Round Table: The Projected Image In Contemporary Art
October, Spring 2003, no. 104, pp. 71-96
A round table discussion that involves a history of the projected image in art, as well as a description of the way that the projected image is experienced, in terms of how the projected image can allow an artist to show a different side of a moving image.
ITEM 2003.067 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Line Describing A Cone – Anthony McCall
Shutter Interface – Paul Sharits
Spleen – Rosemarie Trockel
betraying a portrait – Liisa Roberts
through a looking glass – Douglas Gordon
The Third Memory – Pierre Huyghe
Dog Day Afternoon – Pierre Huyghe
Sleeptalking – Pierre Huyghe
24 hour Psycho – Douglas Gordon
Cycles – Stephen Beck
Der Sandmann – Stan Douglas
Journey Into Fear – Stan Douglas
Goshogaoka – Sharon Lockhart
Teatro Amazonas – Sharon Lockhart
Situation Leading to a Story – Matthew Buckingham
Wavelength – Michael Snow
Paradise Institute – Janet Cardiff
Paradise Institute – George Bures Miller
I N I T I A L S – James Coleman
Viewer – Gary Hill
Trap Door – Liisa Roberts
Argument – Anthony McCall
Sigmund Freud's Dora – Anthony McCall
Long Film For Ambient Light – Anthony McCall