In this article, Gina Marchetti delves into Cheang's film Fresh Kill and analyzes it within social, political and digital frameworks. Referencing Donna Haraway's article A Manifesto for Cyborgs, Baudrillard's The Ectasy of Communication and Butler's book Bodies That Matter, the article forms a critical understanding in terms of the content of the film and discusses the film based on the the scholars's theoretical concepts and insights. Cheang's Fresh Kill challenges the viewer to become critically aware of connections that usually go unnoticed because they are buried by the speed and complexity of our contemporary global culture of ecstatic communication. Besides, the film comments on communication and attempts to teach the viewer new ways to perceive the world. Considering the narrative structure of the film, it's seen that Cheang employs the settings like Jean-Luc Godard's films and also makes close links with television, video art, performance and installation arts to create a postmodern effect. Overall, the film is about breaking in and challenging conventional understanding.