Ulrike Rosenbach
Ulrike Rosenbach was born in 1943 Bad Salzdetfurth, Germany. From 1964 to 1972 Rosenbach studied sculpture at the Kunstakademie Dusseldorf. In 1970 she became a master student of Prof. Joseph Beuys.
In 1971 Rosenbach produced her first video-work and her first performance work in 1972. Since than, she has worked in video/audio, photography, performance as well as media installations.
In the mid-seventies, her artwork addressed feminist concerns such as the traditional role models of women. In 1975 she founded a workshop “school for feminist creativity” in Köln. Subsequently she performed a series of media performances at various international art institutes.
Ulrike Rosenbach received international recognition for her work and is a reputed media-artist of her generation from Germany. In 1977 her installation and performance work was exhibited at Documenta 6 in Kassel / Germany and 1987 at Documenta 8. For her work Rosenbach was rewarded with various art awards.
After 1985 Rosenbach`s artwork concentrated on media-installation, media-sculpture, drawing and mixed media/photography.
From 1989 – 2007 she was a professor for “for new medias in the arts” at Hochschule der Bildenden Künste Saar in Germany. She also curated a series of art projects for and with her students. She recently initiated a net archive for women-media-artists with her students: www.bild-rausch.com
Ulrike Rosenbach currently lives and works as a freelance artist in Köln/Colon, Germany.
Artist Code: 172
Videography
Or-phelia - A Transformation Piece (...Ein Transformationsstueck)
1988, 35:00 minutes, colour
Dreamwind (Der Wind meiner Traeume)
1987, 08:00 minutes, colour
1987, 30:00 minutes
Eleven - Understanding is like Heat (Eleven - Verstehen ist wie Hitze)
1985, 10:00 minutes, colour, English
The Female Fool (Die Eulenspieglerin)
1985, 20:00 minutes, colour
Inner Landscape - Insight Image (Innere Landschaft - Inneres Bild)
1984, 20:00 minutes, colour
Meeting with Eve and Adam (Begegnung mit Ewa und Adam)
1984, 30:00 minutes, colour
1983, 15:00 minutes, colour
Uphill Mount Everest (Aufwaerts zum Mount Everest)
1983, 11:00 minutes, colour
Who is afraid of the Dark Woman? (Wer hat Angst vor der Schwarzen Frau?)
1982, 10:00 minutes
1981, 13:00 minutes, colour
Judowomen have Messengers as Assistants (Judofrauen haben als Hilfe boten)
1981, 30:00 minutes, colour
Sounds of Lotus Buds (Lotus-Knosten-Toene)
1980, 15:00 minutes, colour
Dance Around A Tree (Tanz um eine Baum)
1979, 30:00 minutes, B&W, colour
1979, 12:00 minutes
1978, 30:00 minutes, colour
My Strength is my Weakness (Meine Macht ist meine Ohnmacht)
1978, 60:00 minutes, B&W
1977, 60:00 minutes, B&W
Women's Culture - Attempt to Make Contact (Frauenkultur - Kontaktversuch)
1977, 15:00 minutes, B&W
1977, 20:00 minutes, colour
Reflections On The Birth Of Venus (Reflexion ueber die geburt der Venus)
1976, 15:00 minutes, colour
Female Energy Change (Weiblicher Energie Wechsel)
1976, 15:00 minutes, B&W
Dance For A Woman (Tanz fuer eine Frau)
1975, 08:00 minutes, B&W
1975, 08:00 minutes, B&W
Don't Believe I Am An Amazon (Glauben sie nicht, dass ich ein amazon bin)
1975, 11:00 minutes, B&W
Video Concert 1: Improvisation
1973, 25:00 minutes, B&W
Wrapping With Julia (Einwicklung mit Julia)
1972, 05:00 minutes, B&W
Critical Writing
by . Frontiers, 2012, v. 33, no. 2.
by . Independent Media, Nov. 1988.
by . Going Public - three evenings of videotapes by women, 1984.
by . Toronto: N/A, 1984.
by . Afterimage, May 1983, v. 10, no. 10.
by . German Video and Performance, 1980.