Video Installation and the Poetic of Time
Outer & Inner Space: Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson, and the history of Video Art, 2002, pp. 14 - 21
Richmond: Viriginia Museum of Fine Art/University of Washington Press, 2002
The author focuses on the semiotics and sensorium of video installation as opposed to single-channel video works. Interestingly, at one point in her comparison between the two, she quotes critic Michael Rush on the anticipation of contemporary craze with Reality TV by single-channel, performative early video artists such as Vito Acconci and Bruce Nauman.
ITEM 2002.121 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Yuppie Ghetto with Watchdog (1989 - 90) – Paul Garrin
Tall Ships (1993) – Garry Hill
The Greeting (1995) – Bill Viola
The Blair Witch Project (2000) – Nam June Paik
Blair Witch II – Bruce Nauman
Performance Corridor (1967) – Vito Acconci
The World of Nam June Paik (2000) – Les Lavines
Dawn Burn (1979) – Frank Gillette
Noah's Raven – Ira Snyder
Rapture (1999) – Bruce Nauman`
Stasi City (1997) – Nam June paik
Sip My Ocean (1996) – Mary Lucier
electric earth (1999) – Mary Lucier
Through a Looking Glass (1999) – Shirin Neshat
Blue Husk (2001) – Jane & Louise Wilson
Viewer (1996) – Pipilotti Rist
Doug Aitken
Douglas Gordon
Tony Oursler
Gary Hill