Painting in Time: Robert Armstrong on Painting, Film and Video
Oval Office, Sept. 1998, v. 2, no. 2
Robert Armstrong discusses poetic images and the crystalization of an image in memory as something filmmakers and painters both seek; as something that makes them memorable artists. Armstrong draws similarities between painters' and filmakers' aesthetic styles and the influence they have had over each other. Armstrong also discusses video art as a medium and how it differs from cinema.
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ITEM 1998.080 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Mirror – Andrei Tarkovsky
In the Name of the Father – Jim Sheridan
Solaris – Andrei Tarkovsky
Interior – Degas
Therese Raquin – Zola
The House by the Railroad – Edward Hopper
Double Indemnity – Billy Wilder
Psycho – Alfred Hitchcock
Lost Highway – David Lynch
Last Tango in Paris – Francis Bacon
Pope Innocent X – Bernardo Bertolucci
Battleship – Velazquez
Friday the 13th – Sergei Eisenstein
Canoe-Lake – Sean Cunningham
Die Zeit – Peter Doig
About A Place – Luc Tuymans
Homage to the Woman with the Bandaged Face who I Saw Yesterday Down Walworth Road – Caroline McCarthy
Sacha and Mom – Gillian Wearing
The Raft of the Medusa – Gillian Wearing
Messenger – Gericault
Cremaster – Bill Viola
Basquiat – Matthew Barney
Kids – Julian Schnabel
Search and Destroy – Larry Clark
Mnemonic – David Salle
Robert Longo