The Community Is Watching, and Replying: Art in Public Places and Spaces
Leonardo, Feb. 2002, v. 35, no. 1, pp. 15-21
The author describes her public-art projects and installations, in which she has employed various combinations of video, photography, audio, sculpture and performance, often in collaboration with artist Molly Cleator. The pieces spectacularize unresolved conflicts between the artists regarding what is personally truthful as compared to what society dictates, especially concerning the "three deviants": women, art and nature. The artists question who defines these related realities and how. The author has also offered hundreds of artists a forum called L.A Freewaves, a media arts organization and festival working in traditional and nontraditional venues throughout Los Angeles, in an effort to disseminate community-empowering public art widely.
ITEM 2002.201 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Dark Madonna – Suzanna Lacy
It's Dizzying – Anne Bray
Media Eyes – Anne Bray
Media Eyes – Antonio Muntadas
Single-handedly – Anne Bray
White Out – Anne Bray
Arm Me – Anne Bray
Easy Chair, Electric Chair (1992) – Anne Bray
Easy Chair, Electric Chair (1992) – Molly Cleator
The Gap (1993) – Anne Bray
The Gap (1993) – Molly Cleator
What Can I Say (1994) – Anne Bray
What Can I Say (1994) – Molly Cleator
God Doesn't Have a Mouth (1996) – Anne Bray
God Doesn't Have a Mouth (1996) – Molly Cleator