Sans titre

1990, 01:00 minutes, colour


Sans Titre deals with distortion and dilation by the object, space and time. The place, the sculpture-object, and the prescribed one-minute length determined the multi-dimensional character of the video. Shutter and grain effects were used during the shooting, and the techniques of incrustation, dissolve, freeze and slow-motion during the editing. The sound track blends with the different rhythm levels of the images.

Le lieu, l'objet-sculpture et la durée prescrite d'une minute constituent l'axe multi-dimensionnel de l'expérience du tournage et de la post-production. Effets d'obturation et utilisation du grain dans la caméra; incrustation, fondu, arrêt sur l'image et ralenti lors du montage, avec bande sonore tenant compte de plusieurs niveaux imagés du rythme.

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Critical Writing

11e Biennale De Paris: Les Canadiens
by Unknown. Parachute, Fall 1980, no. 20.