Vera Frenkel
Vera Frenkel, one of Canada's most renowned multidisciplinary artists, lives and works in Toronto. Respected both internationally and at home, her installations, videotapes, performances and new media projects address the forces at work in human migration, the learning and unlearning of cultural memory, and the ever-increasing bureaucratiz ation of experience.
Her work has been seen at documenta IX (Kassel); the Setagaya Art Museum (Tokyo); the National Gallery of Canada; the Museum of Modern Art (New York); Tate Britain; the Venice Biennale, the Freud Museum (London), and the Martin Gropius Bau Museum (Berlin), among other key venues. Recent exhibitions include Body Missing (Altaussee Salt Mine, Austria); ONCE NEAR WATER: Notes from the Scaffolding Archive (13th Shanghai Biennale, China); (EM/Media, Calgary); Vera Frenkel: Cartographie d'une pratique |Mapping a Practice (SBC Gallery, Montréal); Exchange and Evolution (Long Beach Museum of Art, California). In demand as a speaker and visiting artist, Frenkel's writings have appeared in anthologies such as Penser l'indiscipline (Eds. Lynn Hughes, Marie-Josée Lafortune, Concordia University/Optica, 2003), Museums after Modernism (Eds. Griselda Pollock, Joyce Zemans, Blackwell, 2007), and Vera Frenkel (Monograph, Ed. Sigrid Schade, Hatje Cantz, Berlin, 2013), in publications such as artscanada, Art Monthly, Canadian Art, FUSE, intermédialités, n.paradoxa and Public. Recipient of honorary doctorates from the Nova Scotia College of Art and Design and Emily Carr University, Vancouver, and of major awards including the Bell Canada Award for Video Art, the 2006 Governor Gerneral's Award in Visual and Media Arts, and the 2007 iDMAa (International Digital Media & Arts Association) Award, Vera Frenkel has been inducted as a Fellow of the Royal Society of Canada: Academies of the Arts, Humanities and Sciences, a rare honour for an artist.
Artist Code: 122
Videography
2012, 09:00 minutes, colour
2008, 15:25 minutes, colour, English
1995, colour, English, French and German
Body Missing (also 6 channel installation of 6 tapes, each 6:00)
1994, 36:00 minutes, colour, English, German
The Transit Bar at Documenta IX, June - Sept. 1992
1992, 23:00 minutes, colour, English, German
1992, 32:00 minutes, colour, Yiddish, Polish
1990, 09:10 minutes, colour, English
The Business of Frightened Desires; Or, the Making of a Pornographer
1987, 25:00 minutes, colour, English
Lost Art: A Cargo Cult Romance
1986, 28:00 minutes, colour, English
The Last Screening Room: A Valentine
1984, 44:00 minutes, colour, English
Stories from The Front (& The Back): A True Blue Romance
1981, 60:01 minutes, colour, English
The Secret Life of Cornelia Lumsden, Part 2: “...And Now, the Truth” (A Parenthesis)
1980, 31:00 minutes, colour, English
The Secret Life of Cornelia Lumsden, Part 1: Her Room in Paris
1979, 60:01 minutes, colour, English
Signs of a Plot: A Text, True Story & Work of Art
1978, 60:01 minutes, colour, English
Introduction to Some of the Players
1977, 22:00 minutes, colour, English
Critical Writing
by . Toronto: Vtape, 2019.
by . Moving Image Review & Art Journal (MIRAJ), Dec 1, 2015, v. 4, no. 1&2. Intellect Ltd, 2015.
by . The Toronto Star, Nov. 26, 2014.
by . The Globe and Mail, Nov. 28, 2014.
by . Canadian Theatre Review, Winter 2013, no. 153.
by . Trans/acting culture, writing, memory: essays in honour of Barbara Godard, 2013. Waterloo: Wilfrid Laurier University Press, 2013.
by . Prefix Photo, Spring 2009, no. 19.
by . Fuse, July 2007, v. 30, no. 3.
