Tom Sherman
Tom Sherman was born in Michigan and received a BFA degree from Eastern Michigan University. In 1972 he immigrated to Toronto where he helped establish A Space’s video production and exhibition programs. He was also active with Art Metropole and numerous artist-run venues throughout the 1970s, publishing his conceptual/literary texts and developing his practice as a video performance artist. In 1980 he was one of the founding editors of Fuse magazine. That same year he represented Canada at the Venice Biennale in the groundbreaking “Canada Video” exhibition. In 1983 the National Gallery of Canada mounted “Cultural Engineering,” a ten-year survey of his video, installations and text works.
His interdisciplinary work has been featured in hundreds of international exhibitions, festivals, broadcast and Web venues, including the Vancouver Art Gallery, the Musee d’art contemporain and Festival International des Film sur l’Art (Montreal), Museum of Modern Art (New York), Musee d'art moderne de la ville de Paris, LUX Cinema (London), Montevideo (Amsterdam), In Video (Milan), Kunstradio and Wiener Konzerthaus (Vienna), Ars Electronica (Linz), Documenta X (Kassel) and Sender Freies Berlin. His published monographs include “3 Death Stories” (Art Metropole 1976), “1 Traditional Methodology for Processing Information” (Art Gallery of Ontario 1978), “The Banff Information Base,” co-authored with Jan Pottie (Walter Philips Gallery, Banff Centre 1981), “Cultural Engineering” (National Gallery of Canada 1983) and “Before and After the I-Bomb” (Banff Centre Press 2002).
Sherman was the founding Head of the Canada Council’s Media Arts Section in 1983. In 1991 he was appointed the Director of the School of Art and Design at Syracuse University. In 1993 he began performing and recording with the Austrian artist Bernhard Loibner in the duo Nerve Theory. He received the Bell Canada Award for excellence in video art in 2003 and the Governor General’s Award in Visual and Media Arts in 2010. He is a Professor at Syracuse University, teaching video production and media art history in its Department of Transmedia. A dual citizen of Canada and the US, he splits his time between Syracuse, New York, and his Canadian home on the South Shore of Nova Scotia.
Artist Code: 366
Videography
I am an Insect but I love you like a mammal
2018, 12:36 minutes, English
Broken Neckers Ring Sublime (Right)
2016, 29:09 minutes, colour
Broken Neckers Ring Sublime (Left)
2016, 29:09 minutes, colour
The climate is changing at Syracuse University
2016, 01:43 minutes, colour, English
See the text comes to read you
2016, 07:28 minutes, colour, English
Learning to see the laboratory where the robot is programmed to work
2016, 15:23 minutes, colour, English
Fox behaviour documented from automobile
2016, 09:51 minutes, colour, English
2013, 06:34 minutes, colour, Spanish
Apes AND Wildflowers OR Spiders NOT Urbanity
2013, 33:26 minutes, colour, English
2012, 02:19 minutes, colour, English
2012, 06:00 minutes, colour, English
Karen Crocker fires up crowd in Port Mouton Bay
2012, 03:42 minutes, colour, English
2012, 03:00 minutes, colour, English
The recurring Nightmare in Port Mouton Bay
2012, 08:48 minutes, colour, English
2012, 03:47 minutes, colour, English
2012, 04:17 minutes, colour, English
2012, 04:19 minutes, colour, English
The new economy is the economy of existence
2012, 04:09 minutes, colour, English
2012, 05:53 minutes, colour, English
2011, 09:35 minutes, colour, English
2011, 09:05 minutes, colour, English
2011, 20:00 minutes, colour, English
2011, 08:30 minutes, B&W, English
2009, 26:52 minutes, colour, English
2007, 04:20 minutes, colour, English
