Artist

Artist Code: 869

Videography

It Ain't What You Think

1987, 28:00 minutes

Literacy Now

1986, 27:00 minutes, colour, English

You Can't Keep Us Down

1985, 23:00 minutes

Black Perspectives: Sharing Culture

1985, 16:00 minutes, English

Critical Writing

Tanya Lukin Linklater's Choreography of Space
by Kari Cwynar. Inuit Art Quarterly, 2916, v. 29.2.
Consciously Incoherent: Anti-aesthetics & Associational Networks...
by Zach Pearl.
Night Raiders director Danis Goulet on why setting Indigenious...
by Radheyan Simonpillai. Night Raiders director Danis Goulet on why setting Indigenious stories in the future is activism, Mar 2, 2021. Now Toronto, 2021.
Thirza Cuthand in conversation with Nicole Gingras
by Nicole Gingras.
Woody Vasulka, Whose Video Art Extended Boundaries, Dies at 82
by Richard Sandomir. The New York Times, January 1, 2020.
Videopoetry Vol. 1
by Daniel H. Dugas and Valerie LeBlanc. Small Walker Press, 2020.
Planetary thinking: Re-encountering Nancy Holt's and Robert...
by Maria Walsh. Moving Image Review & Art Journal, 2020, v. 9, no. 2. Intellect Ltd, 2020.
Inuit artists featured for 1st time at Venice Art Biennale
by Megan Williams. CBC, May 11, 2019.
Inside Out 2019 Women Directors
by Rachel Montpelier. Women and Hollywood, May 24, 2019.
Isuma Is a Cumulative Effort
by assinnajaq. Canadian Art, april 22, 2019.
Outer Worlds
by Jesse Cumming. Canadian Art, May 23, 2019.
To Salvage an Archive
by Jasmine Jamillah Mahmoud. Canadian Art, June 6, 2019.
You Want Our Art but Not Our People
by Lindsay Nixon. Canadian Art, May 23, 2019. Canadian Art, 2019.
Super Queeroes
by Peter Knegt et al.
Sky Hopinka: Cloudless Blue Egress of Summer
by Sheila Regan. C Magazine, 2019, no. 142.
Chloe Lum and Yannick Desranleau: What Do Stones Smell Like in the...
by Karie Liao. C Magazine, 2019, v. 140.
Who's Afraid of the Lesbian Haunted House?
by Ariel Levy. The New Yorker, Nov 4, 2019.
Beyond These Kastle Walls
by Tausif Noor. Artforum, nov 4, 2019.
A closer look at Seven Sisters
At the Met, Cree artist Kent Monkman asks visitors to confront...
by Kate Taylor. The Globe and Mail, 2019.
DIGITAL SUTURES
by Kristin L. Dowell. CULTURAL ANTHROPOLOGY, 2018, v. 33, no. 2.
Transitions
by James Cullingham. ActiveHistory.ca, Mar 5, 2018. History Department at the University of Saskatchewan and Huron University College, 2018.
Inuit Filmmaking That Sparks a Fire
by Camille Georgeson-Usher. Canadian Art, Jan 23, 2018.
The Chaos of Displacement
ArtStars, Nov 14, 2018.
O PIONEER!
by Rachel Churner. Artforum, Apr 2018.
Second International Handbook of Internet Research
by Jeremy Hunsinger et al. Cham: Springer Link, 2018.
LORNA MILLS, Or the Uses of Ugliness
by Seth Berry Watter. Millennium Film Journal, 2018, v. 2, no. 67.
KINO SKULPTUR PROJEKTE
by Annie Dell'Aria. Millennium Film Journal, 2018, v. 5, no. 67.
THE OLD AND THE NEW, IN SITU at the 2017 Berwick Film & Media Arts...
by Greg De Cuir Jr. Millennium Film Journal, 2018, v. 2, no. 67.
Ways of Seeing After the Internet
by Johanna Gosse. Millennium Film Journal, 2018, v. 2, no. 67.
Spell Reel by Filipa César
by Jill Glessing. C Magazine, 2018, v. 139.
Kent Monkman
by Robert Everett-Green. The Globe and Mail, Jan 6, 2017. The Globe and Mail, 2017.
Kent Monkman marks Indigenous response to Canada 150 at Toronto Pride
by Kenny Sharpe. The Globe and Mail, June 23, 2017. The Globe and Mail, 2017.
'To Think the Home in Terms of the Factory'
by Elisa Adami and Alex Fletcher. Third Text, Jan 2017, v. 31, no. 1. Routledge, 2017.
Oral history interview with AA Bronson, 2017 March 3, 5, and 6
by Theodore Kerr. Archives of American Art, March 2017.
From Reel to Real -- an epilogue
by Maud Jacquin. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
Discoveries in the biscuit tin
by Sarah Neely. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
Artists' dialogues - Transnational exchanges
by Nooshin Farhid et al. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
Mediatized memories in Mark Leckey's Dream English Kid 1964-1999 AD
by Sarah Durcan. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
In memoriam Stuart Croft (1970-2015)
Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
The Performance of Trauma in Moving Image Art, Dirk de Bruyn...
by Maria Walsh. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
Inuit Art Collective Isuma to Represent Canada at 2019 Venice Biennale
Canadian Art, Dec 13, 2017.
The Diaspora That Never Happened
by Aaditya Aggarwal. Canadian Art, Dec 4, 2017.
Using Art to Rethink the Legacy of Nazi Germany
by R.M. Vaughan. the Walrus, Oct 27, 2017.
The Invention of Glitch Video
by Michael Betancourt. Millennium Film Journal, 2017, v. 2, no. 65.
The interval and the instant
by Steven Eastwood. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1 & 2.
Dinh Q. Le
by Denise Tsui. Art AsiaPacific, Jan 2016.
Conflict, Coercion, and Settler Colonialism in Western Canada
by Sean Carleton. Canadian Dimension, Spring 2016, v. 50, no. 2.
Kunstlerhaus Stuttgart
by Travis Jeppesen. Art in America, July 2016, v. 104, no. 6.
Pleasure, Pain, and Politics Ellen Cantor in New York
by Dana Kopel. Art in America, Oct 19, 2016.
The Disquieting Muses
by Leslie Jamison. The White Review, Sept 2016, no. 18.
Ellen Cantor
by Chris McCormack. Art Monthly, June 2016, no. 397.
Breath Taker
by Robert Enright and Meeka Walsh. Border Crossings, Dec 2016, v. 35, no. 4.
Canadian Film Week
by Janet Smith et al. The Georgia Straight, Apr 13, 2016.
Park Chan-Kyong's Asian Gothic as 'the Most Sublime Hysteria' in...
by Choi Jong-chul. Third Text, 2016, v. 30, no. 5-6. Routledge, 2016.
Reading the Morphology of Ben Rivers's chemical landscapes
by Patrick Tarrant. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1 & 2.
Sexual Assault
by Leah Sandals. Canadian Art, Sept 13, 2016. Canadian Art, 2016.
Playing and Dying Between the Real and the Hyperreal
by Laura M F Bertens. Third Text, Mar 2016, v. 30, no. 1-2. Routledge, 2016.
Sexual Assault
by Michelle Da Silva. Now Toronto, Sept 14, 2016. Toronto: Now Toronto, 2016.
Anything is Possible
by Ksenia Robbe. Third Text, 2016.
Much ado about medium
by Liz Kim. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
1970s British experimental film
by Patti Gaal-Holmes. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Expanded cinema
by Chris Welsby. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Deictic transformers
by Nevena Ivanova. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Hiding in plain sight
by Laura Guy. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Projective art and the ‘staging’ of empathic projection
by Ken Wilder. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Melanie Manchot in conversation with Pratap Rughani
by Melanie Manchot and Pratap Rughani. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Jennet Thomas in conversation with Kyran Joughin
by Jennet Thomas and Kyran Joughin. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Karen Mirza and Brad Butler in conversation with Andrew Vallance
by Karen Mirza et al. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
The Inoperative Community, Raven Row, London, 3 December 2015 to...
by Catherine Elwes. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Pastoral Idyll
by Dan Hays. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Feminisms
by Maria Walsh. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Video Void, Australian Video Art, Matthew Perkins (ed.) (2014)
by Steven Ball. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Installation and the Moving Image, Catherine Elwes
by Kim Knowles. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
'Electronic Superhighway', curated by Omar Kholeif
by Paul O'Kane. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
The Extended Scene
by Francisco-Fernando Granados. Drain, 2016, v. 13:2. Drain Mag, 2016.
Close Readings
by Richard William Hill. C Magazine, Summer 2016.
TRANS PACIFIC TRANS MISSIONS. Video Art Across the Pacific
by Rodolfo Andaur et al.
Serious Games: Harun Farocki
by Ming Lin. Art AsiaPacific, Mar/Apr 2015, no. 92.
Hacker, Hoaxer, Whisleblower, Spy, The Many Faces of Anonymous:...
by Gabriella Coleman. Hacker, Hoaxer, Whisleblower, Spy, The Many Faces of Anonymous, Sept 13, 2015.
CABAC: New Moving Image from Scotland
by Luke Collins. Glasgow: LUX Scotland, 2015.
Sara Angelucci, A Mourning Chorus: Exhibition Review
by Magdalena Vasko. The Senses and Society, Apr 2015, v. 10, no. 1.
This Director Edited 400 (Pretty Shitty) Canadian Movies Into One...
by Chris Dart. Vice, July 9, 2015.
Cancon Cinematic Crap Compressed into one Batshit Crazy Film
by Craig Takeuchi. The Georgia Straight, July 13, 2015.
Performing the Document in Francis Alÿs's Re-enactments
by Emily Rose Lyver-Harris. Invisible Culture, Apr 18, 2015, no. 22.
Filmmaker to Receive Award for Work Featuring LGBT Communities
by Annie Pei. nbcnews.com, Dec 11, 2015.
Comedie Concrete
by Stuart Munro. Art AsiaPacific, Apr 2015.
Days Push Off Into Nights
by Amani Vassiliou. Art AsiaPacific, Mar 2015.
Moving Light, Roving Sight
by Marybeth Stock. Art AsiaPacific, Feb 2015.
The Abstractions of Geopolitics
by Joleen Loh. Art AsiaPacific, June 2015.
The Late Style
by Jennifer Field. Art AsiaPacific, Nov 2015.
Dwelling
by Simon Frank. Art AsiaPacific, Oct 2015.
Trespassing Hollywood: Property, Space, and the "Appropriation Film"
by Richard Misek. October, Summer 2015, no. 153.
Hito Steyerl
by Rachel Stevens. Millennium Film Journal, Fall 2015, v. 62. New York City: Millennium Film Workshop, 2015.
Aleesa Cohene
by Leah Turner. Border Crossings, June 2015, v. 34, no. 2.
Emily Vey Duke and Cooper Battersby: Here is Everything
by Anneka Herre. Vdrome, Dec 2015.
Best Canadian Films of All Time: The Canuck Canon Pulls a Fast One
by John Semley. The Globe and Mail, May 29, 2015.
Patty Chang & David Kelley
by Andrew Gurian. Millennium Film Journal, Spring 2015, no. 61.
Cut to Swipe
by Rachel Valinsky. Millennium Film Journal, Spring 2015, no. 61.
For the creative, procrastination can be a work of art
by Russell Smith. The Globe and Mail, Sept 18, 2015.
"Material Girls" Takes up Space at the Dunlop
by Lauren Fournier. Canadian Art, Apr 2, 2015.
Cecelia Condit: "I Have Always Explored the Eerie, Dark Side of...
River's Edge, Aug 4, 2015.
Malcolm Le Grice No Idea
by Simon Payne. Millennium Film Journal, 2015.
The Singular Voice(s) of Vera Frenkel
by Catherine Elwes. Moving Image Review & Art Journal (MIRAJ), Dec 1, 2015, v. 4, no. 1&2. Intellect Ltd, 2015.
'I Am A Man'
by Rosa Nogués. Moving Image Review & Art Journal (MIRAJ), Dec 2015, v. 4, no. 1&2. Intellect Ltd, 2015.
Reading the Strange Case of Woman-as-Appliance
by August Jordan Davis. Third Text, Sept 2015, v. 29, no. 4-5. Routledge, 2015.
Small Monuments
by Naomi Vogt. Third Text, May 2015, v. 29, no. 3. Routledge, 2015.
The Time of Camp, or, Camp as Ruin
by Ricky Varghese. The Word Hoard, Jan 2015, v. 1, no. 3. Arts and Humanities Commons, 2015.
A Different Kind of Love Song: Vidding Fandom's Undercommons
by Alexis Lothian. Cinema Journal, Spring 2015, v. 54, no. 3. Austin: University of Texas Press, 2015.
Remixing Culture And Why The Art Of The Mash-Up Matters
by Ben Murray. Tech Crunch, Mar 22, 2015.
Performatorium: Festival of Queer Performance
by Jon Davies. C Magazine, Summer 2015, no. 126.
They Made a Day be A Day Here: Prairie Positive
by Alison Cooley. Canadian Art, Jan. 16, 2014.
In Search of Blind Joe Death: The Saga of John Fahey
by Dennis Rozanski. Mojoworkin.com, Feb. 2014.
Heather & Ivan Morison: Smile All the While
by George Vasey. Art Monthly, Mar. 2014, no. 374.
Paul McCarthy: Black and While Tapes: Everyone Agrees: Meetings...
by Anna Gritz. Art Monthly, Mar. 2014, no. 374.
Seeing the Unseen: An Interview with Public Studio
by Nives Hajdin. C Magazine, Winter 2014.
Post-Medium Condition and Intericonic Art Theory: On the...
by Nina Gerlach. Journal of Art History, 2014, v. 83, no. 1.
Kailey Bryan: Bits & Places Rogue Gallery, Eastern Edge Artist Run...
by Gloria Hickey. C Magazine, Spring 2014, no. 121.
Artists' Walks: The Persistence of Peripateticism
by Michael Vass. C Magazine, Spring 2014, no. 121.
Amalie Atkins, Brian Cauley, Kathryn Ruppert-Dazai and Ellyn...
by Penelope Smart. C Magazine, Spring 2014, no. 121.
Juliana Pivato, Maura Doyle and Laura Taler: bones kneel in company
by Anna Khimasia. C Magazine, Winter 2014, no. 120.
NILBAR GÜREŞ
by Berin Golonu. Art in America, Jan 1 Winter, 2014, v. 107, no. 1.
Akram Zaatari: All is Well
by Amber Berson. C Magazine, Summer 2014, no. 122.
Drink in Vera Frenkel's art homecoming at MOCCA: One of Canada's...
by Murray Whyte. The Toronto Star, Nov. 26, 2014.
Must-see mischief: The fundamental strangeness of Frenkeland at MoCCA
by James Adams. The Globe and Mail, Nov. 28, 2014.
New Vistas? Aboriginal animations and digital dreams at the...
by Jennifer Gauthier. Continuum: Journal of Media & Cultural Studies, 2014, v. 28, no. 4.
Eschewing Limitation: Omar Kholeif on Jennifer Chan
by Omar Kholeif. Images Festival, 2014. Toronto: Images Festival, 2014.
V-Tape Founder Shares All
by Clarrie Feinstein. The Newspaper, 2014, v. 37, no. 3.
Where Does It Hurt?: Artspeak, Vancouver
by Sydney Hart. C Magazine, Winter 2014, no. 124.
Interview with Brett Kashmere
by Brett Kashmere. The Magic Bird: The Best of Basketball Art + Design, Dec 8, 2014.
Truth at 24 Frames Per Second and Ball Don't Lie: Brett Kashmere's...
by Adam Nayman. The L Magazine, Dec 31, 2014.
"Out to See Video": EZTV'S Queer Microcinema in West Hollywood
by Julia Bryan-Wilson. Grey Room, Summer 2014, no. 56.
Life of Always a Mirror
by Joo Han. Art AsiaPacific, Dec 2014.
Motion Sketch: Len Lye
by Paul Laster. Art AsiaPacific, Sept/Oct 2014, no. 90.
Translation and Transcription:: A Conversation with Shelagh Keeley
by Ben Portis. Momus, Dec 23, 2014.
Home Video Returns: A Conversation with Shelagh Keeley
by Alexandra Juhasz and Ted Kerr. Cineaste, 2014, v. 39, no. 3. Cineaste Publishers, 2014.
Until You Get to Know Me
by Kenneth White. Millennium Film Journal, Spring 2013, no. 57.
Nathaniel Mellors
by Ilaria Gianni. Artforum, 2013.
In the Mosaic: Jewish Identities in Canadian Performance and...
by Carol Zemel. Canadian Theatre Review, Winter 2013, no. 153.
David Askevold: Art Gallery of Nova Scotia
by Gabrielle Moser. Artforum, May 21, 2013.
In Another Time: Nostalgic Pasts and Utopian Futures in Yael...
by Laliv Melamed. Artpapers.org, Jan. 21, 2013, no. 37:01.
Richard Rhodes's Top 3 of 2013: Imagination and Reality
by Richard Rhodes. Canadian Art, Dec. 20, 2013.
Fahey's A Jolly Good Fellow:: In Search of Blind Joe Death Reviewed
by Sean Kitching. The Quietus, Feb. 21, 2013.
Isuma: Inuit Video Art by Michael Robert Evans, and: The Fast...
by Kristin G. Congdon. Journal of American Folklore, Summer 2013, v. 126.
Apichatpong Weerasethakul
by Lawrence Chua. New Art Publications, 2013.
True Confessions of a Video Art Pioneer: How the Influential...
by Pac Pobric. art basel Miami Beach Daily Edition, Dec. 6, 2013.
Defining an Identity in Art
by Sun Shuangjie. Global Times, Dec. 24, 2013.
Love Stories: Mark Boulos interviewed by Jonathan Harris
by Jonathan Harris. Art Monthly, Nov. 2013, no. 371.
Docu-Art Dilemmas: Francis Frascina on schisms, 'splitting' and...
by Francis Frascina. Art Monthly, Mar. 2013, no. 364.
James Richards
by Omar Kholeif. Art Monthly, Mar. 2013, no. 364.
Canadian pair describe Cairo jail ordeal: Doctor and filmmaker...
by Patrick Kingsley. Guardian Weekly, Oct. 18, 2013, v. 189, no. 19.
Ultimate Participation Video: Shirley Clarke's Tee Pee Video Space...
by Beth Capper. Art Journal, Spring 2013, v. 72, no. 1.
Idle No More
by T.J. Demos. Camera Austria, 2013, v. 124.
Reversing Time's Arrow in Nam June Paik's Guadalcanal Requiem
by Gabrielle Gopinath. Quarterly Review of Film and Video, 2013, no. 30.
Liquid Assets
by Sukhdev Sandhu. Sight and Sound, May 2013.
Agenda British Columbia: VIEW Keith Wallace
by Keith Wallace. Canadian Art, Fall 2013.
Assembled in the Light: Louidgi Beltrame and a Fiction of the Modern
by Lisa Steele. Canadian Art, Fall 2013.
The Autobiography of Video: Outline for a Revisionist Account of...
by Ina Blom. Critical Inquiry, Winter 2013, v. 39, no. 2.
The Audiovisual Field in Bruce Nauman's Videos
by Armin Schafer. Osiris, Jan. 2013, v. 28, no. 1.
