Cecilia Canziani interviews Manuel Saiz about his impulse towards the creation of his video artwork. Saiz explains that his binary views on socio-historical, economic and political elements conflicting with art, life and himself as subject pairs heavily inform his work, culminating in the "zero degree of parallelism" (30). Citing Richard Serra's Television Delivers People (1973) as a parallel reference to the institutional critique embedded in his work, Saiz explains how he asserts his personal artistic politics on authorship of digital media and creative economy through his multimedia art.