Janis Cole and Holly Dale: Out From the Margins
Arsenal Pulp Press, 2007, pp. 54-66
In his summary introduction, Hays focuses on the filmmakers’ special bond with their marginalized subjects. Getting into the dialogue he covers their time at Sheridan College, decision-making process for choosing topics and details of their filmmaking techniques. As the conversation progresses he segues to the directing team’s past, asking about their close friendship, short lived relationship and how the two met.
ITEM 2007.204 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Cream Soda – Janis Cole
Cream Soda – Holly Dale
Minimum Charge, No Cover – Janis Cole
Minimum Charge, No Cover – Holly Dale
Thin Line – Janis Cole
Thin Line – Holly Dale
P4W: Prison for Women – Janis Cole
P4W: Prison for Women – Holly Dale
Hookers on Davie – Janis Cole
Hookers on Davie – Holly Dale
Calling the Shots – Janis Cole
Calling the Shots – Holly Dale
Blood & Donuts – Holly Dale
A Married Couple – Alan King
Bowie: One in a Million – Janis Cole
Dangerous Offender – Janis Cole
Dangerous Offender – Holly Dale
Heritage Series: Agnes Macphail – Janis Cole
Heritage Series: Agnes Macphail – Holly Dale
Shaggie: Letters from Prison – Janis Cole
Dead Meat – Holly Dale
Quiet on the Set: Filming Agnes of God – Janis Cole
Quiet on the Set: Filming Agnes of God – Holly Dale
Kay Armatage
Rick Hancox
Frederick Wiseman
Margarethe von Trotta
Lee Grant