Building Community through Filming Community: The process behind...
by Shannon Walsh. POV, Winter 2013, no. 92.
Avant-3D: Notes on Experimental Stereoscopic Cinema and its...
by Ray Zone. Public, July Summer 2013, v. 47, no. 24.
David Askevold: Once Upon a Time in the East
by Jane Affleck. C Magazine, Fall 2013, no. 119.
The Success of Failure
by Anonymous. Border Crossings, Mar. 2013, v. 32, no. 1.
Images Festival
by Cotter Sam. C Magazine, Fall 2013, no. 119.
Jordan Wolfson: Raspberry Poser
by Jen Hutton. C Magazine, Summer 2013, no. 118.
Sara Angelucci: Provenance Unknown
by Jennifer Rudder. C Magazine, Fall 2013, no. 119.
Sense and Sensibility: Harvard's Sensory Ethnography Lab
by Adam Nayman. POV, Fall 2013, no. 91.
Upping The Anti:: Documentary, capitalism and liberal consensus in...
by Ezra Winton. POV, Winter 2013, no. 92.
Rosa Barba:: Subject to Constant Change
by Bob Dickinson. Art Monthly, Apr. 2013, no. 365.
Shaun Gladwell: Cycles of Radical Will
by Paul Carey-Kent. Art Monthly, Apr. 2013, no. 365.
Moral Holiday: Northern Gallery of Contemporary Art Sunderland
by Paul Usherwood. Art Monthly, Jan. 2013, no. 362.
Camille Henrot: A Hunter-Gatherer During a Time of Collective...
by Andrea Picard. Cinema Scope, Fall 2013, v. 15, no. 56.
Video's Migrant Geography: Ursula Biemann's Sahara Chronicle
by T.J. Demos. The Migrant Image: The Art and Politics of Documentary during Global Crisis, 2013. London: Duke University Press, 2013.
Queen West filmmaker, John Greyson, launches 40 episode series on...
by Erin Hatfield. The parkdale-Liberty Villager, Jan. 10, 2013.
Networked Bodies in Cyberspace: Orchestrating the Trans-Subjective...
by April Durham. Art Journal, Sept Fall 2013, v. 72, no. 3.
Part One: Language and Interdisciplinarity: (Re-)contextualizing...
by Karl E. Jirgens. Trans/acting culture, writing, memory: essays in honour of Barbara Godard, 2013. Waterloo: Wilfrid Laurier University Press, 2013.
Patrimonialization and Filiation at the National Film Board of...
by Marion Froger. American Journal of Canadian Studies, 2013.
Shading the Orient
by Lital Khaikin. Guerilla magazine, Dec 11, 2013.
Director Igor Drljaca finds creativity in traumatic events
by Justin Skinner. City Centre Mirror, Jan 29, 2013.
Anonymous in Context: The Politics and Power behind the Mask
by Gabriella Coleman. CIGIonline, Sept 2013, v. 3.
The Voice as Uncanny Index in Susan Hiller's The Last Silent Movie
by Alexandra M. Kokoli. Art Journal, Summer 2013, v. 72, no. 2.
The Making of Labour: The Movie
by Sven Lutticken. Fillip, Mar Spring 2013, no. 18.
Work: Meaning
by Mieke Bal. Thinking in film: the politics of video installations according to Eija-Liisa Ahtila, 2013. Bloomsbury Publishing, 2013.
Transcendence and Transformation: Q+A with Bill Viola
by Camille Hong Xin. Art in America, Feb 13 Winter, 2013.
WikiLeaks and Anonymous Respond to Status Quo Journalism:...
by Christian Christensen. Aljazeera, July 29, 2013.
Performance in Sophie Calle's Prenez soin de vois
by Shirley Jordan. French Cultural Studies, Aug Summer 2013, v. 24, no. 3.
Colonizing the Exhibition Space
by Willem de Rooij and Anna-Sophie Springer. Fillip, Mar Spring 2013, no. 18.
Jamelie Hassan:: At the Center of Marginality
by Amra Ali. Nutka Art, 2013, v. 8, no. 2.
Science Faction: Larissa Sansour
by Kevin Jones. Art AsiaPacific, Nov/Dec 2013, no. 86.
Embedded Aggression Implied or Enacted
by Grahame Weinbren. Millennium Film Journal, Spring 2013, no. 57.
'Disturbance': an exhibition by Willie Doherty
by Pryle Behrman.
'Media is Sensational'
by Duncan White. Moving Image Review & Art Journal (MIRAJ), Oct 2013, v. 2, no. 2. Intellect Ltd, 2013.
They Made A Day Be A Day Here
by Shawna Dempsey et al.
Riding the Wet, Wet Wave: An Interview with A.K. Burns and A.L....
by Anthea Black. No More Potlucks, Jan. 2012, no. 19.
Home Front: Abbas Akhavan and the art of place
by Hadani Ditmaris. Canadian Art, Spring 2012, v. 29, no. 1.
Out in the Cold: Rebecca Belmore on blankets and Aboriginal history
by Lee-Ann Martin. Canadian Art, Spring 2012, v. 29, no. 1.
Jason de Haan and Miruna Dragan
by Jan Peacock. Canadian Art, Spring 2012, v. 29, no. 1.
A New Native Art
by Marsha Lederman and Rafal Gerzak. The Globe and Mail, Feb. 29, 2012.
Art Attack: Documentary filmmakers struggle to put culture on screens
by Matthew Hays. POV, Spring 2012, no. 85.
State of the Art (World): The 2012 Reel Artists Film Festival
by Adam Nayman. POV, Spring 2012, no. 85.
IDFA's DocLab and the Interatice Documentary
by Melanie Sevcenko. POV, Spring 2012, no. 85.
Queer Women's Performance Symposium
by Laine Newman. Canadian Theatre Review, Winter 2012, v. 149.
Toronto festival spotlights an indigenous new wave that's...
by Guy Dixon. The Globe and Mail, June 24, 2012.
The Screen Politics of Architectural Light Projection
by Abigail Susik. Public, 2012, v. 23, no. 45.
"Father of video art" Nam June Paik gets American Art Museum exhibit
by Maura Judkis. Washington Post, Dec. 12, 2012.
Turner Prize goes to video artist Elizabeth Price
by David Ng. Los Angeles Times, Dec. 4, 2012.
Reifying Desire 5
by Jacobly Satterwhite. Art Papers, Nov. Fall 2012.
Gary Stevens: Now and Again: Southampton City Art Gallery, 14...
by David Trigg. Art Monthly, Dec. 2012, no. 362.
Contemporary Art and Cybernetics: Waves of Cybernetic Discourse...
by Etan J. Ilfeld. Leonardo, 2012, v. 45, no. 1.
The Art of Joseph Grigely: Deafness, Conversation, Noise
by Susannah B. Mintz. Journal of Literary & Cultural Disability Studies, 2012, v. 6, no. 1.
The Color of Your Socks: A Year With Pipilotti Rist (review)
by Mike Leggett. Leonardo, 2012, v. 45, no. 3.
I Say I Am: Women's Performance Video from the 1970s
by Maria Troy. Video Data Bank, 2012.
After the New American Cinema: Shirley Clarke's Video Work as...
by Thomas F. Cohen. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
Early Video Pioneer: An Interview with Skip Blumberg
by Melanie La Rosa. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
Art of Projection (review)
by Wendy Haslem. Cinema Journal, Winter 2012, v. 51, no. 2.
Streaming Alterity
by Steph Rogerson. Border Crossings, May Spring 2012, v. 1, no. 122.
Like a Girl's Name: The Adolescent Drag of Amber Hawk Swanson,...
by Anna Watkins Fisher. TDR: The Drama Review, Spring 2012, v. 56, no. 1.
Words of Fire
by Daniel Baird. Canadian Art, Spring 2012, v. 29, no. 1.
Home Fronts
by Hadani Ditmars. Canadian Art, Spring 2012, v. 29, no. 1.
Cinematographic Rigour: A Case of Four Indian Filmmakers
by Amrit Gangar. Cinema of Prayoga (conference website), 2012.
Early Video Pioneer: An Interview with Skip Blumberg
by Melanie La Rosa. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
From TVTV to YouTube: A Genealogy of Participatory Practices
by Stephanie Tripp. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
Sky Projectors, Portapaks, and Projection Bombing: The Rise of a...
by Abigail Susik. Journal of Film and Video, Summer 2012, v. 64, no. 1-2.
Experimental Screens in the 1960's and 1970's: The Site of Community
by Tess Takahashi. Cinema Journal, Winter 2012, v. 51, no. 2.
Media Burn: What's in a Name
by Tom Weinberg. Journal of Film and Video, 2012, v. 64, no. 1/2.
Guerrilla Television in the Digital Archive
by Sara Chapman. Journal of Film and Video, 2012, v. 64, no. 1/2.
What is Cinema in a Digital Age?: Divergent Definitions from a...
by Peter Kiwitt. Journal of Film and Video, 2012, v. 64, no. 4.
MOUNIRA AL-SOLH: The Ventriloquist's Humor
by Nat Muller. ArtAsiaPacific, Mar. 2012, no. 77.
Monopolies and Maquiladoras: The Resistant Re-encoding of Gaming...
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Immersed in the single channel: Experimental media from theater to...
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The Representations of the Female Body in the Multimedia Works of...
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The extraction/fusion apparatus: Dayna McLeod's engaged mash-up...
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Wassily Kandinsky's Concerning the Spiritual in Art and the video...
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Performing Essentialism: Reassessing Barbara Hammer's Films of the...
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Sculpting Time: An Interview with Michael Snow
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Bruce Elder's Film Digital Hybrids & Materialist Historiography
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A Time to Gather Stones: Nomadism after War in Susanne Slavick's...
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Asian American Women Artists: Performative Strategies Redefined
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Prying Eyes: Trevor Paglen makes art out of government secrets
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Dialogue Across Decades:: BLW and People's Communication Network...
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"VT is Not TV":: The Raindance Reunion in the Digital Age
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Pressed into the Service of Canada: Issues in Preserving the...
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Conductor, Choreographer, King of Arms: Questions for Rashaad...
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From TVTV to YouTube:: A Genealogy of Participatory Practices
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The Buttons on Pandora's Box:: David Tudor and the Bandoneon
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Queer Film Classic Series: Cutting-edge books on gay and lesbian...
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Gender Diasporist: Shawn Syms interviews Tobaron Waxman
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A Refusal of Images
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Hybrid Hijinks: Oliver Husain's Art of Cinema, Performance,...
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Viewers' Reactions Part of Art
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Trust Me: Richard Foreman's Invitation to "Deep Trance Behavior"
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Affect in Deleuze, Hijikata, and Coates:: The Politics of Becoming...
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Two or three things I know about him
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In War Times: Fictionalizing Iraq
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Time Out: An exploration of the possibilities for archived...
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The Thing About Obomsawin's Indianness: Indigenous Reality and the...
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Laure Prouvost: Incorrect Syntax
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Michael Snow: In the Way
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The re-emergence of the film/video loop
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(De)Constructed Memory: The Transformation of Subjective...
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Five Thousand Feet is the Best:: Omer Fast Interviewed by Eyal Weizman
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Queering Palestine: Piercing Eytan Fox's Imagined Bubble with...
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The Ultras: Ronnie Close: Interviewed by Liam Devlin
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Seamus Harahan: Cold Open
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Sung Hwan Kim
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Nooshin Farhid
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The Video Closet: Nollywood's Gay-Themed Movies
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Road to Somewhere: Ken Lum Now and Then
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Oh, Canada: An American Curator Looks North
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'New Romantics": St. John's The Rooms
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Prime Mover: Conceptualism in Motion: Exhibition 2
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Alona Rodeh and the Art of Camouflage
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Wavelengths and Future Projections
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Declining Democracy
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The Present as Enduring Past: Recollecting Through the Works of...
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On Making Art: Paul O'Kane on the act of making and the making of...
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ImagineNative Festival:: Drama out of trauma
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Metis Rose video released by Duck Lake filmmaker
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Affect and Exchange
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West Bank Road Atlas
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The Last Pictures: Interview with Trevor Paglen
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James Richards
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Recycled Cinema as Material Ecology: Raphael Montañez Ortiz's...
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The Emergence of Steina
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This Story Begins and Ends With Us: Basma Alsharif
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Modern Women: Single Channel
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"Situações-Limites": the emergence of video art in Brazil in the...
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David Claerbout: The Time that Remains
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Anri Sala
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Test Suite of Fair Use Vids
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From a Whisper to a Scream: Dana Claxton teaches art and a revised...
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Documemories: An anthology celebrates the NFB's Challenge for...
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Emily Vey Duke and Cooper Battersby: Jessica Bradley Art + Projects
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The Nature of Culture: Sobey Nominee Brendan Fernandes explores...
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Have we reached The Tipping Point?: The fate of Alberta's tar...
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Realities Old and New: The 23rd Incarnation of the International...
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Open-Source Cinema is Dead
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"Un-home-ly"
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Jamelie Hassan
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Crowds in the Sky: Katerina Cizek & Highrise at the NFB
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Hide/Seek: Difference and Desire in American Portraiture: National...
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The Virtual Revolution: It's a new version of an old job: telling...
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When the Story Changes: Battle of Wills and Bananas!* are two...
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The uphill battle for real filmmakers
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Tadasu Takamine shocks us, yet again
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The Pink Indian
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Daniel Cockburn: You Are Here
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Sell-abrasion of our nations
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Vlogging About Art: The Whitney Video Blog Project
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Borrowed Time: David Velasco on Christian Marclay's The Clock
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Neo-Barbarism
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My Barbarian: The Night Episode
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Girl Talk
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Yael Bartana
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Philippe Parreno
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The Map is not the Territory: There's more to Middle Eastern and...
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Funny Games: Stuart Comer Talks with John Smith
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A Life in Words: Melissa Anderson on Clio Barnard's The Arbor
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Dayna MacLeod's Feminist Celluloid Fantasies, Queer Revisionary:...
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The Gaze from the Rearview Mirror: Amir Baradaran's Transient Taxi...
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Redistributing Life Chances: The Fantastical Homotopias of Chris...
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Focus on Carolee Schneemann
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The Small Big Picture
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Traditional Futures
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Self-Inventions: The Photography of Suzy Lake
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The Story So Far: An Interview With Stephen Andrews
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Kent Monkman
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Inuit Modern
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Rabih Mroué: The Inhabitants of Images
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The Last Frontier
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Adel Abdessemed: The Future of Décor
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"ME CALLING HIM - HIM CALLING ME" - TOM SHERMAN'S RECENT VIDEO WORK
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Perception as Transcendence: Interview with Pawel Wojtasik
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Dara Birnbaum: Technology/Transformation: Wonder Woman: Readings:...
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Road Warrior: Terrance Houle Riffs on First Nations History
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Making Sense of Early Video Arcades: The Case of Pittsburgh, 1980-1983
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Robert De Niro's Raging Bull: The History of a Performance and a...
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Wagnervideo
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Funny Games: Stuart Comer Talks with John Smith
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"Living Letterforms": The Ecological Turn in Contemporary Digital...
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Virtual Commemoration: The Iraqi Memorial Project
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Re-Composing the Digital Present
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After the Digital We Rematierialise: Distance and Violence in the...
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The Irritants of Empire: Rita Raley's Tactical Media
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Digitality and detournement: John Greyson's BDS videos and 14.3...
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At the Site of State Violence: Doris Salcedo's and Julieta...
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From First-Wave to Third-Wave Feminist Art in Israel: A Quantum Leap
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The Horror, The Horror
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Man Standing: Zacharias Kunuk brings contemporary relevance to...
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IMPAKT events presents: Daniel Cockburn
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Making GeoPolitics Otherwise: Artistic Interventions in Global...
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After the artefact: Post-digital photography in our post-media era
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Losing It: Politics of the Other (Medium)
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Old Themes, New Variations: The Work of Kate Gilmore
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From this Body to Yours: Porn, Affect, and Performance Art...
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On lip-sync:: Three Audio-Visual Vignettes from the 1970s
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The Object That Remains
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Eternally Framed
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Location and Dislocation: The Media Performances of Valie Export
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Assimilating Video
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True Patriot Love: A landmark show turns 40
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Seven Hours of Daylight: Soft Turns find solace in Sweden
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Words and Pictures, Pictures and Words: Shary Boyle and Emily Vey Duke
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When the time comes, you won't understand the battlefield
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Imagining Whiteness in Art
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Walid Raad and the Atlas Group
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Section Yellow
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Gimme (Tax) Shelter: The '70s and '80s Were an Especially Fertile...
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M: Stories of Women: Shelley Niro
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Disobedient Video in France in the 1970's: Video Production by...
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Aida Ruilova
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Lung Capacity
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Prophesizing on the Virtual Reservation
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What is a remix, exactly?
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An Editing Room of One's Own
by Francesca Coppa. Camera Obscura, Jan 2011, v. 26, no. 2_77. Duke University Press, 2011.
Scholarly Critiques and Critiques of Scholarship: The Uses of...
by Kristina Busse and Alexis Lothian. Camera Obscura, Sept 1, 2011, v. 26, no. 2. Duke University Press, 2011.
How to Suppress Women's Remix
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How to Suppress Women's Remix
Through a looking glass and beyond: Media art and museums
by Elaine Tolmatch and Laurie Filgiano. Muse, Jan. 2010, v. 28, no. 1.
"arrives asking, demanding something of us"
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Myths of the Heart: The Film and Video World of Mako Idemitsu
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Geopolitics & The Videos of b.h.Yael
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Spirit in the Blood
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The Ongoing Powers of Dana Claxton
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Shame on Her: Allyson Mitchell
by Julia Bryan-Wilson. Fierce: Women's Hot Blooded Film/Video, Mar. 10, 2010. Hamilton: McMaster Museum of Art, 2010.
Ardent Spaces, Formidable Environments
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Mooswa, Muskwa, PuskwaMoostoos - Digital Creations with Immemorial...
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A Bright, Shiny, Fabricated Family Life: Mothers, Sons, and...
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The Seen and The Unseen
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Graham Cracklings: Rodney Graham's Conceptual Energy
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A Gift of the Self: Performing Risk
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Tales from the Creeped: The Animated Films of Barry Doupe
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Beautiful, Useless Things: the work of Ryoji Ikeda
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Rocky Mountain Rag: Ragnar Kjartansson
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War Artist: Althea Thauberger on the Cultural Front Lines
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Trap and Snare: Omer Fast's 'Nostalgia'
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Pushing Boundaries: "Non-Compliance" Short Experimental Program at...
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Ryan Trecartin: Data Purge
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Structural Legacies: Lessons in How to Assimilate the 'Seminal'
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Michael Snow: Screen Writing
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Michael Snow's Films 1966-1971
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The Other Night Sky
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Screen Space
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"Try to Walk With the Sound of my Footsteps": The Surveillant Body...
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Captured and Controlled: Critiquing Surveillance through The Camera
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Digital Spectrum of the Body
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Artist Paul Wong Puts a Gay Spin on Macho Cowboys: ART / Catch his...
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Surveillance in Suburbia: High Vaue Targets
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Hot Docs programmers find non-fiction gems beyond perimeters
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Cool Jewish Curator of the YouTube Generation: Montréal's...
