Critical Writing Index

Altered Body Maps and the Cinematic Sensorium

by Anna Powell

Cinematic Folds: The Furling and Unfurling of Images, 2008, pp. 232 - 256

Toronto: Pleasure Dome, 2008

From the recent Pleasure Dome publication (Cinematic Folds: The Furling and Unfurling of Images) Anna Powell provides an interesting look into the desire arousing structures of experimental film making. In her essay: Altered Body Maps and the Cinematic Sensorium, Powell approaches film under a Delusian/Gautarrian lens where she discusses a troupe of experimental filmakers and their libidinal investments. Studing the evolution of coded bodies of the biological and psychological, as well as, the structural agenic formations between images and their viewers; their faults and their faness.

** This is an abridged version from Anna Powell, Deleuze, Altered States and Film, (Edinburgh: U of Edinburgh Press, 2007), 100-10, 116-23. Copyright permission courtesy of the author and publisher.

ITEM 2008.116 – available for viewing in the Research Centre

Videos, Artworks and Artists Cited

Dog Star Man, 1961 - 1964 – Stan Brakhage

The Prelude, 1996 – Stan Brakhage

Reflections on Black, 1955 – Stan Brakhage

Projective Verse, 1950 – Charles Olson

Ray Gun Virus, 1966 – Paul Sharits

The Flickr, 1965 – Beverly Conrad

Piece Mandala: End War, 1966 – Paul Shartis

Jacob's Ladder, 1993 – Adrian Lyne

Fuses, 1967 – Carolee Schneemann

Loving, 1957 – Stan Brakhage

Cat's Cradle, 1959 – Stan Brakhage