This very informative and detailed chapter, surveys the history of video art in Canada, its particular evolution in certain provinces, and how it was aligned with geographical political ideology. Controversial Quebec video center, Videographe, which was thought by some as a propaganda tool by separatists is described. And, video's place within the museum, or institution becomes topic of debate. This chapter is written from a Canadian perspective, appearing the book "Art Artist and the Media," which contains international writings on the arts.