by . The State of The Arts: Living with Culture in Toronto, 2006. Toronto: Library and Archives Canada Cataloguing in publication, 2006.
by . Analogue, 2006. Preston: Electronic and Digital Art Unit, 2006.
by . Locus Suspectus - Where the Hidden Comes to Light, 2004. Calgary: Truck Contemporary art, 2004.
by et al. Freud Museum catalogue., Mar. 2003.
by . The Institute or What we do for love, 2003. Toronto: Hart House University of Toronto, 2003.
by . The Institute or What we do for love, 2003. Toronto Ontario: Hart House University of Toronto, 2003.
by . Financial Times, Mar. 21, 2003.
by et al. Vera Frenkel: Body Missing, 2003. London: Freud Museum, 2003.
by . Lost in the Archives, 2002. Toronto, On: Alphabet City Media Inc., 2002.
by . Border Crossings, Aug. 2000, v. 19, no. 3.
by . Program - Video Pool Inc., Winnipeg, Nov. Fall 2000.
by and . Art Journal, Winter 1998, v. 57, no. 4.
by . Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
by . Images Festival of Independent Film and, 1997. Toronto: Northern Visions, 1997.
by . The Toronto Star, Jan. 6, 1996.
by . The Globe and Mail, Jan. 3, 1996.
Vera Frenkel: Body Missing, 1996. Bremen: Gesellschaft fur Aktuelle Kunst, 1996.
by . Mirror Machine : Video and Identity, 1995. Toronto: YYZ Books, 1995.
Vera Frenkel: The Body Missing (Web) Project, 1995. Montreal: ISEA 95 Montreal: 6th International Symposium on Electronic Art, 1995.
by . YYZ Books, McGill University, 1995.
by . Vera Frenkel: Raincoats Suitcases Palms, 1993. Toronto: Art Gallery of York University, 1993.
by and . Vera Frenkel: Raincoats Suitcases Palms, 1993. Toronto: Art Gallery of York University, 1993.
by . Halifax Chronicle Herald, July 1993.
by . NOW, Dec. 30 Winter, 1993, v. 13, no. 18.
by . The Globe and Mail, June 16, 1992.
by . Canadian Art, Summer 1992, v. 9, no. 2.
by . The Globe and Mail, Sept. 8, 1989.
by . Fuse, Fall 1989, v. 13, no. 1 & 2.
by . Independent Media, Nov. 1988.
by and . 1988 American Film Institute Video Festival, Fall 1988.
by and . Toronto: A Play of History (Jeu d'histoire), 1987. Toronto: The Power Plant, 1987.
by . From Sea to Shining Sea, 1986. Toronto: The Power Plant, 1986.
by . Satellite Video Exchange Society, Dec. 1986, v. 15, no. 5.
by . Video Guide, Sept. 1986, v. 8, no. 38.
by . The Winnipeg Perspective, 1985. Winnipeg: The Winnipeg Art Gallery, 1985.
by . Canadian Video Art, 1985. S.N, 1985.
by . Video '84, - Recontres Vidéo Internationales de Montreal, 1984, v. sept.
by . The Globe and Mail, Sept. 1, 1984.
by . Going Public - three evenings of videotapes by women, 1984.
by . Centre Letters, Aug. 31, 1984, v. 5, no. 18.
by and . British/Canadian Video Exchange '84, 1984. London: Canada House Cultural Centre, 1984.
by . Toronto: N/A, 1984.
by . Toronto: Litho Offset, 1984.
by . The Globe and Mail, Nov. 26, 1983.
by . The Second Link - Viewpoints on a Video in the Eighties, 1983. Banff: Walter Phillips Gallery, 1983.
by . Likely Stories; Works by Vera Frenkel, 1982. Kingston: Agnes Eterington Art Centre, 1982.
by . Fuse, Nov. 1981, v. 5, no. 8 & 9.
by . artscanada, Mar. 1981, no. 240.