In the article, A.K Nort explores noise as a primary motif in Kantor's work. Audio and visual distortions are aesthetics of Kantor's that represents the detrimental affects of technology on society. Nort remarks, "for Kantor the spectacle of noise becomes the aesthetic of scream, with excessive noise in the discourse and the discourse dissolving into noise."

Selected video works by Istvan Kantor are listed and described, including Black flag, Red flag, Accumulation, Broadcast, .com scum, Axiom/e