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Disaster Docs: Features, reality TV series, blogs and websites...
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Maru's Fame
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The Lives and Death of Carolee's Cats:Intimate Encounters, Gentle...
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In Conversation: David Han, Samina Mansuri, Sara Graham
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Text messaging, of the old school: High-school thoughts adorn bus...
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Growing Pains and High Value Targets
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Alberta bound: Video recalls western black farms
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Narrative mashups engage viewers: Presentation House Gallery...
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Ways of seeing explored in new exhibit
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Caged Rage
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ELEGY: a meditation on mortality: Sandra Vida
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Vera Frenkel:Archive Fevers: Galerie SBC, Montreal Oct 2 - Dec 4
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Vera Frenkel:Archive Fevers: Galerie SBC, Montreal Oct 2 - Dec 4
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Economies of Faith
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Both teams cannot win: Natasha Bissonauth interviews Divya Mehra
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Projections: Music Video
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Guy Ben-Ner: Thursday the 12th: Mass MoCA, North Adams, Massachusetts
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A Slow and Painful Crawl: the videos of Kent Anderson Butler
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Video Spa: Krisna Murti's treatment of the senses
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Henderson: Recovering Love is about reclaiming lives
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Motorcycling Through the Pop-Culture Library
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Judy Radul
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Tacita Dean
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The Horror, The Horror
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Queer Eyes: David Velasco on A.K. Burns and A.L. Steiner's...
by David Velasco. Artforum, Nov. 2010.
The Discovery of Slowness: T.J. Demos on the films of Manon de Boer
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Committed to Memory: Dan Adler on Renee Green
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Claire Hooper
by Ian Hunt. Flash Art, Nov. 2010.
Ryan Trecartin
by Jonathan T.D. Neil. ArtReview, Sept. 2010, no. 43.
Calling the Shots: Are the video artists of the 1990s leading the...
by Laura Allsop. ArtReview, Oct. 2010, no. 44.
Isaac Julien: Ten Thousand Waves
by Mark Rappolt. ArtsReview, Oct. 2010, no. 44.
Doug Fishbone: Elmina
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Shadowed by Images: Rafael Lozano-Hemmer and the Art of Surveillance
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Christian Marclay: The Clock, White Cube Mason's Yard
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Marginal Mainstream
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We Care A Lot
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Ming Wong
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Shirin Neshat: Women Without Men
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Sriwhana Spong
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Tacita Dean: Slowness' Panegyric
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John Smith: Solo Show
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Lars Laumann: Cinéma Verité
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Dana Claxton and the Graceful Art of Rage
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Some Say Love: Kim Sheppard's Films
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Auto/Pathographies: Re-constructing Identity through...
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The Tragic Optimist: You, The Living, directed by Roy Andersson
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Interview with Manon de Boer
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Carolee Schneeman
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Isuma: Inuit Art Video
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Operation Atropos
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LA VIE DES AUTRES : UN HOMMAGE A L'ART
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Emmanuel Licha
by Anja Bock. Canadian Art, Fall 2010, v. 27, no. 3.
Here You Are, Part One, (Stan Douglas, Kevin Romaniuk, Jamie...
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Ryan Trecartin: Any Ever
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Kaitlin Till-Landry Interviews Martha Wilson
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Touching Animals
by Helena Reckitt. C Magazine, Fall 2010, no. 107.
The 16th Media City: International Festival of Film and Video
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Isuma: Inuit Video Art
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Cinema of Prayoga: A Theory Under Construction
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Congo Memories: Isabelle Pauwels's Adventures in History
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Realism and Realistic Representation in the Digital Age
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Astro Dub Morphologies
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Indigenous women in film and video: Three generations of...
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Indigenous (re)memory and resistance: video works by Dana Claxton
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Claudia Joskowicz: Artists on Artists
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Structuring Knowledges: Caching Inuit Architecture Through...
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"A joke's a very serious thing": Subversive Camp Humour in Benny...
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Travelling Eye: The Elusive Digital Frame and the Elasticity of...
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Duplicated Replications: The Interventions of Omer Fast
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The Motorization of Video Art: Van McElwee's Liquid Crystal...
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Mika Rottenberg's Productive Bodies
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Steve Reinke's Archival Imaginary
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Chen Chieh-Jien
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An Ephemeral Dialogue with Jamelie Hassan
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Canadian Artist Spotlight: Ross McLaren
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We Are Here, We Could Be Everywhere: Freewaves and the Use Value...
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Oliver Husain's Hovering, Alliterative, Epigrammatic Proxies
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New Documentary Recounts Bizarre Climate Changes Seen by Inuit Elders
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Sorting Daemons. Art, Survelliance Regimes and Social Control
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DIY Media 2010: Fan Vids (Part Three)
by Francesca Coppa. CONFESSIONS OF AN ACA-FAN, Nov 29, 2010.
DIY Media 2010: Fan Vids (Part Four)
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DIY Video 2010: Political Remix (Part Three)
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Beyond/In Western New York 2010. Alternating Currents
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Inside Images: Festival offers a look at the cutting edge of...
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GALLERIES
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private Regina: the poetics of memory
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John Cage's Secret
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Unfurnished Pornography for Rent
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Private Video: Autobiographies, Diaries and Families' Stories: How...
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mispon: a celebration of indigenous filmmaking
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Where the Wild Things Are
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marvelous! ruin! collapse!
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Peep Art: Two Canadians and the new surveillance art
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A Spy in the House of History (with apologies to Anais Nin): Nina...
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The Lap, the Fur
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Drean Scenes: The Lethbridge artist David Hoffos takes centre stge...
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The Making of Monsters: John Greyson's sublime short, revisited
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Art and the Documentary
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Nuit Blanche Toronto 2008 Zone B:: Reflections on Art and Artists...
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Stan Douglas produces Films That Don't Begin or End - They are in...
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Videoworks: Wish We Could Tell: Joana Hadjithomas and Khalil Joreige
by Tess Takahashi. Videoworks: Wish We Could Tell, 2009. Toronto: A Space Gallery, 2009.
What can cinema do?
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Those of Us Who Know About These Darkened Rooms, and Go There
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PCP: Pop / Conceptual / Psychedelic
by Lars Bang Larsen. C Magazine, Spring 2009, no. 101.
what makes a music video: the video or the music?
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Politics become film: Sundance 20009: Obama's inauguration, Martin...
by Daviyani Saltzman. POV, Summer 2009, no. 74.
Creating and Capturing Reality: The Director Takes Us Behind the...
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Before Tomorrow
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A pianist and a camera make music of the id
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Gunilla Josephson Artist-in-Residence: E.V.E. Absolute Matrix
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The long and the tall of it: Art and Outrage: The Films of Ian Toews
by Gerald Saul. Splice Magazine, Winter 2009.
Paul Wong: Video and Youth
by Rhiannon Bader. Selector Magazine, Spring 2009, no. 1.
Alana Obomsawin: Then and Now
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Tomorrow hits today: The odds stack up against two unlikely heroes...
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Chilling Out: Northern Stories are Suddenly Hot
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Pictures are out - experience is in
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Construction Sight: Building the Self on Facebook
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25th year of Boston LGBT Film Festival is a hit
by Melissa Woods. The Somerville News, May 20, 2009.
Situation Hacker: Wayne Koestenbaum on the art of Ryan Trecartin
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Luminato 09: The Show You Won't See: The Koffler Centre was all...
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So Much To See: The Films of Mark Lewis
by Nancy Tousley. Canadian Art, Summer 2009, v. 26, no. 2.
Mpenzi empowers: Mpenzi Black Women's International Film and Video...
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Are we past the age of an aboriginal art show?: Aboriginal art...
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Found Images: Experiments pay off in indie fest
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Closer
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Interview: Marie-Hèléne Cousineau: Chilling Out: Nothern stories...
by Susan Cole. NOW, Mar. 26, 2009, v. 28, no. 30.
Dark Thought: on Darryl Miller's Dark One
by Nora Gardner. Splice Magazine, Summer 2009.
Prairie Poet Accidental Hero: David Geiss' Stubblejumper in the...
by Christina Stojanova. Splice Magazine, Summer 2009.
Sarah Gregg Millman: A fun time is a great time
by Erinn Beth Langille. Mercer Union, July 3, 2009. Toronto: Mercer Union, 2009.
Johanna Billing: This is how we walk on the moon
by Brian Kuan Wood. Mercer Union, July 3, 2009. Toronto: Mercer Union, 2009.
Jim's Reviews/Jarman: The films of Derek Jarman
by Jim Clark. GLBT Literature, 2009.
Open letter from John Greyson to TIFF
by John Greyson. Greyzone, Aug. 27, 2009.
An open letter on City to City: Tel Aviv
by Cameron Bailey. TIFF - Toronto International Film Festival, Aug. 28, 2009.
The Toronto Declaration: No Celebration of Occupation: An open...
by Udi Aloni et al. Toronto Declaration: No Celebration of Occupation, Sept. 9, 2009.
Tel Aviv program protest to rear head at opening
by Bruce DeMara. The Toronto Star, Sept. 4, 2009.
Group plans presser over TIFF City-to-City program
by Staff. The Globe and Mail, Sept. 5, 2009.
We don't feel like celebrating with Israel this year
by Naomi Klein. The Globe and Mail, Sept. 8, 2009.
TIFF focus on Tel Aviv draws protests: International group of...
by Michael Posner. The Globe and Mail, Sept. 2, 2009.
Pro-Palestinian letter has uncovered debate
by Antonia Zerbisias. The Toronto Star, Sept. 9, 2009.
Enough is enough: The TIFF boycott is an attack on our freedom
by Robert Lantos. The National Post, Sept. 11, 2009.
STARS VS. STARS: Everyone's taking sides on Tel Aviv
by Raju Mudhar. The Toronto Star, Sept. 15, 2009.
Two sides of TIFF debate trade barbs
by Kenyon Wallace. The National Post, Sept. 15, 2009.
Boycotts don't equal censorship: Film-makers should support the...
by Ken Loach et al. The Guardian, Sept. 1, 2009.
The Valerie Project: resounding the forgotten treasure of Czech...
by Alex Molotkow. Musicworks, Summer 2009, no. 104.
One Summer in New Paltz: A Cautionary Tale: Celebrating the...
by S. James Wegg. James Wegg Review, Oct. 14, 2009.
Fun with Mythmaking: What General Idea taught us about Canadian...
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Crossing Lines, Building Bridges
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Barns, Brits, and Birthrights: Philip Hoffman's All Fall Down:...
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Coming To Terms With Fickle As Poison
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Ragnar Kjartansson
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Candice Breitz: Same Same
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Collided, Crashed and Assimilated: Mark Lewis makes art with...
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In the Orbit of Nelson Henricks
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Abundant Harvest: The Recordings of Calgary Video Artists and...
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Elizabeth Klinck and the Art of Archives
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Between Image and Remembrance: The Psychic Residences of Body Missing
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Arcs Poetica: The Life and Death of Lightning
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Projections:: A major survey of projection-based works in Canada,...
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Lynne Marsh
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Real Vlogs: The Rules and Meanings of Online Personal Videos
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Western? Just the Packaging
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Getting Messy and Complicated with Dana Inkster
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Catching up to the Past Catching up to the Present: A Response to...
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The Importance of Being Divya Mehra
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Black House, Brilliant Film: Forough Farrokhzad's The House is Black
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Experimental Documentary Questionnaire/Responses
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Isuma: Inuit Video Art by Michael Robert Evans
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If We Can't Get It Together
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Rafael Lozano-Hemmer
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Berlin: Johnen Galerie
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ZIN TAYLOR: THE BAKERY OF BLOK: Jessica Bradley Art + Projects,...
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Mika Rottenberg: Maison Rouge, Paris
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Aleesa Cohene: Something Better: YYZ Artist's Outlet, Toronto
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Gareth Long, Second, Third, Fourth: Oakville Galleries, Ontario
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Lynne Marsh
by David Jagr. Canadian Art, Fall 2009, v. 26, no. 2.
The Avant-Garde Archive Online
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Video as art: collecting artists' moving image in academic art...
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"In Between" the Moving Image: Mutant Media:: Essays on Cinema,...
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Colin Campbell
by Nadja Sayej. ArtUS, 2009, no. 26.
Au coeur de l'intime
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An Art of Temporality
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TV Against TV: Video Art on Television
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Vulnerabilities and Contingencies in Film and Video Art
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Soft Focus, Sharp Tools
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Possibilities of Redemption: Emily Vey Duke and Cooper Battersby...
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The Radiant Real
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Masterpiece Theatre: Adad Hannah brings the art of the past into...
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Lisa Lipton
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Michal Rovner
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Capturing "Authenticity": Digital Aesthetics in the Post-Studio...
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Whither Film Studies (in a Post-Film Studies World)
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Cory Arcangel: Team Gallery
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Walking, Standing, Sitting Like a Duck: Three instances of...
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Inappropriate Bodies: Contemporary Filmmakers Challenging Gender...
by Jaimie Baron. UCLA Center for Study of Women Update Newsletter, 2009.
Arnait Video Productions: Women Telling Their Stories
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Jubal Brown
by Nadja Sayej. ArtUS, 2009, no. 26.
Imagining the Arab World: The Fashioning of the "War on Terror"...
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Moving Images of Globalization
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Gender, Power, and Pedagogy in Coco Fusco's Bare Life Study #1...
by Karen Beckman. Framework: The Journal of Cinema and Media, Spring 2009, v. 50, no. 1.
Introduction: What Now?: Presenting Reenactment
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New Left-Wing Melancholy: Mark Tribe's "The Port Huron Project"...
by Paige Sarlin. Framework: The Journal of Cinema and Media, Spring 2009, v. 50, no. 1.
Koken Ergun: Personal Works of Public Ceremonies
by Ian White. Labyrinth of Memory, Fall 2009.
Pou Rewa: The Liquid Post, Maori Go Digital?
by Maree Mills. Third Text, 2009, v. 23, no. 3.
Moving Pictures: Cinema and Its Obsolescence in Contemporary Art
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Visionary Video: The Archive and the National Center for...
by Phil Wagner. Afterimage, July 2009, v. 37, no. 1.
Rooted in the Experimental: A Conversation with Gary Hill
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User-Penetrated Content: Fan Video in the Age of Convergence
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On the Nature of Light: The Cinematic Experience as Occult Ritual
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Staging the Image: Video in Contemporary Performance
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On Films and Videos by Deirdre Logue, Shawna Dempsey and Lorri Millan
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Decapitation and Protestation -Cut, Burn, Stitch and Draw: Mike Parr
by Michael Young. ArtAsianPacific, Mar. 2009, no. 62.
Set Video to Record
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Handmade Memories Yeondoo Jung
by Michael Connor. ArtAsianPacific, Mar. 2009, no. 62.
Talking Cure: Raqs Media Collective
by HG Masters. ArtAsianPacific, July 2009.
Solitary Refinement: Guy Ben-ner
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From Media to Remediation: Transitions in Early Video Culture
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Impossible Trips Back Home: The Films of Louise Bourque
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Capital Implications: the function of labor in the video art of...
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Walking the Wall: Global Flaneuse with Local Dilemmas
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To the Power of Three: an interview with Chris Chong Chan Fui
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The Archival Fourth Dimension
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Objectivity, Absurdity, and Social Critique
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Queer Kinship and Ambivalence
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Total Recut Interviews Jonathan McIntosh About Buffy vs. Edward
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Chinese Is a Plus
Queering Sex and Love: Queer Here videos preache free love but...
by Leah Sandals. NOW, Jan. 17, 2008, v. 27, no. 20.
Whose Life Are We Talking About Anyway?: Michael Fernandes' One...
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Asserting The Right To Sovereingty, Audio-Visually: RED EYE First...
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An Artist Connects the Dots
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Isuma.tv: Indigenous internet TV is extraordinary and free
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Member Focus: Heather Harkins
Workprint, Winter 2008.
Marina Abramovic: Nobody Escapes
by Alanna Heiss and Ingela Lind. P.S.1 Newspaper Special Edition, Winter 2008.
Lynn Hershman Leeson History=Future
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The Cat's Eye View: Carolee Schneeman
by M.M. Serra. P.S.1 Newspaper Special Edition, Winter 2008.
'Hamilton does a very nice Jane-Finch'
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To Be Immersed In The Experience of Now
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Yam Lau: Scapeland II
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Christina Battle: Strangers in a Strange Land: Christina Battle's...
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In Pursuit of The Textbook Authentic: Erin Morton in Conversation...
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Multiple Channels: Allure of The Raw: California Video
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Multiple Channels: Tapehead: Michael Shamberg
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Multiple Channels: Accelerated Vision: Chinese Video's Leap Forward
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Multipe Channels: Flipping the Switch: The National Art Museum of...
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Animating the Void: The Reenactments of Mario Garcia Torres
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Francis Alys
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Observer Participant: Two Sides of the Same Drawing
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Revel, riot, radicalize: GB Jone's glamorous fantasies
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Atlas Shreds: NYC video artist Charles Atlas performs a vision...
by Jason Anderson. EYE WEEKLY, Apr. 10, 2008, v. 17, no. 27.
Up Close
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Shame & Anxiety: Dangerous drawing room games
by Jon Davies. Xtra!, Mar. 28, 2008, no. 611.
Hey, that art has no boundaries!: Video artist hopes we all 'go...
by Jason Rehel. National Post, Apr. 11, 2008.
Jenn Norton
by Nadja Sayej. Border Crossings, Feb. 2008, v. 27, no. 105.
Bug Eyed: Green Porno directed by Isabella Rossellini and Jody Shapiro
by Robert Enright. Border Crossings, Feb. 2008, v. 27, no. 105.
Weeks's wonder: Czech cult flick gets Espers freak tweak
by Tim Perlich. NOW, Apr. 3, 2008, v. 27, no. 31.
A Strong Crop of Images: The 21st Images Festival expands its...
by Norman Wilner. NOW, Apr. 3, 2008, v. 27, no. 31.
The Art Star's Exploits
by Susan G. Cole. NOW, Apr. 24, 2008, v. 27, no. 34.
Lifelong Dusting, and Learning
by Noreen Shanahan. Our Times, Feb. 2008, v. 27, no. 1.
So You Want to Make Social Change...
by Nora Gardner. Splice Magazine, Spring 2008.
Crying Time Again
by Robert Enright. Border Crossings, May 1 Spring, 2008, v. 27, no. 106.
Visual Art: Lida Abdul
by Christopher Olson. Border Crossings, May 1 Spring, 2008, v. 27, no. 106.
Visual Art: Exponential Future
by Christopher Brayshaw. Border Crossings, May 1 Spring, 2008, v. 27, no. 106.
Stagecraft: Tate Modern takes on performance
by R.M. Vaughan. Canadian Art, June Summer 2008, v. 25, no. 2.
Mediating Indigineity- The Journal of Knud Rasmussen: A Sense of...
by Heather Igloliorte. Fuse, 2008, v. 31, no. 3.
Cat Thinks People Not Living Life to the Full
by Jacob Wren. C Magazine, Spring 2008, no. 98.
Rightfully Yours
by Jon Davies. C Magazine, Spring 2008, no. 98.
Montreal's DHC / Art and the Changing Climate of Art Patronage in...
by Chris Lloyd. C Magazine, Spring 2008, no. 98.
