COUSIN Collective "presents an anthology of writers, artists, and filmmakers who were each meditating and musing on the work of Indigenous Peoples experimenting with the moving image in form and concept." (Quote taken from page 4.)

Edited by Sky Hopinka, Adam Khalil, Alexandra Lazarowich, and Adam Piron. Includes short biographies of all contributors.

Contents: Introduction, by COUSIN Collective; Every Picture Tells a Story, by Paul Chaat Smith; Way We Move, by Lou Cornum; Pure Legend: Dispatch From an Incomplete Search for the DeMille Indians, by Adam Piron; To End and Begin Again: The Work of Victor Masayesva, Jr, by Elizabeth Weatherford; Cousins and Kin, by Fox Maxy and Shelley Niro; Indigenous Cinema and the Limits of Auteurism, by Girish Shambu; Film is the Body, by Sky Hopinka; Anticipation of a Remembrance: The Politics of Continuity in Indigenous Found-Footage and Archival Cinema, by Michael Metzger; Vehicle to Memory, by Caroline Monnet; A Comic, by Walter Scott; The Violence Inherent: Native Videographers Shoot Back, by Adam Khalil and Zack Khalil; Catching Fire: INAATE/SE and the Limits of Documentary, by Adam Spry; Desire Lines: Sky Hopinka's Undisciplining of Vision, by Diana Flores Ruíz; Winyan Yamni: Three Dreams, by Kite; KIN: A Case Study in Indigiqueer Aesthetics, Digital Co-authorship, and Felt Governance, by Jas M. Morgan; Thesis on the Audiovisual, by Colectivo Los Ingrávidos; Reflections on Language Based on the All-Encompassing Sequence Shot: Formal Processes in Bolivian Cinema, by Miguel Hilari; We Are All Aliens in Pandemia, or a Navajo and a Mexican Artist, Bonded by Chicanismo, Reflect on Art and Pandemia, by Guillermo Gómez-Peña and Raven Chacon; To Weave With Light, Ulana me ka mālamalama, by Tiare Ribeaux; Taking the Fiction out of Science Fiction, by Grace Dillon and Pedro Neves Marques; Contributors.