"From Iglulik to the Museum of Modern Art in New York, the Cannes Film Festival, the Venice Biennale, and back again, Isuma has had an immense and far-reaching impact on Indigenous filmmaking, language, and cultural storytelling. Reflecting on a trip North in the early 1990s, prior to the international acclaim, curator and writer Sarah Milroy delves into the collective's legacy, their presentation of the time and what Isuma's work means for us all." (p. 42)