Rupturing Boundaries: Radical Filmmakers of the Sixties
White Cube/Black Box, May 1996, pp. 303-317
Vienna: Generali Foundation, 1996
Valerie Export named Michael Snow, Joyce Wieland, Yoko Ono and Hollis Frampton as sources of inspiration during her early years. This essay examines their film practice and how it overlaps with Export's concerns. Valerie Export was featured in this catalog of texts curated by Sabine Breitwieser and Ute Meta Bauer.
ITEM 1996.033 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Ontologischer Sprung – Valerie Export
The Far Shore – Joyce Wieland
Water Sark – Joyce Wieland
Hand Tinting – Joyce Wieland
Rat Life and Diet in North America – Joyce Wieland
Reason Over Passion – Joyce Wieland
Pierre Vallières – Joyce Wieland
New York Eye and Ear Control – Michael Snow
Side Seat Paintings Slides Sound Film – Michael Snow
See You Later/Au Revoir – Michael Snow
Wavelength – Michael Snow
Back and Forth – Michael Snow
La Région Centrale – Michael Snow
Seated Figures – Michael Snow
One Second in Montreal – Michael Snow
To lavoisier, Who Died in the Reign of Terror – Michael Snow
No.4 (Bottoms) – Yoko Ono
Film No. 5 (Smile) – Yoko Ono
Fly – Yoko Ono
Rape – Yoko Ono
Manual Arms – Hollis Frampton
Palindrome – Hollis Frampton
Surface Tension – Hollis Frampton
Lemon – Hollis Frampton
Carrots & Peas – Hollis Frampton
Zorns Lemma – Hollis Frampton
Hapax Legomena – Hollis Frampton
Magellan – Hollis Frampton
nostalgia – Hollis Frampton