Barbara Sternberg
Canadian artist Barbara Sternberg has been making experimental films and video tapes and installations since the mid-seventies. Though differing stylistically from her films, for which she is better known, her videos deal with similar large themes: how we perceive reality, how we situate ourselves as humans in the world, how we live with the knowledge of death. Sternberg’s videos have been shown in galleries such as Owens Art gallery, Sackville, N.B., at Pleasure Dome and Ontario Cinematheque in Toronto, and recently her work has been featured at Exis Festival in Seoul, S. Korea and WNDX Festival in Winnipeg. She was a founding member of two artist-run centres: Pleasure Dome, Toronto and Struts gallery in Sackville.
Sternberg’s website www.barbarasternberg.com has information on all her films and videos plus articles written by and about her. She lives and works in Toronto.
Artist Code: 558
Videography
2017, 09:45 minutes, colour, English
2016, 03:25 minutes, colour, English
2016, 08:15 minutes, colour, English
2016, 09:10 minutes, colour, English
2016, 08:15 minutes, colour, English
2014, 06:32 minutes, Colour, English
2014, 07:30 minutes, colour
2013, 14:52 minutes, colour, English
2013, 05:20 minutes, colour, English
2013, 21:43 minutes, colour, English
2011, 09:56 minutes, colour, English
2005, 30:00 minutes, colour, English
2004, 10:48 minutes, Colour, English
2004, 05:34 minutes, Colour
2003, 13:00 minutes, colour, English
2003, 16:30 minutes, Colour, English
2003, 23:00 minutes, colour, English, Indonesian
2003, 24:00 minutes, colour
2002, 28:00 minutes, colour
2002, 03:00 minutes, colour, English
2002, 38:00 minutes, colour, English
Illuminations: A Book Of Letters
2002, colour, English
2001, 25:00 minutes, colour, English
2000, 13:00 minutes, colour, English
2000, 07:17 minutes, colour, English
1997, 13:51 minutes, colour, English
Critical Writing
by . like a dream that vanishes the films of barbara sternberg, 2000. Toronto: The Images Festival of Independent Film and Video and Pleasure Dome, 2000.
by . Afterimage, July 2000, v. 28, no. 1.
by . Toronto: Gutter Press, 1997.