Stephen Andrews

Stephen Andrews was born in 1956 in Sarnia, Ontario Canada. Over the last twenty five years he has exhibited his work in Canada, the U.S., Brazil, Scotland, France and Japan. He is represented in the collections of the National Gallery of Canada, the Art Gallery of Ontario, the Belkin Art Gallery, the Schwartz Collection, Harvard as well as many private collections. His work deals with memory, identity, technology and their representations in various media including drawing, animation and recently painting.

Artist Code: 741



2016, 10:26 minutes, colour, No language

the 1st part of the 2nd half

2015, 17:30 minutes, colour, English

Dramatis Personae

2012, 06:10 minutes, colour

play god

2011, 04:32 minutes, colour, Silent


2007, 00:45 minutes, colour, music/sound

On Message

2006, 09:14 minutes, Colour, English

The Quick and The Dead

2004, 01:27 minutes, Colour, silent

Quicktime Interruptus

2004, 01:33 minutes, Colour, English

Critical Writing

The Story So Far: An Interview With Stephen Andrews
by Robert Enright. Border Crossings, Winter 2011, v. 30, no. 4.
An Artist Connects the Dots
by Sarah Milroy. The Globe and Mail, Jan. 19, 2008.
Queer View
by Jon Davies. Xtra!, Mar. 27, 2008, no. 611.
Picture Maker: Stephen Andrews: From the Shadows of Mass Media
by Alexander Nagel. Canadian Art, Winter 2007, v. 24, no. 4.
On Creaturely Life
by Pleasure Dome. Possible Worlds, 2007. Nowich: Aurora, 2007.
Portrait of an artist in the age of AIDS
by John Bentley Mays. The Globe and Mail, May 6, 1989.
The Revolver: The Embattled Body: Aids and the Current Crisis of...
by Dot Tuer. Canadian Art, Summer 1989, v. 6, no. 2.