Durational Perception: The Art Work of Peter Campus
Arts Magazine, Dec. Winter 1988, v. 63, no. 4, pp. 76-81
In this article, Hearne Pardee explores Peter Campus' "expressive use of contrast, his interest in monumental images, and his persistent allusions to mortality" (77), in his video art and photography. Continuities and divergences from one medium to the next are discussed as Pardee focuses on the aesthetic, theoretic, and psychological dimensions in Campus's work.
ITEM 1988.093 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Dynamic Fields (1971)
Railroad Turnbridge – Peter Campus
Double Vision (1971) – Richard Serra
Murmur (1987) – Peter Campus
Interface (1972) – Peter Campus
Negative Crossing (1974) – Peter Campus
Set of Coincidence (1974) – Peter Campus
Ius (1976) – Peter Campus
Head of a Man with Dead on His Mind (1978) – Peter Campus
Hidden Shadow (1986) – Peter Campus
Woman's Head (1976) – Peter Campus
Low Sound (1987) – Peter Campus
West 37th (1981) – Peter Campus
Swann's Way – Peter Campus
Marcel Proust