Simon Payne offers a review of Malcolm Le Grice’s 2015 interdisciplinary show at the Richard Saltoun Gallery in London England which featured collage, assemblage, digitized versions of the artists past works, and new 3D video works. The author mentions how recycling footage is a main aspect of Le Grice’s practice. Payne catalogues the multiple influences and homage's paid to other artists throughout Le Grice’s work, and makes note of the artists own self-referential tendencies.