The Peripatetic Device, two iron hemispheres with imprints of my feet in the middle of each, proposes another way of trying to understand one of the most perplexing human phenomenon - the leitmotif of walking and displacement.
While standing on two balancing iron hemispheres and attempting to play the violin, I revisit the present and past memories that sculptured my body and my mind. In particular, I aspire to take the viewer on an uneasy journey that would allow him/her to contemplate on what is idiotic and paradoxical about our human nature. In order to forge my artistic and personal credo I need to question my current status quo and challenge it during a peripatetic exercise.
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Critical Writing
by . C Magazine, Winter 2002, no. 76.
by . Grounded, 1999, no. 2002-II. Warsaw: Kinga Araya, Ryszard W. Kluszczynski, 1999.