This article is the third in a series of posts where we are looking back into Vtape’s history and focusing on past events that we have been a part of. In our previous two posts we examined the 1999 and… ⊕
Past Events Archive
- 2026
- 2025
- 2024
- 2023
- 2022
- 2021
- 2020
- 2019
- 2018
- 2017
- 2016
- 2015
- 2014
- 2013
- 2012
Blasting the Past: TRANZ<--->TECH 2001
Continuing on with our recent highlighting of past years’ events, in this post we will examine the second of the three TRANZ<—>TECH Video Art Biennials that happened between the late 1990s and early 2000s. This second iteration of TRANZ<—>TECH took… ⊕
Vtape Welcomes Four New Participants
We are pleased to announce that we have made our selections for the upcoming Curatorial Incubator v.13 series of programming and workshops. Earlier this year we posted a call for submissions for emerging curators to propose a project that somehow… ⊕
Blasting the Past: TRANZ<--->TECH 1999
Something was up in Toronto in the fall of 1999, something unusually collaborative and optimistic. Pleasure Dome, Trinity Square Video, Vtape and the curatorial collective VVV (Dara Gellman and Leslie Peters) put their heads and their individual resources together and… ⊕
Coming Soon: Curatorial Incubator v.13 Selection Results
All of the submissions are in for The Curatorial Incubator v.13 – The Job of Life. Thank you to all of those who submitted application packages, we are now currently in the process of making our selections. The curators who… ⊕
Since opening our doors in 1983, Vtape has presented a substantial program of screenings, exhibitions, artists’ talks, and publications. Events from 2012 to the present are represented here in this archive. This online resource reflects a combination of event-based programming, exhibitions, and education dedicated to the development of video art and new and diverse audiences. The Past Events Archive is organized by year, starting with the most recent events, and moving backwards through history.
Image credit: Installation view of God Play exhibition, October 2024; photo by Henry Chan (2024)