Sarah Milroy provides a thorough overview on the extremes of self-portraiture and emotion in the show, Auto Emotion. Grappling with loss due to heartbreak or war of with the usage of video and photographic media, Sophie Calle's Exquisite Pain (Countdown), Marina Abramovic's The Onion and Adrian Paci's The Mourner are salient videos that exploit the video medium to explicitly convey internal psychological states. Other works also deal with altered state of consciousness, mental pathology and self-healing. However, Milroy comments that the Power Plant Gallery flawed in showing previously exhibited work by Andrea Fraser--despite its impressiveness---and its inclusion of one thematically irrelevant work (Wohnseifer's painting and video).