Steven Ball reviews the exhibition of the artist David Hall at Ambika P3 in London. Ball argues that Hall's 1001 TV Sets (End Piece) not only creates a spectacle of analogue television industrial space, but also foretells that the expanded social space, which television has generated, has migrated onto the network and interacted with a multiplicity of screen-based media. Ball also criticizes the representation of Hall's landmark TV Interruptions in a gallery space, where the work's time-and-site specificity is stripped off and its original purpose to bring art away from elitist institutions is muddled.