"Signals in the Dark": Reviewing Art in the Shadows of War
by Ashley Johnson. Canadian Art, Mar. 2008.
Rhizome News: Your Computer is a Painting
by Marisa Olson.
Operation Video: The Use of Images As Visual Agents in Struggles...
by Sigrid Adorf. Operational Video: Ein Technik des Nahsehens und ihr spezifische Subjekt: die Videokünsterlin der 1970er Jahre, Mar. 2008. Bielefeld: transcript, 2008.
Bridging the gap between war's myth and reality
by Andrea Carson. The Globe and Mail, Feb. 27, 2008.
AVENUE Questions and Artists: DRAWING ENEMY LINES
by Leah Sandals. National Post, Jan. 17, 2008.
My (Other) Winnipeg: Excerpts From a Phantom Film
by Guy Maddin. Border Crossings, Sept. 2008, v. 27, no. 3.
Enduring Messaging: Are microcommunicaions an art form?
by Tom Sherman. Canadian Art, Fall 2008, v. 25, no. 3.
Otherwise Unexplained Fires: Joyce Weiland and the Experimental...
by Anne Low. C Magazine, Fall 2008, no. 99.
Because zombies are people, too.
by Nadja Sayej. The Globe and Mail, Sept. 12, 2008.
Violent signals: Inspired by war in the age of terror, this...
by Jade Colbert. The Varsity, Jan. 17, 2008.
Shadow Play
by Rafay Agha. The Medium, Jan. 21, 2008.
The art on war: The Blackwood and Justina M. Barnicke galleries...
by Andrea Grassi. The Medium, Jan. 14, 2008.
Bad-Boy Artist Still Spewing Anger: Infamous Local artist Jubal...
by Peter Goddard. The Toronto Star, Sept. 18, 2008.
Valery's Ankle: 1972 Canada-Russia Summit Series erodes the...
by Antoine Tedesco. SceneandHeard.ca, June 26, 2008, v. 8, no. 4.
Filmmaker Ponders Hockey Violence
by Brian Kennedy. Inside Hockey, Feb. 23, 2008.
Life and Nothing Else
by Pablo Llorca. Buffer, Apr. 22, 2008.
Manuel Saiz interviewed
by Cecilia Canziani. Parallel Universes, Jan. 2008.
Playing Indian: imagineNative 2008 tells the rest of the world...
by Drew Hayden Taylor. NOW, Oct. 9, 2008, v. 28, no. 6.
Festival Reviews: It's a Banner Year for North America's Premier...
by Norman Wilner and Susan G. Cole. NOW, Oct. 9, 2008, v. 28, no. 6.
Excess Interaction: Artist takes a revealing look at the art of...
by Jason Anderson. EYE WEEKLY, Oct. 9, 2008, v. 17, no. 52.
Exploring Landscape: A Cut & Paste Selection from Lecture Notes
by Lisa Daniels. Exploring Landscape, 2008. Sarnia, Ontario: Gallery Lambton, 2008.
From Dog River to a Palace all his own
by R.M. Vaughn. The Globe and Mail, Oct. 16, 2008.
Film Reviews: Household Work: More than It Seems
by Ping-Chun Hsiung. Teaching Sociology, Oct. 2008, v. 36, no. 4.
Images In Vague: Queer punks get nostalgic for the 90s. Richard...
by Jason Anderson. EYE WEEKLY, Apr. 3, 2008.
Street Spirit: Representin' the lollipop guild
by Sarah Liss. EYE WEEKLY, Apr. 3, 2008.
A sugar free cinematic revolution
by Bryen Dunn. Fab, Apr. 3, 2008.
Noise and numbers, clocks and codes: Internationally known video...
by Guy Dixon. The Globe and Mail, Apr. 3, 2008.
Blurring the lines, connecting the artists
by Nadia Sayej. The Globe and Mail, Apr. 4, 2008.
Video Essay questions religious apocalypse
by Barbara Shainbaum. Jewish Tribune, Apr. 11, 2008.
Confused by experimental cinema? Get on the bus!: Images Festival...
by Jason Rehel. The Globe and Mail, Apr. 3, 2008.
Artist Battle's pirates: Installation shows most swashbucklers...
by Leah Sandals. NOW, Mar. 27, 2008, v. 27, no. 30.
Barrow of Laughs: The' Peg's Daniel Barrow wants his tales to be...
by Glenn Sumi. NOW, Apr. 10, 2008, v. 27, no. 32.
Christina Battle: Uncharted Histories: Pirates
by David Balzer. EYE WEEKLY, Apr. 3, 2008.
Bruce on Bruce: Iconic Internationalist (and Torontonian)...
by Bruce LaBruce. EYE WEEKLY, Dec. 4, 2008, v. 18, no. 8.
The 21st Images Festival
Our Neighbourhood Magazine, Apr. 10, 2008.
Local Artist Featured at Images
by Erin Hatfield. The Parkdale Liberty Villager, Apr. 4, 2008.
All hail the returning Puritan: Charles Atlas's 1984 scripted doc...
by Susan Walker. The Toronto Star, Apr. 5, 2008.
Festival the antidote to "image glut"
by Peter Goddard. The Toronto Star, Apr. 3, 2008.
Made You Look: While feast of moving imagery is many things, it's...
by Peter Goddard. The Toronto Star, Apr. 3, 2008.
Influential Filmmaker Found Inspiration in the Music Video
by Peter Goddard. The Toronto Star, Apr. 3, 2008.
Flaming Pixels, Cosmic Puke: Ryan Trecartin's A Family Finds...
by Jon Davies. Cinematic Folds: the furling and unfurling of images., 2008. Toronto: Pleasure Dome, 2008.
Shame & Anxiety: Dangerous Drawing-Room Games
by Jon Davies. Xtra!, Mar. 27, 2008, no. 611.
Revel, riot, radicalize
by Jon Davies. Xtra!, Mar. 27, 2008, no. 611.
Images Festival - Toronto
by Gilbert Seah. Cinema Eye, Mar. 24, 2008.
Theater of the Absurd
by David Balzer. Toronto Life, Apr. 2008.
Film about underage porn stars to kick off Toronto's Images Festival
by Cbc.ca. CBC.ca, Mar. 12, 2008.
Must do: if you only do five things this week
by National Post. The National Post, Mar. 29, 2008.
Images Festival 08 Day 7 - Wednesday April 9/08: Hail the New Puritan
by Movie Moxie. Movie Moxie, Apr. 10, 2008.
Me, You and Everyone We Know
torontoist, Mar. 15, 2008.
Images Festival Kicks off with Lollipop Generation Screening at 9pm
Shedoesthecity, Apr. 2, 2008.
Images Festival: Live Images Programme
by tiffreviews. TIFFReviews, Mar. 16, 2008.
Video Art Thinks Big: That's Showbiz: A Medium Breaks the Bonds...
by Holland Cotter. The New York Times, Jan. 6, 2008.
Toying with boundaries of reality and fiction
by Peter Goddard. The Toronto Star, Dec. 18, 2008.
Lollipops and the Future: Two feature films at Images look to lure...
by Jessica Padykula. SceneandHeard.ca, Apr. 7, 2008, v. 8, no. 2.
Weekend of Poison, Planet, and Plants: International Shorts...
by Jessica Padykula. SceneandHeard.ca, Apr. 7, 2008, v. 8, no. 2.
Strategic Approximation: Independent Videographers Revise the...
by Janice Hladki. Feminist Media Studies Journal, Mar. 2008, v. 6, no. 1.
An Interview With Director Leila Sujir
by Sarah Murphy. Canadian Theatre Review, Spring 2008, no. 94.
"Nothing Big. Nothing Small": Allyson Mitchell's Video Autobiography
by Janice Hladki. Ariel, Jan. Spring 2008, v. 39, no. 1-2.
Big city concerns hit silver screen at Regent Park: Festical shows...
by Iain Marlow. The Toronto Star, Nov. 8 Fall, 2008.
An Archivist Maps the Spaces Greed Erased
by Gary Michael Dault. The Globe and Mail, Oct. 18, 2008.
Theatre for Generation Y
by Cecilia Alemani. Mousse, Sept. Fall 2008, no. 15.
Queerly Provocative: Bruce LaBruce fucks up the bourgeoisie
by Jon Davies. Xtra!, Dec. 4 Winter, 2008, no. 624.
Social Justice, Artistic Practice and New Technologies:: Gender...
by Janice Hladki. Atlantis, Spring 2008.
Electronic Color in Experimental Video Art
by Carolyn Lee Kane. Pleasure Dome, 2008. Toronto: Pleasure Dome, 2008.
Sweeter than candy on a stick: The film buffs at Light industry...
by Sharyn Jackson. Time Out New York, Dec. 11, 2008, no. 689.
The Anxiogenic Cinema:: A Consideration of Provocation and...
by Carlos Kase. Cinemate Folds: The furling and unfurling of images., 2008. Toronto: Pleasure Dome, 2008.
Altered Body Maps and the Cinematic Sensorium
by Anna Powell. Cinematic Folds: The Furling and Unfurling of Images, 2008. Toronto: Pleasure Dome, 2008.
The Bloody Matriarch: Interview with Jesika Joy
by John Paul Gilson. Broken Pencil, Summer 2008, no. 39.
Jubal Brown: Shock and Blah
Canadian Art, Oct. 16, 2008.
Jump Into Chow's Visual Pool: Samuel Chow Viewers to Dip Into His...
by Leah Sandals Sandals. NOW, Sept. 4 Fall, 2008, v. 28, no. 1.
Independent means: Ottawa filmmaker Penny McCann takes part in...
by McCarney Lindsay. The Coast, Mar. 27, 2008.
Women, Star Trek, and the early development of fannish vidding
by Francesca Coppa. Transformative Works and Cultures, Sept 15, 2008, v. 1. Organization for Transformative Works, 2008.
The Enchantments of Richard Fung's Unsettling Landscapes: (after...
by Monika Kim Gagnon. Richard Fung: Landscapes, 2008. Hamilton: McMaster Museum of Art, 2008.
Triple Bill of Triumphs: Powerful videos screen at Scherman
by David Jager. NOW, Sept. 4 Fall, 2008, v. 28, no. 1.
Inside Images: Festival offers a look at cutting edge creativiy
by Padykula Jessica. SceneandHeard.ca, Apr. 7 Spring, 2008, v. 8, no. 2.
VoCA Recommends WACK! Art and the Feminist Revolution, Vancouver
viewoncanadianart.com, Dec. 27, 2008.
Seattle Art Through the Feminist Lens
by Regina Hackett. Art To Go, 2008.
Learning to Talk About Naked Bodies in Art: Sex Educator Meg...
by Kevin Griffin. Vancouver Sun, Oct. 23, 2008.
Feminist Blockbuster Helps Women Make Claims to Their Own Personal...
by Kevin Griffin. Vancouver Sun, Oct. 11, 2008.
In Art News
by Jen Graves. thestranger.com, Oct. 7, 2008.
Auto Emotion: Autobiography, Emotion and Self-Fashioning
by Matthew Hyland. Switch, Summer 2008, no. 1.2.
Candice Breitz: Speaks to Gregory Burke
by Gregory Burke. Switch, Summer 2008, no. 1.2.
From the Archive: Vera Frenkel: ...From the Transit Bar at the...
by Tess Takahashi. Switch, Summer 2008, no. 1.2.
From the Archive: Vera Frenkel: ...From the Transit Bar at the...
Brunt: Grunt Gallery in Print, 2008. Vancouver: Visible Arts Society: Grunt Gallery, 2008.
In Media Res: Mass Media in Art's Field of Tension
by Raimar Stange. Flash Art, Oct. 2008.
Pipilotti Rist: Cubic Meters
by Klaus Biesenbach. Flash Art, Nov. 2008.
Amar Kanwar: Collecting Evidence
by Martijn van Nieuwenhuyzen. Flash Art, Jan. 2008.
Vanessa Beecroft: Pietra Brettkelly's The Art Star and the...
by Clayton Campbell. Flash Art, Mar. 2008.
Babette Mangolte: Being Right in the Middle of It
by Lina Bertucci. Flash Art, Jan. 2008.
Perspectives: Negotiating the Archive
by Sue Breakell. Tate Papers, Spring 2008.
Robert Morin, Videaste Du Spectacle
by Israel Coté-Fortin. Canadian Journal of Film Studies, Fall 2008, v. 17, no. 2.
Peter Kingstone
by Jon Davies. Canadian Art, Winter 2008, v. 25, no. 4.
The Dad Tapes/The Mom Photographs: Kim Waldron
by Jean-Michel Ross and Mona Filip. C Magazine, Fall 2008, no. 99.
The Spectre and The Sphere
by Leah Turner. C Magazine, Winter 2008, no. 100.
Entre fils de soie, bitume, bergères et Lolitas, une politique...
by Christiane Palmiéri. ETC, 2008, no. 83.
Redressing Invisibility
by Beth Mauldin. Film Quarterly, Fall 2008, v. 62, no. 1.
Carry a Big Shtick
by Rachel Wolff. ARTnews, Sept. 2008, v. 107, no. 8.
Provocation: dead-in-iraq
by Joseph DeLappe. The Drama Review, Spring 2008, v. 52, no. 1.
In Times of Trouble
by Nancy Princenthal. Art in America, June 2008.
New media resistance: Machinima and the avant-garde
by Elijah Horwatt. cineACTION, 2008, no. 73/74.
Bird Watching: An Introduction to Amateur Satellite Spotting
by Kathy Marmor. Leonardo, Aug. 2008, v. 41, no. 4.
Scopic Regime Change: The War of Terror, Visual Culture, and Art...
by David Dart et al. Studies in Art Education, 2008, v. 49, no. 3.
The infinitude of cool Marcel Dzama's Grave New World
by M.J. Thompson. Border Crossings, Aug. 2008, v. 27, no. 3.
Global Humanitarism, Race, and the Spectacle of the African Corpse...
by Heike Harting. Comparative Studies in South Asia, Africa and the Middle East, 2008, v. 28, no. 1.
Looking through Hannah's Eyes: Interview with Donald Goddard
by Tina Takemoto. Art Journal, Summer 2008, v. 67, no. 2.
Sites of Micro-Political
by Dorinda Hulton. PAJ: A Journal of Performance and Art, Sept. 2008, v. 30, no. 3.
"This Guitar Has Seconds to Live": Guitar Drag's Archaeology of...
by Carlos Kase. Discourse, Fall 2008, v. 30, no. 3.
Narrative Skin Repair: Bearing Witness to Representations of Self-Harm
by Angela Failler. ESC: English Studies In Canada, Mar. 2008, v. 34, no. 1.
Multi-Media:: Video Installation Performance (review)
by Jon Foley Sherman. Theatre Journal, Nov. 4, 2008, v. 60.
Performing the State of Exception: Coco Fusco's Operation Atropos...
by Jose Esteban Munoz. TDR: The Drama Review, 2008, v. 52, no. 1.
Media of Now: An Interview with David Hall
by Joanna Heatwole. Afterimage, 2008, v. 36, no. 1.
Video Presence: Tony Oursler's Media Entities
by Nick Kaye. PAJ: A Journal of Performance and Art, Jan. 2008, v. 30, no. 1.
Corporeal Pedagogy and Contemporary Video Art
by Stephanie Springgay. Art Education, Mar. 2008, v. 61, no. 2.
From Screen to Gallery: Cinema, Video and Installation Art Practices
by John G. Hanhardt. American Art, Summer 2008, v. 22, no. 2.
Auto-mnemonic Six Nations: To aid the memory, automatically
by Maria Hupfield. Brunt, Sept. 2008, no. 4.
Patrick Bernatchez: Skol, Montreal
by Jacob Wren. Canadian Art, Fall 2008, v. 25, no. 3.
My Winnipeg (with apologies to Guy Maddin)
by Steve Loft. BlackFlash, 2008, v. 25, no. 2.
Allison Hrabluik: The Poetics of Work
by Diana Sherlock. BlackFlash, 2008, v. 25, no. 2.
Adapting Sufism to Video Art: Bill Viola and the Sacred
by Ziad Elmarsafy. Alif, 2008, no. 28.
Teaching Perception through Video Art
by Dan Nadaner. Art Education, Jan. 2008, v. 61, no. 1.
Mario's Furniture: A Wireless Interactive Video Installation and Game
by Hillary Mushkin and S.E. Barnet. Leonardo, 2008, v. 41, no. 3.
Full Color Video
by Simon Payne. Leonardo, Oct. 2008, v. 41, no. 5.
The Signs of Avant-Garde Cinema in Amateur Nonprofessional Cinema
by Remigijus Venckus. The Spaces of Creation (Kurybos erdves), 2008, no. 9.
The Osmosis of the Symbiotic Man, or the Symbiosis of the: Osmotic Man
by Anne Golden. Images Festival, 2008. Toronto: Images Festival, 2008.
Scene as Space Across Time: Presence, Passage & Transition
by Katy McCormick. BlackFlash, 2008, v. 25, no. 3.
Mining the Home Movie
by Karen L. Ishizuka and Patricia R. Zimmermann. Berkeley: University of California Press, 2008.
Mining the Home Movie
by Karen L. Ishizuka and Patricia R. Zimmermann. Berkeley: University of California Press, 2008.
Cecelia Condit
by Mary Lucier and Cecelia Condit.
Cecelia Condit
by Heidi Howard. The Brooklyn Rail, Oct 2008.
HOW: Engagements with the "Hollywood Indian"
by Ryan Rice. A Space (Artists Space), 2008. Toronto: A Space (Artists Space), 2008.
Fascism as Burlesque: The baroque perversity of Miguel Ventura
by Jon Davies. Xtra, Jan. 4 Winter, 2007, no. 579.
Memorable Mexican Video: Vtape brings in fascinating works as a...
by Stephanie Rogerson. Now, Jan. 3, 2007, v. 27, no. 18.
Reinke Rankles: Installation and video artist has habit of putting...
by David Jager. Now, Feb. 7, 2007, v. 26, no. 22.
Poetry in motion PICTURES: WAG exhibit strives to open...
by Morley Walker. Winnipeg Free Press, Jan. 25, 2007.
Now showing on the WAG: City's flagship gallery acts as a movie...
by Abramson Stacey. Uptown, Jan. 25, 2007.
Art stretches bounds of music and video
by Robert Everett Green. The Globe and Mail, Jan. 20, 2007.
Beyond Video: Why Is So Much of Today's Video Art Accompanied By...
by Martin Herbert. Art Review:, Feb. 2007, no. 8.
Sue de Beer: Marianne Boesky Gallery
by David Velasco. Artforum, Feb. 2007, v. 45, no. 6.
Christian Marclay: Shoot 'Em Up: The Sound of Violence
by Martin Herbert. Art Review:, Feb. 2007.
Joan Jonas at Dia:Beacon
by Gregory Volk. Art in America, Mar. 2007, v. 95, no. 3.
Monitor 3: Contemporary South Asian Short Film + Video
by Unknown. SAVAC, 2007. Toronto: SAVAC, 2007.
Border Crossing: Performance Artist Carolee Schneemann Goes Techno
by Gord McLaughlin. EYE WEEKLY, Mar. 22, 2007.
Culture Crash
by Anon..
