In this three-part short film, filmmaker Kelly O’Brien begins with her daughter Emma’s reflections on her disabled brother Teddy and how she imagines he sees the world. O’Brien then shifts into the past to address the question of how to depict disability on the screen while a young Emma dances around Teddy.… ⊕

The title Am I Mourning What I Never Lost? refers to the mundanities of living with a permanent hearing loss from birth, therefore never having technically “lost” anything. Artist R. James Edwards documents his experience with the medical system and the ways his disability is viewed and grieved for by outsiders… ⊕

Via augmented reality, Google’s ready-made 3D animals, once promoted as the “perfect quarantine activity,” are juxtaposed with hand-drawn depictions of holes in the Earth. Animals stand tentatively at the edge, tread water in, or seem trapped within these crevasses. Some of these holes are moulins —… ⊕

Anthem is a reimagining of the traditional television broadcast sign-off. Before the era of 24-hour digital streaming, televisions went to sleep. The daily broadcast sign-off was a ritualistic farewell, wrapping viewers in a blanket of stylized patriotism and nostalgic imagery accompanied with a national anthem before fading… ⊕

The global pandemic rages on even as authorities loosen regulations, leaving two immunocompromised Anishinaabe lovers vulnerable to a world that wants to abandon them. George lives with his Gokmis on a northern reserve, while his partner Eileen lives in Toronto. The universal stressors of long-distance relationships are… ⊕