2007, 03:30 minutes, colour, English
2007, 01:30 minutes, colour, English
2006, 02:50 minutes, colour, English
2006, 03:00 minutes, colour, English
2005, 09:00 minutes, colour, English
The Face is the Logo of the Human Body
2005, 14:00 minutes, colour, English
2005, 08:00 minutes, colour, English
2005, 08:00 minutes, colour, English
2004, 04:00 minutes, colour, English
The October Tapes: Before Letting Go, Declarations, Free Fall
2004, 18:14 minutes, Colour, English
Off-Kilter: The Appearance of Voice
2004, 04:57 minutes, Colour, english
Off-Kilter: Addressable Memory
2004, 06:20 minutes, Colour, english
2003, 08:00 minutes, colour, English
2003, 07:00 minutes, Colour, english
2003, 02:23 minutes, colour, English
2002, 02:48 minutes, Colour, english
2001, 07:37 minutes, colour, English
SUB/EXTROS (1), HALF LIVES, SUB/EXTROS (2), SUB/EXTROS (3)
2001, 25:50 minutes, colour, English
1999, 05:25 minutes, colour, English
1999, 05:20 minutes, colour, English
1999, 04:30 minutes, colour, English
1999, 03:10 minutes, colour, English
1999, 04:30 minutes, colour, English
Shades of Catatonia/Nerve Theory
1998, 55:00 minutes
Fear of heights and falling: Motion Pictures At English Bay
1990, 06:20 minutes, colour
1990, 08:50 minutes, colour
1990, 08:40 minutes, colour
Equidistant Relationships (two channels, EDR-A, EDR-B) Part A
1989, 62:00 minutes, colour, English
Equidistant Relationships (two channels, EDR-A, EDR-B) Part A
1989, 62:00 minutes, colour, English
Exclusive Memory Part 3 (4-9-19)
1987, 57:17 minutes, B&W, English
Exclusive Memory Part 2 (5-8-16)
1987, 61:23 minutes, B&W, English
Exclusive Memory Part 1 (7-11-12)
1987, 60:53 minutes, B&W, English
1981, 26:00 minutes, colour, English
1980, 28:00 minutes, colour, English
1978, 03:00 minutes, B&W
1978, 25:20 minutes, B&W
1978, 28:00 minutes, colour, English
1977, 28:00 minutes, colour, English
1977, 28:50 minutes, colour, English
Critical Writing
by . Toronto: Vtape, 2019.
by . V tape, 2015.
by . Toronto: Vtape, 2014.
by . Toronto: Images Festival, 2013.
by . Leonardo, Oct. 22, 2012, v. 24, no. 2.
by and . Edmonton: Art Gallery of Alberta, 2012.
by . C Magazine, Winter 2011, no. 112.
by . Sorting Daemons: Art, Surveillance Regimes and Social Control, 2010. Kingston: Agnes Etherington Art Centre, 2010.
by . Toronto: Vtape, 2008.
by . Analogue, 2006. Preston: Electronic and Digital Art Unit, 2006.
by . Before and After the I-Bomb: An Artist in the Information Environment, 2002. Banff: Banff Centre Press, 2002.
by . Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
by . Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
by . Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
by . Before and after the I Bomb An artist in the information environment, 2002. Banff: Banff Centre Press, 2002.
by . Before and after the I Bomb An artist in the information environment, 2002. Banff: Banff Center Press, 2002.
by . Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
by . Before and After the i-bomb, 2002. Banff: Banff Centre Press, 2002.
by . Toronto: YYZ Books, 1996.
by . Videotexts, 1995. Waterloo: Wilfred Laurier University Press, 1995.
by . YYZ Books, McGill University, 1995.
by . From A Reservoir of Predictions, 1990. Toronto: Art Metropole, 1990.
by . C Magazine, June Summer 1990, no. 26.
by . Cinema Canada, Sept. 1988, no. 155.
by . Canadian Video Art, 1985. S.N, 1985.
by . Fuse, Nov. 1981, v. 5, no. 8 & 9.
by . Fuse, Mar. 1981, v. 5, no. 2+3.
by . artscanada, Mar. 1981, no. 240.
by . Realism: Structure & Illusion Towards a Definition of Representational Art, 1981. Burlington: Burlington Cultural Centre, 1981.
by . Centerfold, June 1979, v. 3, no. 5.