Skin Trade: Cockiness, copyright & colour
by Daryl Vocat. Xtra!, Mar. 1, 2007, no. 583.
Deeply unsettled and uncertain: Steve Reinke's ruthless untruths
by Jon Davies. Xtra!, Mar. 1, 2007, no. 583.
The Incredible Lightness of Machines: An interview with Reva Stone
by Robert Enright. Border Crossings, Mar. 2007, v. 26, no. 101.
Beyond Cinema: The Art of Projection Films, Videos, and...
by Rosemary Heather. Border Crossings, Mar. 2007, v. 26, no. 101.
Lori Blondeau and Adrian Stimson
by Lori Weidenhammer. Border Crossings, Mar. 2007, v. 26, no. 101.
Traumatic Landscape
by James MacSwain and Mireille Bourgeois. Traumatic Landscape, 2007. Halifax: The Centre for Art Tapes, 2007.
Youtube for artists: The best places to find video art online
by Mia Fineman. Slate, 2007.
Tender Terror: Carolee Schneemann walks a line
by Bjarke Madsen. NOW, Mar. 28, 2007, v. 26, no. 30.
Bahl throws some curves: Shelly Bahl's socially critical photos...
by David Jager. NOW, Mar. 28, 2007, v. 26, no. 30.
As seen on screen: Art Event: Analogue co-curator Chris...
by Mark Powell. Metro, Mar. 2 Spring, 2007.
Between the Monument and the Ruin: An interview with Lida Abdul
by Candice Hopkins. C Magazine, Spring 2007, no. 93.
Before YouTube: Plunge into the archives of the Video Data Bank
by Ed Halter. Village Voice, Jan. 23, 2007.
The Art of Technology (and the technology of art)
by Anna Feigenbaum. Fuse, Jan. Winter 2007, v. 30, no. 1.
Politics in Aspic: Reflections on the Biennale of Sydney and its...
by Jen Budney. Fuse, Jan. Winter 2007, v. 30, no. 1.
The Witness: Althea Thauberger's Too-Real Video Art
by Heather Rosemary. Canadian Art, Spring 2007, v. 24, no. 1.
Hey, Art Museum, Give Me iPod Eye Candy!
by Momus and Nick Currie. Wired, Apr. 24, 2007.
Video Installation: Characteristics of an Expanding Medium
by Robin Oppenheimer. Afterimage, 2007, v. 34, no. 5.
Eyes on Toronto: Nothing equals our local perspective
by Mike Vokins. Xtra!, May 10, 2007, no. 588.
Sadie Benning: Columbus
by Jennie Klein. Art Papers, May 2007, v. 31, no. 3.
Triste Artique: Amy Taubin on the Films of Zacharias Kunuk
by Amy Taubin. Artforum, Apr. 1, 2007, v. 38, no. 8.
A Rose Has No Teeth: Bruce Nauman in the 1960s
by Pamela M. Lee. Artforum, Apr. 2007, v. 38, no. 8.
Toward a Feminist "Coney Island of the Avant-Garde"
by Melinda Barlow. Afterimage, Jan. 2007, v. 34, no. 4.
Unterspiel: Blackwood Gallery, Mississauga
by Dana Samuel. Canadian Art, Summer 2007, v. 24, no. 2.
Moving Images Stay in the Dark
by Laura Cumming. Guardian Unlimited: Arts Blog, Jan. 10, 2007.
Then + Then Again: Talking with Clive Robertson about artist-run...
by Vera Frenkel. Fuse, July 2007, v. 30, no. 3.
Boundary Blurrer: An Interview with Vera Frenkel
by Robert Enright. Border Crossings, May 2007, v. 26, no. 102.
Annie MacDonell
by Sharon Switzer. Canadian Art, Summer 2007, v. 24, no. 2.
Owen Kydd
by Aaron Peck. Canadian Art, Summer 2007, v. 24, no. 2.
Art and Feminism
by Cornelia Butler. Wack!: art and the feminist revolution, 2007. Los Angeles: The Moca L.A., 2007.
Untitled
by Unknown. Wack!: art and the feminist revolution, 2007. Los Angeles: The Moca L.A., 2007.
The Reel Deal
by Gloria Kim. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Jan. 2007, v. 27, no. 1.
Head Cases
by Heather Richards. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Jan. 2007, v. 27, no. 1.
The Lord of Missed Rules:: An Interview with Michael Snow
by Robert Enright. Border Crossings, Summer 2007, v. 26, no. 102.
Projections: A Survey of Projection-Based Works in Canada, 1964-2007
by Dan Adler. C Magazine, Fall 2007, no. 95.
Reviews: Chih-Chien Wang
by Tatiana Mellema. C Magazine, Fall 2007, no. 95.
Straight to Video: Next-generation video art is now playing at a...
by Tim KcKeough. enRoute, Aug. 2007.
Lynne Marsh, Ballroom
by Stacey Abramson. C Magazine, Fall 2007, no. 95.
Anarchy at documenta
by Allan Antliff. C Magazine, Fall 2007, no. 95.
Jon Sasaki
by Dave Dyment. C Magazine, Fall 2007, no. 95.
The Distance Between: The Political Peregrinations of Fancis Alys
by Martin Herbert. Modern Painters, Mar. 2007.
Pleasure Dome Brochure: Fall 2007
by Unknown. Pleasure Dome, Fall 2007, v. 2.
Interview with Miranda July (Online Exclusives): Performance...
by Eli Horowitz. The Believer, June 2007.
Allison Hrabluik: Diaz Contemporary
by Dan Adler. Artforum, Apr. Spring 2007, v. 38, no. 8.
Youtube for Artists: The best places to find video art online.
by Mia and Fineman. Slate, Mar. 21, 2007.
Night Intervals
by Minh Nguyen. Art Star 3 Video Art Biennial Exhibition Catalogue - 2007 Galerie SAW Gallery, Oct. 2007.
"Hitting Below the intellect"
by Sholem Krishtalka. Xtra!, May 10, 2007, no. 588.
Screen Queen: Reprogram
by Rob Salerno. Xtra!, May 10, 2007, no. 588.
Everything in my life, everything in yours
by Erik Martinson. Art Star 3 Video Art Biennial Exhibition Catalogue - 2007 Galerie SAW Gallery, Oct. 2007.
Deliver us from truth...: The recent video work of Philip Jonlin Lee
by Lisa Steele. Art Star 3 Video Art Biennial Exhibition Catalogue - 2007 Galerie SAW Gallery, Oct. 2007.
Outrageousness: Craig Russell is a real Canadian Idol
by Thom Allison. Xtra!, May 10, 2007, no. 588.
Hogtown to small town: Backcountry queers rekindle our defiant history
by Rob Solerno. Xtra!, May 10, 2007, no. 588.
Documentary Reframed: Process, Politics, Aesthetic
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A State of Uncertainty: Aernout Mik
by Dominic Van Den Boogerd. Art Papers, Sept. 2007, v. 31, no. 5.
Jon Sasaki: Toronto
by Jennifer McMackon. Art Papers, Sept. 2007, v. 31, no. 5.
On Shaky Ground: The Universal Theatre of Vasco Araujo
by Nuno Crespo. Art Papers, Sept. 2007, v. 31, no. 5.
Lexier Plays With Absolutes: Math-based installations dare to...
by Leah Sandals. NOW, Oct. 25 Fall, 2007, v. 27, no. 8.
At the Galleries
by Peter Goddard. The Toronto Star, Dec. 1, 2007.
Praxis, Praxis, Praxis: Richard Fung's active illuminated histories
by Brian McCormick. Gay City News, Jan. 18, 2007.
The Politics of Cool
by Cooper Battersby and Emily Vey Duke. C Magazine, Winter 2007, no. 96.
Family Romance
by Jon Davies. C Magazine, Winter 2007, no. 96.
Woodlot: The 3rd KW/AG Biennial: Kitchener-Waterloo Art Gallery
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Testing Testickle: Monkman's Alter Ego Always Provokes
by Leah Sandals. NOW, Nov. 22, 2007, v. 27, no. 12.
Bring It Back: Thinking the Ethno Politics of Identity Again: A...
by Andrea Fatona et al. Fuse, Sept. Fall 2007, v. 30, no. 4.
Small Gauges for Small Cities: An Interview with Alex Rogalski
by Brett Kashmere. Splice Magazine, Summer 2007.
How the Filmpool Saved My Life: A Winnipeg Perspective
by Patrick Lowe. Splice Magazine, Summer 2007.
Artifice and Old Lace: The Green Screen is Film's New Tabula Rasa
by Michael Atkinson. Modern Painters, July 2007.
The Road to Documenta: The European Adventures of Luis Jacob and...
by R. M. Vaughan. Canadian Art, Winter 2007, v. 24, no. 4.
Always Working: The Aesthetic Labours of Kelly Mark
by Rosemary Heather. Canadian Art, Winter 2007, v. 24, no. 4.
Video Art: Keeping it New
What's Up Yukon, Sept. 14, 2007.
Cloudbreaker screens tonight
by Anon. The Chronicle Herald, Nov. 30, 2007.
Mises A L'epreuve (Purgatories)
by Elene Tremblay.
Artists and Models: The Video Data Bank showcases its savings at MOMA
by Tom Beer. Time Out New York, Jan. 25, 2007.
Exhibitions
by Leanne Johnson. Front, Nov. 2007, v. 18, no. 5.
Picture Maker: Stephen Andrews: From the Shadows of Mass Media
by Alexander Nagel. Canadian Art, Winter 2007, v. 24, no. 4.
Edifying Edifice
by Scott McGovern. Edifying Edifice, 2007. Guelph: Ed Video, 2007.
True Confessions: Guelph multimedia artist Dawn Matheson calling...
by Joanne Shuttleworth. Guelph Mercury, Sept. 12, 2007.
By Steve Reinke
by Steve Reinke. Possible Worlds, 2007. Norwich: Aurora, Francis House, 2007.
On Creaturely Life
by Pleasure Dome. Possible Worlds, 2007. Nowich: Aurora, 2007.
Intra Terrestrials
by Adam Pugh. Possible Worlds, 2007. Norwich: Aurora, 2007.
Deimantas Narkevicius: Sucession, Vienna
by Steven Matijcio. Canadian Art, Winter 2007, v. 24, no. 4.
Inuit Documentaries and Short Films Now Available
by unknown. Native Journal, Sept. 2007.
Cinq questions a Jeff Barnaby
by Anabelle Nicoud. La Presse, July 22, 2007.
Amar Kanwar: Whitechapel, London
by Christina Bagatavicius. Canadian Art, Winter 2007, v. 24, no. 4.
Kent Monkman: Art Gallery of Hamilton, Hamilton
by Debra Antoncic. Canadian Art, Winter 2007, v. 24, no. 4.
Destiny's Child: Filmmaker Adam Garnet-Jones relives youthful...
by Sean Flinn. The Coast, Nov. 29, 2007.
The Paper Bag Princess: A Interview with Jesika Joy
by Denisa Mertiri. the f word nouveau, Oct. Fall 2007.
MUFF diving: Shaved Barbies, condoms, chickens and more at the...
by Matthew Hays. Montreal Mirror, May 2007, v. 22, no. 47.
Bear Witness
by Ryan Rice. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
Small Epics: The Works of Salla Tykka
by Jason St-Laurent. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
It Will Burn Inside Me
by Stefan St-Laurent. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
Difference is New Black: Harold Offeh's Videos
by Anna Khimasia. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
Then + Then Again
Density
Riding a New Wave
by Harmony Rice. Spirit, Fall 2007, v. 4, no. 2.
Snowy Berlin Warms Kanadiers
by Buck Naomi. The Globe and Mail, Feb. 12, 2007.
Stan Douglas
by Tom Holert. Artforum, Nov. 2007, v. 46, no. 3.
Listening to The Hearing Eye
by Sebastien Cliche. Centre Clark, Mar. Spring 2007.
Documentary Reframed: Process, Politics and Aesthetics
by Maureen Latta. Documentary Reframed, 2007. Saskatoon: Paved Arts, 2007.
Bonnie Sherr Klein
by Caroline Avery. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Jan. 2007, v. 27, no. 1.
The Getty Gets Serious About Video
by Carol Kino. The New York Times, Dec. 9, 2007.
Artist Explores Jewish immigrant experience in poignant exhibition
by Michael Regenstreif. Ottawa Jewish Bulletin, Dec. 3, 2007.
Interview Brett Kashmere
by Nancy Keefe Rhodes. Stylusmagazine.com, May 18, 2007.
The Ground Beneath Her Feet: Fault Lines of Nation and Sensation...
by Olivia Khoo. GLQ: A Journal of Lesbian and Gay Studies, 2007, v. 14, no. 1.
In The Blink of An Eye: Curated by Shawna Dempsey and Lorri...
by Stacey Abramson. C Magazine, Summer 2007, no. 94.
Aesthetic Libertines
by Philippe Hamelin.
Art that weeps, sings and bleeds: If you're interested in the...
by Sarah Milroy. The Globe and Mail, June 11, 2007.
Nelson Henricks: Map of the City
by Donna Wawzonek. Map Of The City, July 7, 2007. Calgary: Art Gallery of Calgary, 2007.
Digital Event 07: Curators Talk
by Ulysses Castellanos et al.
Not Just a ride from point A to B: L'Art Boat passengers...
by Matthew Chung. The Toronto Star, June 8, 2007.
The Humourously Tragic: An Interview with Jon Sasaki
by James King. Broken Pencil, Spring 2007, no. 36.
The Patterns of Jamie Travis' Film Making
by Mathew Kumar. Broken Pencil, Feb. 2007, no. 34.
Rightfully Yours
by David Balzer. EYE WEEKLY, Dec. 26, 2007.
Issues of access, representation and diversity in the Canadian milieu
by Carol Podedworny. Re-Mediations: Stephen Foster And James Gillespie, 2007. Hamilton: McMaster Museum of Art, 2007.
Unofficial Ambassadors
by Tessa Liem.
Loitering in Cyberspace: Cheryl Sourkes' takes snapshots of the...
by Cheryl Simon. C Magazine, Summer 2007, no. 94.
Marcellvs. L
by Rodrigo Moura. Flash Art, May Spring 2007.
Doug Aiken: Sleepwalkers
by Courtney J. Martin. Flash Art, Mar. 2007.
Beyond Cinema: The Art of Projection: Curated by Stan Douglas,...
by Henrikke Nielsen. C Magazine, Spring 2007, no. 93.
Sonic Hybridity and Visual Dualism in the Work of Sussan Deyhim...
by Ulrike Sieglohr. Music, Sound, and the Moving Image, 2007, v. 1, no. 1.
Jeremy Shaw: Best Minds Part One
by Clint Burnham. C Magazine, 2007.
J-Horror: New Media's Impact on Contemporary Japanese Horror Cinema
by Mitsuyo Wada-Marciano. Canadian Journal of Film Studies, Fall 2007, v. 16, no. 2.
The Indian Film Crews of Challenge For Change: Representation and...
by Michelle Stewart. Canadian Journal of Film Studies, Fall 2007, v. 16, no. 2.
Video Art as a Rising Medium in Iranian Contemporary Art
by Susan Habib and Helia Darabi.
What. Comes. After.: An Introduction to Lin + Lam's "Unidentified...
by Una Chung. Art Journal, Winter 2007, v. 66, no. 4.
Empathy, reviewed work: That's Amore: Max Dean at Projex-Mtl and...
by James D. Campbell. ETC, 2007, no. 80.
Meetings of Past and Present: The Installations of Multimedia...
by Susan Chevlowe. Nashim: A Journal of Jewish Women's Studies & Gender Issues, Fall 2007, no. 14.
The Inspiration of Home
by November Paynter and Koken Ergun. PAJ: A Journal of Performance and Art, Jan. 2007, v. 29, no. 1.
The Witness
by Rosemary Heather. Canadian Art, Spring 2007, v. 24, no. 1.
Bell, Book & Camera
by Vaughan R.M.. Canadian Art, Spring 2007, v. 24, no. 1.
Public Domains: Engaging Iraq Through Experimental Digitalities
by Patricia Rodden Zimmermann. Framework: The Journal of Cinema and Media, Fall 2007, v. 48, no. 2.
Hyunki Park: Neo-Metaphysical Video and Conceptual Art
by Robert C. Morgan. PAJ: A Journal of Performance and Art, Sept. 2007, v. 29, no. 3.
No Exit: Video and the Readymade
by David Joselit. October, Winter 2007, no. 119.
Scott Treleaven
by York Lethbridge. C Magazine, Spring 2007, no. 93.
Peter Donebauer, Richard Monkhouse and the Development o the EMS...
by Chris Meigh-Andrews. Leonardo, Oct. 2007, v. 40, no. 5.
Materialist Feminism for the Twenty-first Century: The Video...
by Angela Dimitrakaki. Oxford Art Journal, 2007, v. 30, no. 2.
Borderviews: Back to Nature's Future
Border Crossings, 2007, no. 102.
Crossovers: Jenny Perlin
by Jacob Korczynski. Border Crossings, 2007, no. 102.
Felix Ensslin on Lulu
by Felix Ensslin. Between Two Deaths, 2007. karlsruhe: ZKM, 2007.
Beyond/In Western New York 2007
by Clare Schneider and Holly E. Hughes.
"Collective Orgasm": The Eco-Cyber-Pornography of Shu Lea Cheang
by Eva Oishi. Women's Studies Quarterly, Spring/Summer 2007, v. 35, no. 1. The Feminist Press, 2007.
Coming to a screen no where near you: Inuit filmmaker Zacharias...
by Gayle MacDonald. The Globe and Mail, Jan. 25, 2006.
Yael's Potent Palestine Trilogy
by Fran Schechter. Now, Jan. 5, 2006, v. 25, no. 19.
Back For One Night Only!
by Nancy Princenthal. Art in America, Feb. 2006, v. 94, no. 2.
Tragedy at the top of the world: From a traditional Inuit town, a...
by Gayle MacDonald. The Globe and Mail, Mar. 18, 2006.
Crafting, Every Witch Way
by Robert Enright. Border Crossings, Mar. 2006, v. 25, no. 1.
Happenings: Genetic Carnival
by Emily Elsa Hamilton. MAG Mass Art Guide, Apr. Spring 2006.
Exhibit A Weirdy Wonderful: Songs of Praise for the Heart Beyond Cure
by Sarah Milroy. The Globe and Mail, Apr. 14, 2006.
Until Then Then: Eric Deis, Paul Ramirez Jonas, Holly Ward,...
by Andreas Kahre. Front, 2006.
Untitled
by Sarah Milroy. The Globe and Mail, Mar. 15, 2006.
In Review
by Debra Antoncic. Canadian Art, Spring 2006, v. 23, no. 1.
From the Mouths of Babies
by Daniella Newman. Film Print, May 2006, v. 26, no. 3.
Red Hot Docs
by Caroline Avery. Film Print, May 2006, v. 26, no. 3.
ALU CINE TING: The 7th AluCine Toronto LATIN @ Media Festival
by Deirdre Swain. Film Print, May 2006, v. 26, no. 3.
Kino=Cool
by Malcolm Fraser. Broken Pencil, May 2006, no. 31.
Arriba Los Homosexuales!: There's Startling Dynamism Down South
by Jon Davies. Xtra!, May 11, 2006, no. 562.
