Cornelia Wyngaarden

A well known cultural dissident and important voice of Canadian feminism, Wyngaarden has been a pioneering force in the development and institutionalization of new media in Vancouver. Along with producing theoretically complex and formally compelling works of video and sculpture, Wyngaarden rallied, fought and forged for years at both Video In and Western Front to lay the ground rock on which much of the Vancouver’s media community flourished.

Artist Code: 005


The Dead Man Was a Woman

1992, 20:00 minutes, colour, English

Natural Resources

1988, 18:00 minutes, English

Milk On The Dining Room Floor

1986, 15:00 minutes, colour, English

As A Wife Has A Cow: A Love Story

1985, 45:00 minutes, colour, English

Technology Knows No Sacred Cows

1984, 04:00 minutes, colour, English

Trial by Media

1983, 45:00 minutes, colour, English

Starling Man

1983, 08:00 minutes, colour, English

Critical Writing

Unendurable Boredom Not Part of This Show
by Robin Laurence. The Georgia Straight, May 14, 1993.
VIVA award winners' works provide a powerful display
by Ann Rosenberg. Vancouver Sun, May 1, 1993.
Ecostructure, gender equality, subtly explored on video
by Ann Rosenberg. Vancouver Sun, May 1, 1993.
Vera Frenkel: Interviewed by Cornelia Wyngaarden
by Cornelia Wyngaarden. Video Guide, 1986, v. 8, no. 3.
A luminous site
by Art Perry. The Province, Mar. 24, 1986.
As A Wife Has A Cow
by Sara Diamond and Cornelia Wyngaarden. Video Guide, 1986, v. 8, no. 37/2.
Video Vancouver
by Karen Henry. Canadian Video Art, 1985. S.N., 1985.