Contents: Credo For American Indian Theatre, by Lloyd H. Kiva New (Excerpted from Indian Theatre: An Artistic Experiment in Progress);

**Forward by Candice Hopkins; Prelude: Why a Reader? by Candice Hopkins; Editorial Note by Candice Hopkins;** (?)

Oral History by G. Peter Jemison; Sovereignty: A Line in the Sand by Jolene Rickard; On Occupation and Firsts Curatorial Note by John G. Hampton; Indian Theater and Native Self-Determination: An Artistic Experiment in Progress by Candice Hopkins; Reading Nanook's Smile: Visual Sovereignty, Indigenous Revisions of Ethnography, and Atanarjuat (The Fast Runner) by Michelle H. Raheja; Sick and Tired of Living on Stolen Land (2023) New Red Order with Riley Hooker;

**Editorial Note by Candice Hopkins**

Oral History by Spiderwoman Theater; Performance Art and Native Artist: An rEvolutionary Mix? by Aiyyana Maracle; BEADING + WEAVING by Szu-Han Ho and Eric-Paul Riege (with Hólǫ); NDN Theatre: Notes on olo lol olo lol olo by Eric-Paul Riege; Suk by Tanya Lukin Linklater; Event Scores from the Glossory of Insistence by Tanya Lukin Linklater; Speaking to Water, Singing to Stone: Peter Morin, Rebecca Belmore, and the Ontologies of Indigenous Modernity by Dylan Robinson;

**Editorial Note by Candice Hopkins**

Notes on Indian Theatre and Theatre Practice by Rolland R. Meinholtz (Excerpted from Indian Theatre: An Artistic Experiment in Progress); a shape, a slightly flattened half-circle, Curatorial Note by Brandee Caoba; DON'T MAKE ME OVER Performance Script with Monologue by Arielle Twist and Jeffrey Gibson; Notes on DON'T MAKE ME OVER by Jeffrey Gibson; why I write scores by asinnajaq; To Be Unbodied by Billy-Ray Belcourt; Fastest Growing Contemporary Art (2022) by New Red Order;

**Editorial Note by Candice Hopkins**

In a Wilderness garden by Rebecca Belmore; AN INFECTED SUNSET by Demian DinéYazhi'; Oral History by Theo Jean Cuthand; Creative Combat: Resurgent Artistic Practice by Leanne Betasamosake Simpson; Call Me in 93': An Interview with James Luna Steven Durland; When I Travelled to the Newcomers' Homelands Miss Chief Eagle Testickle (Kent Monkman and Gisèle Gordon); You Are Never Just One Thing in One Place: Tricksters and Contrary Spirits, A Discussion between Cheryl L'Hirondelle, Joseph Naytowhow, and Richard William Hill; The Big Night (2015) by Walter Scott

**Editorial Note by Candice Hopkins**

On the Commodification of Native Culture by Candice Hopkins; Luna Remembers by Paul Chaat Smith; Oral History by Rebecca Belmore; Give it Back: Masterpiece Theater (2023) by New Red Order with Riley Hooker