Channelling Mayhem: Winnipeg cable TV's golden age
by Alison Gillmor. cbc.ca, Apr. 12, 2006.
Weathering the Storm: Christina L. Battle in Conversation With...
by Christina L. Battle. FILMPRINT - The magazine of Independent Filmmakers of Toronto, May 2006, v. 26, no. 3.
Guy maddin's The Brand Upon the Brain: An Autobiography of my house
by Guy Maddin. Border Crossings, 2006, no. 96.
Gunilla Josephson in Coversation with Cameron Bailey: On the...
by Cameron Bailey. Archive Inc., June 24, 2006.
Paulette Phillips Fascinations
by Johanna Householder. Sketch, Spring 2006.
Witnesses to History:: New works by B.H Yael and Richard Fung
by Dot Tuer. Sketch, Spring 2006.
On Gods, Grammar and Nonsense: Gary Kibbins' Grammar and...
by Earl Miller. Fuse, 2006, v. 29, no. 3.
The Power of Light: aluCine 7th Toronto Latin@ Media Festival's...
by Richard Fung. Fuse, 2006, v. 29, no. 3.
Gary Kibbins and his Grammar Lessons
by Andrew James Paterson. Grammar & not Grammar, June Summer 2006. YYZ Boooks, 2006.
Andrea Cooper: Oh, Darlin
by Rhonda Corvese. University of Toronto Master of Visual Studies Programme 2006 Graduating Exhibition, 2006.
Tannis Nielsen: Not Forgotten
by Rhonda Corvese. University of Toronto MVS Programme 2006 Graduating Exhibition, 2006.
The Next Big Thing: Supernovas
by Amy Karlinsky. Fuse, 2006, v. 29, no. 3.
An Emergency of Passion
by Daniel Baird. Diane Borsato, Sept. 16, 2006.
Silent Speech
by Susan Walker. The Toronto Star, Sept. 7, 2006.
It is not only Glad Day who benefits
by Linda Feesey. "(Mary, Mary) Are these the hands that cut?", 2006. Toronto: Pleasure Dome and LIFT, 2006.
Between the Lines, Jude Norris: Reading Between the Lines
by Aubrey Reeves. Between the Lines, Jude Norris, 2006. Toronto: Trinity Square Video and imagineNATIVE Festival, 2006.
Love is a battlefield: Pop & politics get a musical makeover
by Daryl Vocat. Xtra, Sept. 28 Fall, 2006, no. 572.
You'd Better Smile When You Say That: Wagon Burner, This! Princess...
by Richard William Hill. Wagon Burner, This! Princess Moonrider That!, 2006. Toronto: A Space Gallery, 2006.
You'd Better Smile When You Say That: Wagon Burner, This! Princess...
by Unknown. Front, Sept. 2006, no. 4.
Opening Night Films: The Toronto international Film Festival kicks...
by Barrett Hooper. Inside E magazine, Sept. Fall 2006.
Just Say Cut!
by Jon Davis. "(Mary, Mary) Are these the hands that cut?", 2006. Toronto: Pleasure Dome, 2006.
The (fetishistic) cut
by Jean-Paul Kelly. "(Mary, Mary) Are these the hands that cut?", 2006. Toronto: Pleasure Dome, 2006.
Notes on Glad Day
by Sholem Krishtalka. "(Mary, Mary) Are these the hands that cut?", 2006. Toronto: Pleasure Dome, 2006.
Kunuk's silent partner: Norman Cohn grew up in New York. Zacharias...
by Sarah Milroy. The Globe and Mail, Sept. 6, 2006.
Out of Beirut: Living Contradiction
by T. J. Demos. Artforum, Oct. 2006, v. 45, no. 2.
Out of Beirut: Object Lessons
by Lamia Joreige. Artforum, Oct. 2006, v. 45, no. 2.
Out of Beirut: Under the Volcano
by Christine Tohme. Artforum, Oct. 2006, v. 45, no. 2.
Sense and sensibilities: Fado performance gives new meaning to the...
by Stephanie Rogerson. Now, July 20, 2006, v. 25, no. 47.
Kalup Linzy: Rome Gallery
by Philip Auslander. Artforum, Oct. 2006, v. 45, no. 2.
Yael Bartana: Kunstverein
by Nina Montmann. Artforum, Oct. 2006, v. 45, no. 2.
Barry Schwabsky on Keren Cytter
by Barry Schwabsky. Artforum, Oct. 2006, v. 45, no. 2.
Under Your Skin: Gary Indiana on Kiyoshi Kurosawa
by Gary Indiana. Artforum, Oct. 2006, v. 45, no. 2.
3 videos by Farheen Haq
by Farheen Haq. Blackwood Gallery, Jan. 5, 2006.
Blackwood home to controversy
by Daniel Filipe Martins. Medium Online, Jan. 16, 2006.
The Tears of Eros: Laima Kreivyte on Aurora Reinhard
by Laima Kreivyte. Framework: The Finnish Art Review, 2006.
Gareth Long continues to dazzle: Artist Profile: Gareth Long
by Mathew Follwell. Our Neighborhood: Queen St. W., 2006.
Casting Kin: The Animations of Desiree Holman
by Alissa Firth-Eagland. Effigy, Nov. 2006. Toronto: YYZ Artist's Outlet, 2006.
See Reel Asian pics while you can
by Glenn Sumi. Now, Nov. 16, 2006, v. 26, no. 11.
Expanded memories: Bill Viola talks about his philosophy of art
by Martin Gayford. Apollo, Oct. 2006.
Deller delivers: Evocative music and images converge in Jeremy...
by Stephanie Rogerson. Now, Nov. 23, 2006, v. 26, no. 12.
Recovery- Romeo Gongara
by Stephanie Rogerson. Romeo Gongara Recovery, 2006. Toronto: Gallery 44 Centre for Contemporary Photography, 2006.
Wholly Human Holman: Desiree Holman's Effigy series promotes...
by Stephanie Rogerson. Now, Nov. 30, 2006, v. 26, no. 13.
Why People Love Cowboys: A Very Partial Review of The American...
by Janna Graham. Fuse, 2006.
Emily Vey Duke and Cooper Battersby in 'Fantasia'
by Jon Davies. Canadian Art, Fall 2006, v. 23, no. 3.
Contemporary Art: Now in Hong Kong, an interactive display by...
by Joyce Hor-Chung Lau.
Stan Douglas Talks About Klatsassin, 2006.: 1000 Words
by Stan Douglas. Artforum, Oct. 2006, v. 45, no. 2.
Ragnar Kjartansson: A restless spirit
by Christian Schoen. List -Icelandic Art News, Jan. 23, 2006, no. 7.
You Tube vs Boob tube
by Bob Garfield. Wired, Dec. 2006, no. 12.
Read Handed: Caught in the Act: an Anthology of Performance Art by...
by Leah Sandals. Fuse, May 2006, v. 29, no. 2.
Cultures clash in mystical north
by Geoff Pevere. The Toronto Star, Sept. 7, 2006.
Kent Monkman's Postindian Diva Warrior:: From Simulacral Historian...
by David McIntosh. Fuse, July 2006, v. 29, no. 3.
Inuit Tale Looks to Make History at World Premiere
by Etan Vlessing. Playback, Sept. 4, 2006.
A Brave Opening Choice as TIFF Kick Off: The Journals Sets the...
by Rick Groen. The Globe and Mail, Sept. 7, 2006.
The Bjork-Barney Enigma Machine
by Randy Kennedy. The New York Times, Apr. 2006.
How Television Saved Video
by Laura Paolini. Les Fleurs Du Mal, Sept. 2006, v. 1, no. 2.
Still Video: Photo Zombified The Video Star
by Robert Lendrum. Les Fleurs Du Mal, Sept. 2006, v. 1, no. 2.
Gravity's Grace
by Carla Garnet. Falling from Grace, 2006. Panabaker Gallery, McMaster Museum of Art, 2006.
Even if the Dead Speak and the Living Listen it is Still Not a...
by Steve Reinke. Falling from Grace, 2006. Panabaker Gallery, McMaster Museum of Art, 2006.
Worlds of Birds and Snow
by Steer Linda. Falling from Grace, 2006. Panabaker Gallery, McMaster Museum of Art, 2006.
How to Touch the Dead: The Ethical Potential of Sound and Image in...
by Andrea D. Fitzpatrick. The University of Southern California Journal of Film & Television Criticism Spectator Ephemeral Cinema, Invisible Media: Sound and Image at the Edge of Awareness, Fall 2006.
French video changes the bottom line: Amerio at Vtape - Film troubling
by Peter Goddard. The Toronto Star, Jan. 12, 2006.
The New Homosexual Film Festivals
by B. Ruby Rich. GLQ: A Journal of Lesbian and Gay Studies, 2006, v. 12, no. 4.
Queer Eye for the Whitney Bi
by James Panero. The New Criterion, Apr. 2006.
Mary Kavanagh
by Ann Dymond. Border Crossings, June 2006, v. 25, no. 98/No.2.
Tacita Dean
by Jeffrey Eugenides. Bomb, Spring 2006, no. 95.
Pleasure Dome Brochure: Winter 2006
by Unknown. Pleasure Dome, Winter 2006.
Dream Homes: Far-out ideas for rebooting the 'burbs: Toronto Free...
by Murray Whyte. The Toronto Star, Apr. 23, 2006.
A Question of Defense in Lida Abdul's "Military/Body"
by Sara Raza. Lida Abdul, 2006. Banff: Banff International Curatorial Institute, 2006.
The Overlooked America
by Rodrigo Alonso. Mesh 19, Oct. 2006.
The Island at the Centre of the Earth
by Trinity Square Video.
Duet: Etude for Solitudes: Laiwan
by Nelson Hendricks. YYZine, Spring 2006.
The Lingering Present: Canadian Video Art in its Youth: 1968-1986
by Lisa Steele. Analogue, 2006. Preston: Electronic and Digital Art Unit, 2006.
Video Beginnings: The Early Show: Video from 1969-1979
by Deborah Garwood. PAJ: A Journal of Performance and Art, Sept. 2006, v. 28, no. iss.84 no. 3.
Jesika Joy's erotic gaze: Show offers sex along with...
by Peter Godard. The Toronto Star, Aug. 24, 2006.
Joanna Malinowska at Canada
by David Coggins. Art in America, Oct. 2006, v. 94, no. 9.
Making magic: Queer music videos return with a vengeance
by John Webster. Xtra!, May 11, 2006, no. 562.
Bradley McCallum and Jacqueline Tarry
by Nord Wennerstrom. Artforum, Oct. 2006, v. 45, no. 2.
On the Timelessness of Meaning in Gunvor Nelson's Work
by Sue Anne Moody. Evidence, 2006.
The Material and the Mimetic: on the Films by Gunvar Nelson
by John Sundholm. Evidence, 2006.
Video: From Technology to Medium
by Yvonne Spielman. Art Journal, Fall 2006, v. 65, no. 3.
Decolonizing Colonial Violence: The Subversive Practices of...
by Janice Hladki. Canadian Woman Studies, 2006, v. 25, no. 1-2.
Making Things Our Own: The Indigenous Aesthetic in Digital...
by Candice Hopkins. Leonardo, 2006, v. 39, no. 4.
The Temporalities of Video: Extendedness Revisited
by Christine Ross. Art Journal, Fall 2006, v. 65, no. 3.
Pile Driver: Philippe Donadini messes things up
by Benny Nemerofsky Ramsay. C Magazine, Winter 2006, no. 92.
Ship of dreams gets rude reception
by Susan Walker. The Toronto Star, Jan. 21, 2005.
Lisa's Long Haul: Artist Lisa Steele talks to Sarah Milroy about...
by Sarah Milroy. The Globe and Mail, Feb. 19, 2005.
Vladimir Cybil
by Jerry Philogene. Bomb Magazine, Winter 2005, no. 90.
Kantor's art in a revoltionary vein: Marking gallery walls with...
by Murray Whyte. The Toronto Star, Jan. 4, 2005.
Change makers honoured in G-G visual awards
by Sarah Milroy. The Globe and Mail, Mar. 9, 2005.
Canada honours art pioneers
by Ciara Byrne. The Newspaper, Mar. 10, 2005.
Doing time with prisoners through video art; [3 Edition]
by Philip Gefter. International Herald Tribune, Apr. 9, 2005.
Video artists earn top honours: New winners in visual, media arts
by Peter Goddard. The Toronto Star, Mar. 9, 2005.
Renzo Martens
by David Balzer. EYE WEEKLY, Apr. 14, 2005.
Nostalgic & Nervous: Even queers seem to prefer troubled childhood...
by Jon Davies. Xtra!, Mar. 31, 2005, no. 533.
All eyes are on us, and we're loving it: Artist examines our need...
by Peter Goddard. The Toronto Star, Apr. 23, 2005.
Energetic Freedom
by Jon Davies. Xtra!, Mar. 31, 2005, no. 533.
Religious argument made at wrap speed: Farqheen HaQ unfurls...
by Peter Goddard. The Toronto Star, Apr. 7, 2005.
Unblinking face to face: Donigan Cumming creates arresting videos
by Peter Goddard. The Toronto Star, Apr. 21, 2005.
Images grows up
by Hal Niedzviecki. Now, Apr. 7, 2005, v. 24, no. 32.
Beast in show: seeing our animal future
by Susan Walker. The Toronto Star, June 11 Spring, 2005.
Artsit Lisa Steele honoured for lifetime achievement
by Staff Staff. The Globe and Mail, 2005.
Art at 30 frames per second
by Ceiran Bishop. DOSE, June 10, 2005.
Press Release: Visionary Leader in new media art pratice become...
by Staff Staff. Ontario College of Art and Design, 2005.
The War on Libraries: Save and Burn, a Film Review
by Steve Fesenmaier. Counterpunch, Oct. 2, 2005.
Save and Burn a documentary by Julien Samuel: Reviewed by Maja...
by Maja Khankhoje. Serai Magazine, to be published, online, Apr. 11, 2005.
Vinita Ramani and Julien Samuel discuss Save and Burn
by Vinita Ramani and Julien Samuel. 18th Singapore International Film Festival, 2005, Mar. 20, 2005.
Genealogies of Blood and Breath
by Sky Glabush. Border Crossings, 2005.
Reel Books
by Andrew James Paterson. POV, Winter 2005, no. 56.
Cure As Weapon: Aiko Suzuki takes on the medical model
by Kevin Temple. Now, June 2, 2005, v. 24, no. 40.
From Nature to Psychobabble: Beyond/ In Western New York bridges...
by Cynnie Gaasch and Eric Jackson-Forseberg. Art Voice (AV), May 16, 2005.
The Ass Alley Anglers vs. the Pussy Packers: Dayna mcleod's...
by Sasha. Montreal Mirror, 2005, v. 20, no. 44.
A Quest for the Shiny and New
by RM Vaughan. The National Post, July 16, 2005.
Kuchar sad-sack funny, flatulent and moving
by Peter Goddard. The Toronto Star, July 8, 2005.
Everything new is becoming old: New Toronto Works short on innovation
by Peter Goddard. The Toronto Star, Mar. 11, 2005.
Border Views: The New Video Linguists
by Unknown. Border Crossings, Aug. 2005, v. 24, no. 3.
Video Art, A Guided Tour by Catherine Elwes (Books)
by Tom Sherman. Border Crossings, Aug. 2005, v. 24, no. 3.
Production Diary: Nextfest DG14 2004:: 14 Days + 3 friends + 1...
by David Geiss. Splice Magazine, Winter 2005.
Why Video Art Is Great And Everyone Should Love It (And Me)
by Meesoo Lee. Splice Magazine, Winter 2005.
'Runaway grooms' leave shame behind: Film tells stories of jilted...
by Olivia Ward. The Toronto Star, Apr. 23, 2005.
Action: reaction: Chain director Jem Cohen appraises his surroundings
by Jason Anderson. EYE WEEKLY, Apr. 7, 2005.
Images 2005 A Sneek Peek
by Jason Mcbride. LIFT, Mar. 2005, v. 25, no. 2.
Participation, Flow, and the Redistribution of Authorship: The...
by Sara Diamond. Museums and the Web 2005: Proceedings, Mar. 31 Spring, 2005.
Picture the performer / Alumni notes
by b. h. Yael. Sketch, Spring 2005.
Transcendental Video
by Bev Pike. Poolside, 2005, v. 2004.
Mind the Gap: An Artist's Response to Completing a Film/Video Cycle
by Clive Holden. Poolside, 2005, v. 2004.
We Loved Getting Tested!
by Shawna Dempsy. Poolside, 2005.
going out: Do the Hope and the Crawl
by Gary Michael Dault. The Globe and Mail, Sept. 16, 2005.
Hop and Crawl At A Glance
by Unknown. The Globe and Mail, Sept. 16, 2005.
Enormous Changes At The Last Minute: The videos of Emily Vey Duke...
by Jason McBride. Cinema Scope, Spring 2005, no. 22. Tokyo: National Museum of Modern Art, 2005.
Images Grows Up: With a strong slate of international shorts, 18th...
by Hal Niedzviecki. Now, Apr. 7, 2005.
The digital artist
by Peter Goddard. The Toronto Star, Aug. 6, 2005.
Art that's inside the box (set)
by Sarah Milroy. The Globe and Mail, Aug. 18, 2005.
Istvan Kantor
by Daniel Baird. The Governor General's Awards in Visual and Media Arts, 2005. Ottawa: Canada Council for the Arts, 2005.
Feats, might
by Paul Couillard and Alissa Firth-Eagland. Feats, might, 2005.
Accepting Rejection: Annual Salon des Refuses & Silent Auction
by Kathleen Olmstead. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Nov. 2005, v. 25, no. 6.
Don't You Feel Better: Meesoo Lee Gets Uneven
by John Marriott. C Magazine, Summer 2005, no. 86.
Boy, You're Lovin': Art education creates artists who believe that...
by Emily Vey Duke.
The New Exhibitionists: Performance art is reawakening in the 21st...
by Randy Gledhill. Canadian Art, Summer 2005, v. 22, no. 2.
Persevering Realpolitik: A Conversation With Marie-Helene...
by Emily Rothwell. Fuse, Fall 2005, v. 28, no. 3.
Untitled
by Unknown. 11th BIM Biennial of Moving images, 2005. Geneva: Biennial Press Office, 2005.
Lisa Steele + Kim Tomczak
by Peggy Gale. The Governor General's Awards in Visual and Media Arts 2005, 2005. Toronto: Canada Council for the Arts, 2005.
Towards a New Tribalism
by Abraham Ferrer. VC FILMFEST2005, 2005. Los Angeles: VC Film Fest, 2005.
Festival Wraps
by Henry Lewes et al. POV, Mar. Spring 2005, v. 13, no. 39.
TOO GOOD TO BE TRUE: AN INTERVIEW WITH PHILIP MANTLE
by Jeremy Turner. Front, Nov. 2005, v. 15, no. 5.
For Immediate Release: New Director/Curator of Exhibitions at the...
by ?. Front, Nov. Winter 2005, v. 16, no. 5.
Diamond In the Rough
by Unknown. YYZ newsletter, Dec. 17, 2005.
Inmate Intimacy: Fiona Tan: Correction
by Clayton Campbell. Afterimage, Sept. 2005, v. 33, no. 2.
