feelings of isolation, while others thrive in the communities and support structures around them. All, however, have a shared objective: to find a place where they are free to move and stim, uninhibited by the tests and restrictions of normative society. This secret place is the Stimming Pool…

The Stimming Pool is presented as part of Oughtism, February 5-7, a multimodal seminar series which expands the Blackwood Gallery’s 2025­–26 exploration of neurodivergent doing, feeling and being, and sets out to conjure linguistic and embodied possibilities for being that resist neurotypical logic.

Oughtism is supported by the UTM/JHI Annual Seminar (@jackmanhumanitiesinstitute).

Image Credit: The Neurocultures & Steven Eastwood, The Stimming Pool (still), 2024. Super 16mm digital transfer to 4K. 1:10:00. Courtesy the artists.

Image Descriptions: home page: A deep purple background with white text reads “The Stimming Pool: Film Screening and Talk, Thursday, February 5th, 7-9pm, CAMH Auditorium, Toronto”; above: An image of a figure in a dog-like mascot costume stands with arms overhead in an empty swimming pool. Swim tools litter the bottom of the pool with chairs and a changing room in the background.

VIDEO OF THE MONTH: ZION, by Jard Lerebours

VIDEO OF THE MONTH: ZION, by Jard Lerebours

Our February Video of the Month is ZION (2022), by brand-new Vtape artist Jard Lerebours!

About this work, Jard says, “Black people have always practiced world-building, a tool in our fixation on imagining and venturing towards collective liberation. ZION is a new take on the Rastafarian concept of Zion, the great escape from Babylon and its oppressive structures. I envision ZION as inextricably tied to the Buddhist concept of nirvana, the release from the cycle of death and rebirth. ZION captures simplistic and mundane moments of Black joy that seek to subvert the forces against us.”

February is Black History Month/African Heritage Month in Canada!

 

 

Jard Lerebours (He/They) is a NY-based Queer-Black magician in the tradition of Djibril Diop Mambéty. Their practice straddles the worlds of autofiction, cinema and video art. Jard approaches filmmaking as a conversation between friends and family guided by their communal West Indian upbringing. He is an active member of the Meerkat Media Artist Collective and the Brooklyn Filmmakers Collective.

Jard’s film work includes the Babylon Red Trilogy, which consists of the short films Pandrog, Coconut and ZION. The trilogy explores gender, masculinity, Rastafarianism, Buddhism, and notions of home. His films have been showcased internationally by Atlanta Film Festival, New York African Film Festival, Third Horizon, Film Diary NYC, Indie Memphis Film Festival, London Short Film Festival and Uppsala International Short Film Festival.

Jard’s written work has been published in Office Magazine, Forgotten Lands, Crater Magazine, 032C, Fortunately Mag and AFM. He is currently in development for One For My Baby, a romantic comedy short about two contestants falling in love at a James Baldwin look-alike competition.

Image credit, home page: ZION, by Jard Lerebours (2022)

 

 

 

NEW DATE! March 12, 6:00 p.m.: Robert’s Paintings, by Shelley Niro

NEW DATE! March 12, 6:00 p.m.: Robert’s Paintings, by Shelley Niro

Thursday, March 12th, 6:00 p.m.
Bachir/Yerex Presentation Space, 4th floor, 401 Richmond St. West

Join us for an exclusive exhibition walk-through with Jesse King, curator of the City of Toronto’s Market Gallery exhibition SKY & BONE (401 Richmond St. West, suite 128) at 5:30 p.m. After that, at 6:00 p.m., the Market Gallery and Vtape present a special screening of Robert’s Paintings (directed by Shelley Niro), an intimate and deeply moving portrait of acclaimed artist Robert Houle. Experience how Houle transforms memory into art, using his paintings as powerful sites of testimony, where childhood experiences, Canada’s colonial history, and the stories of others who walked similar paths come vividly into view. Attend this screening to witness art as memory, resistance, and remembrance.

FREE tickets are available here.

Image credit: Robert’s Paintings, by Shelley Niro (2011)

 

Presented By TD Bank GroupToronto History Museums