T.J. Demos offers a critical analysis of Steve McQueen's, Gravesend (2007), exploring the ways in which the short film offers an alternate narrative to the prevailing myth of globalization, challenging its historical inevitability through the blending of the real and the imaginary. Hill also discusses the relationship between documentary and fictional modes of film-making, as well as the risks, advantages and political significance of joining them together. Hill extends his analysis to the Otolith Group's first film, Otolith (2003) and Hito Steyerl's, November (2004).