CCA Warsaw Beyond Ruins
by Joanna Heatwole. Afterimage, Sept. Fall 2005, v. 33, no. 2.
Chi-mnissing N-daa-yaan reflects a Personal and Community's...
by Dennis Stark. Tansi, 2005, v. 4, no. 3.
Very,very high numbers at TIFF
by Sean Davidson. Playback, Sept. 26, 2005.
Experimental Video
by Ed Hugetz. MBC, 2005.
agYU: A Very Personal Look: Toronto Video Art from the '7-'s to...
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For The Love of Film, It's PHOTOPHOBIA: This year marks the...
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Nelson Henricks
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ruth cuthand & elizabeth machenzie
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A day curated by artists Catherine Elwes, Hayley Newman and Jeremy...
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Bad Girl Perennial
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affirm/nation; Jude Norris
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Barbieri's Las Vegas
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Desiring the Image: on Celerity and Fetishization
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L'Autre Amerique: Art Contemporain du Bresil
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Paul Chan: Where Form Ends and Content Begins.
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Marina Abramovic: Re: Performance
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Mediating Circumstances: Stephen Henry Madoff on the Festival...
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Petroglyphs in Motion: James Luna
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The Waters of Venice: Rebecca Belmore at the 51st Biennale
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Pun to Paradox: Bas Jan Ader Revisted
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Noam Gonick: Interviewed by Leah Sandals
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Two Types Of Sacred: 1970s Endurance Art Today
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Video 2005
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The Poetics of History: An Interview with Rebecca Belmore
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Janet Cardiff and George Bures Miller
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Belmore at the Venice Biennale
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Kudos to Pugen
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Postscript to 'An Interview With Michael Snow': Apologies and...
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Teresa Hubbart/ Alexander Bircher
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Metropolitan Chords and Discords
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Neshat, The Friendly Other
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Somewhere Elsewhere: Diasporic Visions of Space and Subject
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Persistence of Vision
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Video Stars
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Donigan Cumming: Museum of Contemporary Canadian art, Toronto
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An African Anthology: Review of 'Africa Remix', Hayward Gallery,...
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Rewind: Allison Hrabluik
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It's a Womans World
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Shirin Neshat: Zarin: Mary Ellen Mark: Falkland Road
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Sergio Prego
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Girl, interrupted: Johanna Burton on Tracy + the Plastics
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Laurie Anderson: Language, a virus from outer space
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Manned Claims: Sex upends our national mythology
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Lorna Simpson. Prefix Ica. Toronto
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"...One of the weirdest": Gabriela Fridriksdottir at Venice Biennial
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Jillian Mcdonald's Celebrity Relations
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Jail Breakers
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Chris Cunningham
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Performance biennial for NYC
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Dave McKenzie
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Miranda July: Performance Artist and Filmaker
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Plurimedia and the snr of s+r: v7
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Video Art in Canada in the Video Lounge
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Video art 'trailblazers' win Gov. Gen. awards
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Philip Jonlin Lee
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Reel Asian International Film Festival: 2005
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Leaves of ass: a conversation with Tim Miller
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Conspiracy Theory by Janet Cardiff
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Vancouver's Paul Wong among Gov. Gen. winners in visual, media arts
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Cancer: A Metaphoric Re/Vision: Aiko Suzuki's Bombard/Invade/Radiate
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Visual Artists Awarded By Governor General
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The Afghan pavilion at the 51st Biennale at Vencie 2005
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Independent Media: The Age of Diversity
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Bringing the inside outside: Fifteen years later, Toronto's queer...
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Eloquent ambiguity: Sleazy & sweet imaginings
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Pain Plus Camp: Tribute to sontag triggers strange ironies
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Homemade Porn: Do it yourself
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Queer film and video festival forum: Take one: curators speak out
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One of Kenya's video art pioneers
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Radical Learning, Radical Perception: The History of the...
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Cheryl Sourkes: Surveilling the Field
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Cans and Cassettes
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Locus Suspectus: where the hidden comes to light
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What Franklin Furnace Learned from Presenting and Producing Live...
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Frozen but Always in Motion:: Arctic Film, Video, and Broadcast
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Animutations and the Measure of Madness in Colin
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Whose reality is it, anyway?: The real deal: Truth versus fiction
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20 top docs: The Real Deal: All Time Best
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Artist who paints 'X' with his blood wins $15,000 award:...
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Art Review: Sampling brooklyn, Keeper of Eclectic Flames
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McMichael gets hip
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Video HEROES
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The Istvan Kantor paradoxes
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Rethinking the global 'gay gaze'
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The Last Revolutionary Moment: Weather Underground Director Sam...
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Word to the Fatherfucker
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Nowhere to Run: Filmmaker Nick Taylor gives us a snap shot of life...
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Rack Focus: Twelve individuals whose place in the film world will...
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Mars Attacks: Canada's senior stateswoman of performance takes two...
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Capturing Today's Chinese Culture in Transition: What does a...
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Carolee Schneemann: Devour. DIA Centre for the Arts. New York
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Silver: dreams, screens, and theories
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what it feels like for a girl
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Daily terror gives violence a black eye: Angry artist David Yonge...
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Artist's career of outrage leads to GG award
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Kirsten Stoltman, Let's Get It On/ Paul Lloyd Sargent, White...
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Mistrusting our obsession with technology
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Video Acts
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Carolee Schneemann
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Parallaxe: Celebrating the Provencher Bridge
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Touch of Grant: Kyle MacLaughlin talks to Chris Lackner about...
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Terra Nullius, Terra Incognito
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Rodney Graham
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The Art and Life of Istvan Kantor
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Canadian Art: 20 Years - A Look Back and Ahead: Artist-Run Spaces
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Paulette Phillips [The secret life of criminals.]
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The Vancouver School
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Machine Life
Machine Life, 2004. Kingston / Toronto: Agnes Etherington Art Centre / The Koffler Gallery, 2004.
Liz Aggis and Billy Cowie's "Men in the Wall"
by Unknown. Transcription from Artists Talk at Trinity Square Video, 2004.
Local art not without dash of whimsy
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Not Just for Laughs: Women, Performance, and Humour
by Tanya Mars. Caught In the Act: an anthology of performance art by Canadian women, 2004. Toronto: YYZ, 2004.
FFWD, RWD, and PLAY: Performance Art, Video, and Reflections on...
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Heartbreaker-The Video Art of Benny Nemerofsky Ramsay
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Gestures in the Looking Glass: Performance Art and the Body (1987)
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Asserting Our Bodies
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Talking About Seeing: A Conversation with James Benning
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Minutes of Video Glory
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Laurent Grasso: video-capture: Laurent Grasso: In the Land of...
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Fest embraces native culture: Aboriginal arts, films focus of...
by Unknown. metro, Oct. 20 Fall, 2004.
Hughes' phobias out of the picture: ImagineNATIVE Film and Media Arts
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Where else but ImagineNative?: One sexy cowboy meets a half-breed...
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Natives bring culture to the city: Aboriginal arts from around the...
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Tarnation
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Activist video: What do activists and artists have to offer each...
by Jonathan Culp. Canadian Dimension, July Summer 2004, v. 38, no. 4.
The Failures of Fair Use and the Future of Free Culture
by Lawrence Lessig. Cut: film as found object in contemporary video, 2004. Milwaukee: Milwaukee Art Museum, 2004.
Cutting through history: Found Footage in Avant-garde Filmmaking
by Rob Yeo. Cut: film as found object in contemporary video, 2004. Milwaukee: Milwaukee Art Museum, 2004.
Dead Weight of a Quarrel Hangs
by Claire Moed. After 9.11, 2004.
Surveilling Utopia 2: Multi Media Installations by Ann Stoddard
by Cedric Laurant. Afterimage, Sept. Fall 2004, v. 32, no. 2.
Storytelling in Art: Bonnie Devine's Stories From The Shield
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Stryking While the Fire is Hot: Noam Gonnick's Stryker
by Robert Enright. Border Crossings, Nov. 2004, v. 23, no. 4.
Flirtations with evidence
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Untitled
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Shawna Dempsey and Lorri Millan: Performance Art Out and About
by Jennifer Fisher. Caught In the Act: an anthology of performance art by Canadian Women, 2004. Toronto: YYZ Books, 2004.
The Projectionist
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Shining TV: Distortion on Demand
by Conor Humphries. C Magazine, Winter 2004, no. 84.
In Divine Shadows
by Daryl Vocat. Capital Xtra!, Sept. 2, 2004, no. 518.
My Toronto: Beware the vampires and yuppies
by Nicole Larkin. The National Post, Mar. 27, 2004.
Cecilia Condit: Becomings and Betrayals
by Judith Harway. Fellowships for Individual Artists, 2004. Milwaukee: The Greater Milwakee Foundation, University of Wisconsin-Milwaukee, 2004.
Harder Times, Tougher Spaces
by Vera Frenkel. Canadian Art, Summer 2004, v. 24, no. 2.
Variations On A Theme: The Film Etudies of Christian Jankowski
by Marc Glode. Parkett, 2004, no. 72.
Scandalous Personas, Difficult Knowledge, Restless Images: The...
by Lynne Bell. Canadian Art, Winter 2004, v. 24, no. 4.
The Encounter With Reality
by Gordon Burn. Parkett, 2004, no. 70.
I'm Desperate: Gillian Wearing's Art of Transposed Identities
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Don't Intimidate the Material: A Conversation Between Elisabeth...
by Elisabeth Roth and Pipilotti Rist. Parkett, 2004, no. 71.
Closed Circuit
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The Elephant in the Room
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Christian Jankowski
by Sydney Pokorny. Frieze, 2004, no. 84.
re-play: Edmonton Art Gallery, Edmonton
by Natalie De Vito. C Magazine, Winter 2004, no. 80.
Maddins World
by Craig Burnett. Contemporary, 2004, no. 63.
Foreword: VS Program
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Untitled: (Vs. Program)
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Nothing Ventured, Nothing Gained: (Vs. Program)
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On the Misrecognition of Images
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Calling all Co-conspirators: Julie Andreyev's Greenroom
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Coming to Video - A Canadian Perspective
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Chris Ofili
by Donna De Salvo. Artforum, Oct. 2004, v. 43, no. 2.
Triangulation: Three Points Made Plane in the Art of Jayce Salloum
by Trevor Boddy. Jayce Salloum: Everything and nothing and other works from the ongoing video installation, 'untitled',1999-2004, 2004. Vancouver: Western Front, 2004.
Re-play: Blackwood Gallery, Mississauga
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Esther Williams, Eat Your Heart Out
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I'll Be Your Mirror
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Pipilotti Rist: San Francisco Museum of Modern Art
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Marina Abramovic: Witnessing Shadows
by Peggy Phelan. Theatre Journal, 2004, v. 56.
Alex McQuilkin: Smells Like Teen Spirit
by Michael Cohen. Flash Art, Mar. 2004, v. 95.
Joan Jonas: A Portfolio
by not attributed. PAJ: A Journal of Performance and Art, Sept. 2004, v. 26, no. 3.
Jon Mikel Euba: Wanted: Team for Surreptitious Actions
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Night Terrors
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ExperiMental
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Videos Ante up the Fear Factor: This year's video-art feast marks...
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Listening Awry
by Jim Drobnick. Aural Cultures, 2004. Toronto: YYZ Books, 2004.
VS: 640 480 - original programme
by Jon Davies et al. VS, Dec. 2004.
Gutsy scenes in fish-market film
by Peter Goddard. The Toronto Star, Nov. 26, 2004.
A sorrowful fish tale
by Sarah Milroy. The Globe and Mail, Dec. 3, 2004.
Awakening blurs distinction between film and photos
by Lehmann Henry. The Gazette, May 29, 2004.
A Charade to Remember: The Promise & Peril of Hollywood Dreams
by Gordon Bowness. Xtra!, July 8, 2004, no. 514.
Galerie Vox Awakening: Good Peeps
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The Root of the Native Voice Film Festival
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Historical Fiction: Tacita Dean on the art of Matthew Buckingham
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The Monuments of Dogville
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Leth is More: James Quandt on The Five Obstructions
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Jonathan Caouette
by Chrstopher Wilcha. Bomb Magazine, Fall 2004, no. 89.
Imagi(ni)ng Indigenous Spaces: Self and Other Converge in Latin...
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An Interview with Juan Garcia, President of Ojo de Agua Communication
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Bill Viola: The Passions
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Elemental Invasions
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Rodney Graham: A Little Thought
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Artists' Action and the Politics of Representation
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Facts Not Things
by Robert Bean. Screenplay, 2004. London: Museum London, 2004.
John Waters
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Superchannel
Telematic Connections, Aug. 25, 2004.
Pleasure Dome Presents: The New Freedom Founders
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Witnessing Encounters
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Video In The Villages Exhibition: Through Indian Eyes: You see the...
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Video In The Villages Exhibition: Through Indian Eyes: Moi, un Indien
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Pop Culture Watch: Laura Woodcock Sabotages Spectacle
by David Jager. NOW, Oct. 21 Fall, 2004, v. 24, no. 8.
Bare Essentials: John Oswald's Bodies Fascinate
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Gaining Ground: Indigenous Video in Bolivia, Mexico, and Beyond.
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Richard Fung: Landscapes Artist Statement
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Jud Yalkut: a video beachcomber
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Pierre Huyghe
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Precision Gesamtkunstwerk: this is a universe: An interview with...
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A quick chat with Jeff Blitz
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Immanent death
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True love will find you in the end
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Gutsy scenes in fish-market film
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Video in the villages, documentary and "otherness"
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Winged Migration
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Interwoven motion: Steps towards a semi-permanent outdoor...
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Poughkeepsie powwow: Paul Arthur visits the 50th Robert Flaherty...
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Everybody loves nothing: video 1996-2004
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Janet Cardiff: Her Long Black Hair, Central Park, New York
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Crosswatch
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Some Kind of Grace: An Interview with Miranda July
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The Desert[ed]
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Après la pluie, le désert fleurit
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TV, or Not TV: David Frankel on Alex Bag
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Interview: Between Film and Video: The Intermedia Art of Jud...
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I wanna be a popstar
by Eva Scharrer. C Magazine, Spring 2004, no. 81.
Grainy Days and Mondays:: Superstar and Bootleg Aesthetics
by Lucas Hilderbrand. Camera Obscura, 2004, v. 19, no. 3.
Masters of Ceremony: Media Demonstration as Performance in Three...
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Jack Goldstein and the Calarts Mafia
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Citing/Laughter
by Thomas Zummer. Milennium Film Journal, 2004, v. 42. New York City: Millennium Film Workshop, 2004.
Thoughts on Shirley Clarke and the TP Videospace Troupe
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Jolie laid: The beautiful ugly world of Steve Reinke
by Nicholas Davies. Xtra!, Dec. 12 Winter, 2003, no. 499.
Source fresh
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Fesival Wraps: HOT DOCS
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Stevie: Directed By Steve James
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A World Of Their Own: General Idea Made Art from Cultures...
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Art Star: Video Art Biennial
Art Star, 2003. Ottawa: Saw Gallert, 2003.
UK/ Canada Film & Video Exchange: South London Gallery 10-13 April...
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Generation Next
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Algorithms and Chance:: An Interview with R. Bruce Elder
by Vicky Chainey Gagnon. LIFT, May 2003, v. 23, no. 2.
Am I Still a Film, Maker?
by Samuel K. Lee. LIFT, May 2003, v. 23, no. 2.
Magg's mug shots: New film and show fete photographer Arnaud Maggs
by Thomas Hirschmann. Now, Jan. 16, 2003, v. 22, no. 20.
Benny Nemerofsky Ramsay: Subversive Video-Maker is His Own Boy...
by Thomas Hirschmann. Now, Oct. 16, 2003, v. 23, no. 7.
Been around the world and...: Manuel Saiz goes globe trotting in...
by Manuel Saiz. The Independent, May 2003.
Coryn Kempster, formerly of Brantford, is being praised by critics...
by Stephanie Harrington. The Expositor, Sept. 4, 2003.
TDR Interview with Shawna Dempsey and Lorri Millan
by Anne Borden. The Danforth Review, Feb. 2003.
Exceptional Routines: Video Art Since 1990
by Manuel Saiz. 25 hrs. International Video Art Festival, 2003.
Home & away: Identity is more complex than we think
by Michele Clarke. Xtra!, Nov. 27, 2003, no. 498.
Paradise found: Consumer culture on display
by Thomas Hirschmann. Now, Apr. 10, 2003, v. 22, no. 32.
Testimony of Actions, Actions of Testimony
by Glenn Alteen. Blackflash, 2003, v. 21, no. 1.
The Post-Ironic Reenchantment of Art: An Interview With Michael...
by Mary Kavanagh. Blackflash, 2003, v. 21, no. 2.
Not Bad For A Girl
by Thomas Hirschmann. Now, Dec. 11, 2003, v. 23, no. 15.
Image overkill and what to do about it: Independent film and video...
by Peter Goddard. The Toronto Star, Apr. 10, 2003.
French steal the show at Inside Out: Gay and lesbian movie fest...
by Susan Walker. The Toronto Star, May 12, 2003.
Shifts and Transfers: On some tendencies in Canadian video
by Nicole Gingras. Shifts and Transfers. On some tendencies in Canadian video, Mar. 28, 2003. Ottawa: Ottawa Art Gallery, 2003.
Critical Theory and the Challenge of New Media
by Jay David Bolter. Eloquent Image: Word and Image in the Age of New Media, 2003. Cambridge, Massachusetts: MIT Press, 2003.
Eija-Liisa Ahtila
by Michael Rush. Video Art, 2003. London: Thames & Hudson Ltd., 2003.
Frank Gillette
by Michael Rush. Video Art, 2003. London: Thames & Hudson Ltd., 2003.
A Critique of the Media: Turning the Tables: Surveillance...
by Michael Rush. Video Art, 2003. London: Thames & Hudson, 2003.
Gary Hill
by Michael Rush. Video Art, 2003. London: Thames & Hudson Ltd., 2003.
Garden of Earthy Delights
by Jayne Wark and James MacSwain. Matter/Flesh/Spirit/Ground: An overview of the video work of Wendy Geller, 2003. Halifax: the Centre for Art Tapes in partnership with Dalhousie Art Gallery, 2003.
Dracula: Pages from a Virgin's Diary
by Paul Townend. Take One, Sept. 1, 2003, no. 42.
Brooke Alfara
by Monica Kupter. Bomb magazine, Winter 2003, no. 86.
STEELE - TOMCZAK: Trouble Tracked to the Depths of the Body
by Paul Ardenne. Lisa Steele - Kim Tomczak, 2003. Toronto: Pleasure Dome, 2003.
An interview with R. Bruce Elder
by Aysegul Koc. Cineaction, Spring 2003, no. 61.
Women play major roles in Middle East film Industry
by Alia Ibrahim. Womens News, 2003.
Representation, Polyphony, and the Construction of Power in a...
by Terence Turner. Indigenous Movements, Self-Representation, and the State in Latin America, 2003. Texas: University of Texas Press, 2003.
Citizen Salloum
by Laura U. Marks. Fuse, 2003, v. 26, no. 3.
