Video

Frank's Cock

Mike Hoolboom

1993, 08:00 minutes, colour, English

TAPECODE 566.20

“This is one of the most assured films I have ever seen. In the simplest of frames, in monologue, Vancouver actor Callum Rennie plays a man remembering his lover lost to AIDS. Hoolboom fills his words with blood and the space behind Rennie with blood-rich images. Eight minutes of pure, perfect cinema.” Cameron Bailey, NOW Magazine

“The overwhelming losses brought about by the AIDS crisis have, in recent years, stimulated a body of artwork of extraordinary passion and urgency. In Frank’s Cock, Mike Hoolboom, one of Canada’s most prolific experimental filmmakers, uses multiple screens as a backdrop to a man, facing the camera, telling the story of a relationship severed by AIDS. The visuals are hypnotic — here, the stark beauty of an individual, shot in black and white, is juxtaposed with a stream of impressionistic colour images. In a beautifully modulated performance, Callum Rennie plays a character whose lover, Frank, is dying. The emotional tenor of Rennie’s monologue builds delicately but steadily, as the details of his relationship with Frank unfold, an achievement which is particularly significant given the film is only eight minutes long. Frank’s Cock deservedly garnered Hoolboom the NFB Award for best Canadian short at the Toronto film festival.” Karen Tisch, Take One

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Critical Writing

The Romance of Transgression in Canada: Queering Sexualities,...
by Thomas Waugh. Montreal and Kingston: McGill-Queen's University Press, 2006.
20 years film: The filmmakers
by Susan King. Now, Oct. 25, 2001, v. 21, no. 8.
Interview with Mike Hoolboom: The filmmakers
by Cameron Bailey. Lux A Decade of Artists' Film and Video, 2000. Toronto: YYZ Books/Pleasure Dome, 2000.
Mike Hoolboom: Fringe Filmmaker Flaunts Subconscious in Ode to...
by Cameron Bailey. Now, Oct. 8, 1998, v. 18, no. 6.
Hoolboom ranks with Snow, Weiland, Cronenberg: Indie ace's new...
by Peter Goddard. The Toronto Star, Oct. 9, 1998.
Loving a Disappearing Image: Indie ace's new Panic Bodies screens...
by Laura U. Marks. Cinemas, Fall 1997, v. 8, no. 1-2.
Loving a Disappearing Image
by Laura U. Marks. Cinemas: Journal of Film Studies, 1997, v. 8, no. 1-2.
Outer Limits: The Cinema of Mike Hoolboom
by Geoff Pevere. Take One, Summer 1995, no. 9.