Abundant Harvest: The Recordings of Calgary Video Artists and Independents from the EMMEDIA collection 1980-1995
Expanded Standard Timeline: Artists and Electronic Media in Calgary, EMMEDIA 1980 Through 2005, 2009, pp. 118-143
Calgary, Alberta: EMMEDIA, 2009
Karen Knights provides a brief survey on a selection of original single channel video works that are either EM or Centre Art Video productions.
Within this group of videos, Knights describes artworks related to urban development of Alberta, West Coast frontier mythology, formal investigations of video art as a language, feminist and women's issues in the West Coast, and the crisis and politics surrounding the identities of aboriginal people, gender roles, as well as other cultural communities. She also mentions projects such as the Camera Obscura series by Nelson Henricks and Colleen Kerr, which is a series of cable television programs featuring video art screenings and artist interviews. Knights also refers to the following generation of video artists, providing their sources of inspiration, intentions and political issues to compare with those from the early West Coast video artists.
ITEM 2009.081 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Camera Obscura – Colleen Kerr
Camera Obscura – Nelson Henricks
Raven (1995) – Kenneth Doren
Someone Knew It Was Really Happening (199) – Shauna Kennedy
Grunge (1992) – Tim Andruik
Interrupted Attempt (1986) – Grant Poier
Working Text (1988) – Grant Poier
Murderer's Song (1991) – Nelson Henricks
Ground Zero II (1983-84) – Kyle Wagner
Ground Zero II (1983-84) – Ryan Wagner
Ground Zero II (1983-84) – Don Stein
The Dreams of Night Cleaners (1995) – Leila Sujir
Teabell Tolls (1988) – Colleen Kerr
In the Age of Latex Sex (1991) – Judy Cheung
West (1989) – Celine Godberson
Legend (1988) – Nelson Henricks
Site Unseen (1988) – Brian Rusted
The Land of Milk and Honey (and other stories) (1985) – Vern Hume
Buck (1986) – Vern Hume
Buck (1986) – Leila Sujir