Kate Taylor's article profiles the public launch of a new diptych by Cree artist Kent Monkman at the Metropolitan Museum of Art in New York City. Through his paintings, "he is asking the Met and its many visitors to confront North America’s murderous colonial history – as Canada tries exporting Indigenous perspectives and the hope of reconciliation to the United States" (Taylor). These paintings, created under Monkman's direction, represent the artist’s increasingly sophisticated deployment of a revisionist style of history painting.