APRIL 10 TO MAY 15 2015 Opening Reception: Friday April 10 2015, 4-7pm In conjunction with the 2015 Images Festival, co-presented by the Goethe-Institut Workshop with the artist: Saturday April 11 2015, 11am-1pm at Vtape Set in Detroit, Ball Spielen… ⊕
Past Events Archive
- 2026
- 2025
- 2024
- 2023
- 2022
- 2021
- 2020
- 2019
- 2018
- 2017
- 2016
- 2015
- 2014
- 2013
- 2012
Curatorial Incubator V.12: In Perpetual Search for The Self
Curated by Shauna Jean Doherty March 6 – April 9, 2015 Opening Reception: Friday, March 6, 2015, 6-8pm (curator’s talk at 7pm) This year, The Curatorial Incubator, v.12 – A Portrait of the Artist as a Young Brat asked… ⊕
Curatorial Incubator v.12: Bad Timing
Curated by Adam Barbu February 6 – March 5, 2015. Opening Reception: Friday, February 6, 2015 6-8pm Curator’s talk at 7pm This year The Curatorial Incubator, v.12 – A Portrait of the Artist as a Young Brat asked emerging curators… ⊕
Curatorial Incubator v.12: Exercises for Precarious Living
Curatorial Incubator v.12 opens with Daniella Sanader’s program, Exercises for Precarious Living, an exploration of anxiety as it manifests in the work of artists who perform the self but refuse the improvement side of the equation. ⊕
Hanging Out in Deephaven
The videos curated by Amber Christensen for Hanging Out in Deephaven adopt an ambiguous relationship with the concept of age, while performing a form of temporal drag that languishes in-between adolescence and adulthood. ⊕
Since opening our doors in 1983, Vtape has presented a substantial program of screenings, exhibitions, artists’ talks, and publications. Events from 2012 to the present are represented here in this archive. This online resource reflects a combination of event-based programming, exhibitions, and education dedicated to the development of video art and new and diverse audiences. The Past Events Archive is organized by year, starting with the most recent events, and moving backwards through history.
Image credit: Installation view of God Play exhibition, October 2024; photo by Henry Chan (2024)