Joyan Saunders: Forest City Gallery
Vanguard, Summer 1981, p. 51
Focussing on two serial works by Joyan Saunders Phone and Superstratum, this article explores the relationship between photography and language and the social structures in Saunders' work. Rans notes Saunders' slick aesthetic and the interplay between textual and visual narratives, and the viewer. In both works, Saunders attempts to undercut the notion that photography expresses a kind of ultimate "truth".
ITEM 1981.041 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Phone – Joyan Saunders
Superstratum – Joyan Saunders