Vanguard, Oct. 1984, v. 13, no. 8, pp. 39-40
This review of Vera Frenkel's videotape The Last Screening Room: A Valentine examines the tape's concerns, like that of Frenkel's other works, with the authority of received ideas and conventions that convert cultural continuity and historical truth.
ITEM 1984.028 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
The Last Screening Room: A Valentine – Vera Frenkel