While a TV journalist examines the contradictory homo-eroticism and imperialism of a film version of Rudyard Kipling's Jungle Book her husband confronts the politics of fantasy and washroom sex. A pseudo narrative whose disperate threads unite in the final "documentary" sequence.
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Critical Writing
by . Minneapolis: Walker Art Centre, 2000.
by . YYZ Books, McGill University, 1995.
by . Now, Feb. 23, 1994, v. 13, no. 26.