The Autobiography of Video: Outline for a Revisionist Account of Early Video Art
Critical Inquiry, Winter 2013, v. 39, no. 2, pp. 276-295
Using an alternative historical approach, the author tells the story of video's early and modern days, through a medium-based study of video's relation to social memory, subjectivity, temporality and immediate representation, and technological advancements, resulting in more artistic freedom, as well as the erasing of boundaries between video and film.
ITEM 2013.116 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Mumble – Linda Benglis and Robert Morris
Exchange – Linda Benglis and Robert Morris
Positive-Negative – Keith Sonnier