This chapter from Reservation Reelism provides a case study of two Indigenous films: Imprint (2007) and It Starts with a Whisper (1993). Each deals with the theme of historical amnesia and uses ghostly figures as a means of addressing this trauma. Raheja further emphasizes the importance of spirituality as an enabling tool for combating colonialism and re-engaging Indigenous epistemologies without attempting to explain particular aspects of specific tribal practices or inviting spectators to partake of Indigenous spirituality through commodification and consumption. The article also uses the concept of the "virtual reservation" to demonstrate how the creators of these films utilize that conceit to foreground, contest, and reinvigorate key concepts such as prophecy, chronology, spirituality, and gender.