Video

dead end job

Ryan Stec

2004, 06:26 minutes, colour

TAPECODE 713.01

dead end job was created using a surveillance camera system connected to a digital video mixer. Using the movement of the urban environment surrounding the surveillance system as the launching point the video mixer helps move the images into a blurry dreamscape. Feedback and colorization techniques turn buildings into rivers of architectural shapes as the city is transformed to an abstract dream world. The title refers to the context within which the work was created. The surveillance camera system used belonged to the arts center in downtown Ottawa where I worked at the reception. The video was created during my work hours.

Rental and Sales

Single Screening Rental

$140.00

Educational Purchase DVD (Bluray +$15)

$260.00

5 Year Educational Streaming License, Digital File with DVD Circulation Copy

$550.00

Gallery Exhibition and Installation, complete Media Request form for quote

Institutional Archival Acquisition, complete Media Request form for quote

Curators and programmers, please contact distribution@vtape.org to receive a login and password to preview Vtape titles online.

Screening and exhibition rentals and archival acquisitions include public performance rights; educational purchases or licenses include rights for classroom screenings and library circulation. When placing an order the customer agrees to our general online terms and conditions. Payment (or a purchase order number) and a signed licensing agreement must be received before media can be shipped to the client.

Critical Writing

Captured and Controlled: Critiquing Surveillance through The Camera
by Sarah E. K. Smith. Sorting Daemons: Art, Surveillance Regimes and Social Control, 2010. Kingston: Agnes Etherington Art Centre, 2010.