2008, 11:44 minutes, colour
For Loop Holes, Kubota uses the Video Lab to recontextualize a single, 14 minute, improvisational sound poem. By sequentially staggering and then looping and rearranging each sequence in a random pattern, Kubota's performance is transformed into an endless, aleatoric nonet which combines meta-language, vocables and physical gestures in a fascinating recuperation of space, time and memory. Loop Holes creates a sense of opto-acoustic textural chaos in the audio-visual field.
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