This catalogue was published in conjunction with the exhibition Dirty Looks at MoMA: Mining the Collection for which the New York-based collective Dirty Looks re-contextualized queer experimental films and videos by programming them in an institution. The essays in the catalogue provide historical context and visual analysis for the featured films and videos. Including films by Andy Warhol, Lothar Lambert, Julie Zando, and Luther Price.

Contents:

Introduction;

Taylor Mead's Ass by Ronald Gregg;

Letter to the Editor by Peter Goldman and Taylor Mead;

Facing Taylor Mead's Ass by Wayne Koestenbaum;

Blaxploitation Meets Berlin by Priscilla Layne;

Berlin-Blue: "Schwartz ist Heute In" by Malik Gaines;

Looking for, Looking at Black Berlin by Karl McCool;

Untitled by Lior Shamriz;

Pushed to Her Limits: Julie Zando's Uh-Oh! by David Everitt Howe;

Uh-Oh! by Eileen Myles;

from A (d)RAFT OF KISSES by Abigail Child;

He Gut No Dog Dog by Bradford Nordeen;

A Matter of Tape by James Hansen;

All Cinema is Live Cinema by Lia Gangitano;

Going Back to My Old Tricks by Luther Price;