A detailed description of the circumstances surrounding Wanda Nanibush's ousting from her position as the curator for Indigenous art at the Art Gallery of Ontario. The article takes testimony from Nanibush herself, the AGO's director Stephan Jost, and anonymous staffers, artists, committee members and curators to piece together the story. McBride outlines the AGO's decision, prompted by its trustees' discomfort with Nanibush's pro-Palestinian activism, and the effects Nanibush's departure had on the AGO's reputation and relationship with with its Indigenous artists and curators. This article also contains a short biography of Nanibush's life path, and descriptions of the work she did for the AGO.