Jayce Salloum: Everything and Nothing and Other Works From The...
by ?. GALLERY-101, 2003. Ottawa: The Canadian Council for the Arts, 2003.
Crossing the distance: Travels with Jayce Salloum
by Isa Tousignant. Hour, Sept. 25 Fall, 2003.
When Art and Politics Collide: From international expositions to...
by Laura Meyers. Art Business News, 2003.
UK/ Canada Film & Video Exchange: South London Gallery
by Andrea Carson. C Magazine, Summer 2003, no. 78.
Hungry Ghosts: Fantasmi Affamati
by Elspeth Sage.
Untitled
by Daniel Cockburn. Pleasure Dome presents Apotheoses of Everything, 2003.
The Saint(s) and the Cynic
by Chris Kennedy. Pleasure Dome presents Apotheoses of Everything, 2003.
The wwworst ever
by Linda Feesey. Pleasure Dome presents Apotheoses of Everything, 2003.
Wigga of Mass Deception
by Alissa Firth-Eagland. Pleasure Dome presents Apotheoses of Everything, 2003.
Jubal Brown: Mr. Misunderstood
by R. M. Vaughan. Pleasure Dome presents Apotheoses of Everything, 2003.
Visual Vulture: (An Essay Written on Any Given Sunday)
by Daniel Borins. Pleasure Dome presents Apotheoses of Everything, 2003.
Canadian Ugly
by John Marriott. Pleasure Dome presents Apotheoses of Everything, 2003.
The Impish Duo
by Scott Anderson. Lola, Summer 2003, v. 7, no. 2.
Round Table: The Projected Image In Contemporary Art
by Malcolm Turvey et al. October, Spring 2003, no. 104.
Homos on the Range
by Stephanie Domet. Herizons, Fall 2003, v. 17, no. 2.
Vera Frenkel Body Missing: Freud Museum, London, March 19 to April...
by Sigrid Schade et al. Freud Museum catalogue., Mar. 2003.
Art in the Mediated Public Realm: Two International Airport Proposals
by Marc Boutin. Backflash, 2003, v. 20, no. 3.
Art's Animal Instinct: A chimp, a dog and plenty of heat at the...
by Aaron Wherry. The National Post, June 17 Summer, 2003.
In Appreciation of Generative Contrasts
by David Rokeby. The Institute or What we do for love, 2003. Toronto: Hart House University of Toronto, 2003.
Building the Institute
by Mark J. Jones. The Institute or what we do for love, 2003. Toronto Ontario: Hart House University of Toronto, 2003.
Threads of Memory
by Dot Tuer. The Institute or What we do for love, 2003. Toronto Ontario: Hart House University of Toronto, 2003.
Toward a Theory of the Practice of Curating New Media Art
by Sarah Cook. Beyond the Box: Diverging Curatorial Practices, 2003.
Front Media: Eternal Network: Video from the Western Front...
by Unknown. Front, Mar. 2003.
Painterly Aspects
by Bernard Fibicher. Canadian Art, Fall 2003, v. 20, no. 3.
Shahzia Sikander at Brent Sikkema - Pakistani-American artist...
by Daniel Belasco. Art in America, June 2003, v. 91, no. 6.
Rafael Lozano-Hemmer interview by Priamo Lozada
by Rafael Lozano-Hemmer and Priamo Lozada. RISK/RIESGO, 2003. New York city: The Standby Program, Inc, 2003.
Delia Brown
by Matthew Higgs. Baja to Vanvouver: The West Coast and Contemporary Art, 2003. Seattle: Seattle Art Museum, 2003.
Our multicultural society is transforming Britart
by Yasmin Alibhai-Brown. The Independent, Mar. 17, 2003.
Walking the Walk: The Artist As Flâneur
by James Trainor. Border Crossings, Nov. Fall 2003, v. 22, no. 88.
VISUAL ARTS: What is it good for?
by Lee Levitt. The Independent, Dec. 12, 2003.
Video and the Conceptual Body: A cross disciplined spirit
by Micheal Rush. Video Art, 2003. New York: Thames & Hudson, 2003.
Painterly Aspects: Mark Lewis's New Films
by Bernard Fibicher. Canadian Art, Fall 2003, v. 20, no. 3.
Janine Antoni at Luhring Augustine - New York
by Gregory Volk. Art in America, Nov. 2003, v. 91, no. 11.
The Next Big Thing
by Charlie Finch. Artnet, Apr. 2, 2003.
Omer Fast at Postmasters: a video art exhibit explores...
by Jessica Ostrower. Art in America, Oct. 2003, v. 91, no. 10.
Chris Cunningham at P.S. 1 - New York - four video recordings
by Michael Amy. Art in America, May 2003, v. 91, no. 5.
"Video Acts" at P.S. 1 - New York
by Eleanor Heartney. Art in America, Apr. 2003, v. 91, no. 4.
Chris Morris: the movie
by Xan Brooks. The Guardian, Feb. 21, 2003.
Foreign as us
by Erden Kosova. C Magazine, Fall 2003, no. 79.
Ask Me
by Miranda July. RISK/RIESGO, 2003. New York city: The Standby Program, Inc, 2003.
Video Acts: PS1 New york
by Alex Mar. Art Monthly, May 2003, no. 266.
Gillian Wearing: Musee D'art Conemporain De Montreal
by Dionne Mcaffee. Canadian Art, Fall 2003, v. 20, no. 3.
Time, space, motion remixed with genius
by Peter Goddard. The Toronto Star, Aug. 22, 2003.
Guts, gore & pussy galore
by Samantha Sarra. Xtra!, Apr. 3, 2003, no. 481.
Ghosts of the Nazi past haunt Freud's house: The sense of absence...
by David Jays. Financial Times, Mar. 21, 2003.
Tabaimo
by Akiko Miki. Tema Celeste, May 2003, no. 97.
Tom Thompson star at gallery award night
by Christopher Hutsul. The Toronto Star, June 18, 2003.
Scotland Rocks
by Alan Dimmick. Tate Magazine, July 2003, no. 6.
Gary Kibbins - Grammer Horses
by Jan Allen and Gary Kibbins. Grammer Horses, 2003. Kingston: Agnes Etherington Art Centre and Gary Kibbins, 2003.
Looking back to the Future: Hoolboom consistently life-affirming
by Peter Goddard. The Toronto Star, Sept. 11, 2003.
Video purified of television: On why video art wants to be boring
by John Beagles and Dave Beech. Variant, Fall 2003, v. 2, no. 18.
Fall art harvest big on ideas: Visual Art
by Peter Goddard. The Toronto Star, Oct. 2, 2003.
Gillian Wearing, private I
by Nancy Princenthal. Art in America, Mar. 2003, v. 91, no. 3.
Teasing the creative juices: a challenge for procrastinating young...
by Sabrina Saccoccio. The Globe and Mail, Nov. 20, 2003.
Finding Camp X: Contemporary Considerations of an Enigma
by Margaret Rogers. Canadian Art, Spring 2003, v. 20, no. 1.
Decolonizing the Frame: Indigenous Video in the Andes
by Schiwy Freya. Framework, Spring 2003, v. 44, no. 1.
EXHIBITION REVIEW: UK/Canadian Video Exchange 2003
by Diana Baldon. Matters, Apr. 10 Summer, 2003, no. 17.
REPREZENTIN': Series Takes Moccasin Flats. Saskatchewan to Park...
by Marty Spellerberg. Half Empty, Spring 2003, no. 1.
ImagineNative Media Arts Festival
by Tom Lyons. Take One, Mar. 2003, v. 11, no. 41.
Toronto Reel Asian International Film Festival
by Allan Tong. Take One, Mar. 2003, v. 11, no. 41.
Ann Regitze Wivel
The Documentary Makers: Interviews With the Best in the Business, 2003. Mies: Roto Vision, 2003.
Jørgen Leth
The Documentary Makers: Interviews With the Best in the Business, 2003. Mies: Roto Vision, 2003.
Alastair Fothergill
by Alastair Fothergill. The Documentary Makers: Interviews With the Best in the Business, 2003. Mies: Roto Vision, 2003.
Barbara Kopple
The Documentary Makers: Interviews with the best in the business, 2003. Mies: Roto Vision, 2003.
Jeff Blitz: Spellbound: Interviewed by Saxon Bullock
by Saxon Bullock. BBC, Oct. 10, 2003.
In a queer country: gay and lesbian studies in the Canadian context
by John Corr. University of Toronto Quarterly, Jan. 2003, v. 72, no. 1.
Alors, La Chine?
Paris: Centre Pompidou, 2003.
(Re)Performing the Archive: Barbara Lattanzi & Hollis Frampton in...
by Chris Hill. Millennium Film Journal, Winter 2003, no. 39/40.
Nam June Paik, 'TV Garden'.: Introduction by John G. Hanhardt,...
by John G. Hanhardt. Guggenheim Museum Publications, 2003.
Digital Decay
by Bruce Sterling. Guggenheim Museum Publications, 2003.
Accommodating the Unpredictable: The Variable Media Questionnaire
by Jon Ippolito. Guggenheim Museum Publications, 2003.
Feminism 101: The New York Women's Video Festival, 1972-1980
by Melinda Barlow. Camera Obscura, 2003, v. 18, no. 3.
Marina Abramovic's Performance: Stresses on the Body and Psyche in...
by Maureen Turim. Camera Obscura, 2003, v. 18, no. 3.
This Is Your Messiah Speaking: Allo, Votre Messie Vous Parle
by Vera Frenkel. Public, 2003, no. 27.
"Atanarjuat" Off-Screen:: From "Media Reservations" to the World Stage
by Faye Ginsburg. American Anthropologist, Dec. 2003, v. 105, no. 4.
What Is That and between Arab Women and Video?: The Case of Beirut
by Laura U. Marks. Camera Obscura, 2003, v. 18, no. 3.
Interview with Patty Chang
by Eve Oishi. Camera Obscura, 2003, v. 18, no. 3.
A New Europe
by Johannes Birringer. Journal of Performance and Art, Sept. 2003, v. 25, no. 3.
The Singular of Seeing (Al Marra min Nazar)
by Akram Zaatari. HomeWorks: A Forum on Cultural Practices in the Region (Egypt, Iran, Iraq, Lebanon, Palestine and Syria), 2003. Beirut: Lebanese Association for Plastic Arts, 2003.
Talking Back to Primitivism: Divided Audiences, Collective Desires
by Lucas Bessire. American Anthropologist, Dec. 2003, v. 105, no. 4.
Towards an Artbeat: New Media in Los Angeles
by Erika Hernandez. PAJ: A Journal of Performance and Art, May 2003, v. 25, no. 2.
Everyday Miracles: The Videos of Oliver Herring
by Elisabeth Kley. PAJ: A Journal of Performance and Art, May 2003, v. 25, no. 2.
What is That and between Arab Women and Video?: The Case of Beirut
by Laura U. Marks. Camera Obscura, 2003, v. 18, no. 3.
Art of the image takes centre stage
by Liam Lacey. The Globe and Mail, Apr. 11, 2002.
The 4th Biannual Lesbian and Gay Film and Video Festival of...
by Gary Varro. QCC 4: Queer City Cinema Four, 2002.
Of myths and men
by Margaret Atwood. The Globe and Mail, Apr. 13, 2002.
The running man: Inuit filmmaker Zacharias Kunuk sprints in with...
by Ingrid Randoja. Now, Apr. 11, 2002, v. 21, no. 32.
Local talent featured at 15th annual Images Festival: Video and...
by Lydia Hanson. The Liberty Gleaner, Apr. 2002.
True North: Atanarjuat: The Fast Runner
by Jason Anderson. EYE WEEKLY, Apr. 11, 2002.
Video Ignition: Creative Resistance to Corporate Globalization
Video Ignition, 2002. Vancouver: Video In, 2002.
Leader of the pack: Scott Treleaven unleashes The Salvation Army
by Catharine Tunnacliffe. EYE WEEKLY, Apr. 11, 2002, v. 11, no. 26.
Richard Fung: Images festival tribute puts self-effacing video...
by Cameron Bailey. Now, Apr. 11, 2002, v. 21, no. 32.
Canadian Video Artists Lisa Steele, Kim Tomczak to Visit Sackville
by Unknown. Sackville Tribune-Post, Mar. 20, 2002.
Remember The Blood Records?
by Diana Kelly. The Argosy, Mar. 21, 2002.
Wild wild west end: Parkdale film festival REHAB gives independent...
by Kim Linekin. EYE WEEKLY, June 13, 2002, v. 11, no. 36.
Feelings: The Italian snow job
by Bruce LaBruce. EYE WEEKLY, June 13, 2002, v. 11, no. 36.
Daniel Borins on New Canadian Folk
by Daniel Borins. C Magazine, Winter 2002, no. 72.
Filmmaker pulls work from Quebec festival
by Mathew Hays. The Globe and Mail, Feb. 1, 2002.
Canadians make themselves seen and heard: Crazy for Fubar
by Jim Holt. The National Post, Jan. 14, 2002.
Atanarjuat's story no match for its cinema saga: Acclaimed Inuit...
by Sid Adilman. The Toronto Star, Apr. 6, 2002.
Beating back those boring cliches
by Leah McLaren. The Globe and Mail, Apr. 3, 2002.
Donna Wawzonek on Stefan St-Laurent
by Unknown. Arts Atlantic, Winter 2002, no. 70.
Video art, and how to survive it: It confounds most viewers, so...
by Sarah Milroy. The Globe and Mail, Mar. 6, 2002.
The 4th annual rehab RAW blue-rare films & videos
by Adam Swimmer. The Parkdale Beauty Pageant Society & Artbeat Festival, 2002.
Boy Wonders: Emily Vey Duke and Cooper Battersby
by Si Si Penalosa. Now, Jan. 24, 2002, v. 21, no. 21.
Galleries: YYZ Artists' Outlet
by Peter Goddard. The Toronto Star, Jan. 17, 2002.
North by northwest film festival review: Rock 'n' reel
by Ingrid Randoja. Now, June 6, 2002, v. 21, no. 39.
A way of life frozen in time: Rhyme & Reason
by Sandra Martin. The Globe and Mail, May 8, 2002.
Wild Kingdom: There's no life like it
by Margot Francis. Xtra!, May 16, 2002, no. 458.
Against all odds: Film Friday
by Liam Lacey. The Globe and Mail, Apr. 12, 2002.
The sublime north: With its sweeping, intensely human take on...
by Rick Groen. The Globe and Mail, Apr. 12, 2002.
Atanarjuat exorcises the ghost of Nanook: Innovative Inuit movie...
by Peter Howell. The Toronto Star, Apr. 12, 2002.
No longer an Orphan, Video Art Gives Itself a Party
by Michael Rush. The New York Times, Feb. 10, 2002.
Southern Hospitality: The Miami Gay and Lesbian Film Festival gets...
by Harriette Yahr. The independent, Aug. 2002.
Reel change: When a culture discovers filmmaking, neither the...
by A.O. Scott. The New York Times Magazine, July 14, 2002.
Mutek 2002, Part 3: The films
by Randolph Jordan. Off screen, 2002.
Inside Out
by Jason McBride. LIFT, May 2002, v. 22, no. 3.
The enjoyment of seeing: Images Festival 2002
by Daniel Cockburn. LIFT, May 2002, v. 22, no. 3.
Cheezie Vogue: The essential modern cinema povera of Colin Campbell
by Randy Gledhill. Take One, Mar. 2002, v. 10, no. 36.
Obituaries: Video artist was west coast icon
by Sarah Milroy. The Globe and Mail, Aug. 3, 2002.
Asian American film fest celebrates 20 years, still waiting for a...
by Allen Johnson. indiewire, 2002.
Inside out attempts video damage control
by John Sinopoli. Xtra!, Aug. 8, 2002, no. 464.
Native artist to be featured at expose: Short film festival part...
by Diane Gilhula. Northern Life, Aug. 7, 2002.
It's fun, playful, delicious: Learning new languages of love
by Margaret Webb. Xtra!, Aug. 8, 2002.
Chronicling an extraordinary life: The history of Tom Chomont and NYC
by Rachel Giese. Xtra!, Sept. 5, 2002, no. 466.
Twitching & Scratching: The videos of Emily Vey Duke & Cooper...
by Rebecca Godfrey. C Magazine, Fall 2002, no. 75.
Art, Censorship & Indignation
by David Armstrong. Arts Atlantic, Fall 2002, no. 73.
The great pretender: Homage to video maker and performance artist...
by Bambi Acconci and dj Blazay. Lola, Summer 2002, no. 12.
Shirin Neshat
by Veronika Klaptocz. Border Crossings, 2002, v. 21, no. 81.
Aernout Mik
by Rosemary Heather. Border Crossings, 2002, v. 21, no. 81.
Michael Campbell
by Paul Robert. Border Crossings, Feb. 2002, v. 21, no. 1.
Images Festival of Independent Film and Video
by Stephen Lam. Take One, May 2002, no. 37.
On the Beach
by Melony Ward. Canadian Art, June Summer 2002, v. 19, no. 2.
Stan Douglas: Suspiria Redux
by Trevor Smith. Canadian Art, Winter 2002, v. 19, no. 4.
Janet Cardiff, Musee D'Art Contemporain De Montreal
by Dierdre Hanna. Canadian Art, Winter 2002, v. 19, no. 4.
Uncommon Idiom
by Alissa York. Paper Wait, 2002, v. 4.
Frames Frozen
by Alex Poruchnyk. Paper Wait, 2002, v. 4.
Northern Light: 2002 Artist of the year
by Sarah Milroy. The Globe and Mail, Dec. 28, 2002.
Brain Dress
by Lori Weidenhammer. Poolside, 2002.
The modern uncanny: Jocelyn Robert
by Rodney LaTourelle. Poolside, 2002.
Excerpt Ability: Reva Stone Installs Laiwan
by Reva Stone. Poolside, 2002.
Portalography: Women's Video in Quebec with Anne Golden
by Robert Enright. Poolside, 2002.
Istvan Kantor Monty Cantsin? Amen!: An unseen selection from the...
Pleasure Dome, 2002. Toronto: Pleasure dome, 2002.
Three short essays on growing up
by Terence Dick. Fuse, May 2002, v. 25, no. 2.
Controlling Observation
by Harun Farocki. CTRL SPACE: rhetorics of surveillance from bentham to big brother, 2002. Karlsruhe: ZKM, 2002.
Bruce Nauman Live/Taped video corridor, Video Surveillance Piece:...
by Dorte Zbikowski. CTRL SPACE, 2002. Karlsruhe: ZKM, 2002.
Peter Weibel: Observing observation: Uncertainty, The Guard as...
by Ursula Frohne and Margit Rosen. CTRL SPACE, 2002. Karlsruhe: ZKM, 2002.
multiple titles
by various. la Dragu, 2002. Toronto: Fado Performance Inc., 2002.
Local Filmmaker's documentary chosen for festival
by Maria Tzavaras. Scarborough Mirror, Apr. 28, 2002.
Build Your Dream House
by Unknown. Xtra!, Jan. 24, 2002.
Julie_On_Line: Julie-Christine Fortier
by Ingrid Mueller. Arts Atlantic, Apr. 1 Spring, 2002, no. 71.
Mixed Company: Art Fags Map Alt Histories
by Ed Halter. The Village Voice, Nov. 20, 2002.
Spit & polish: Good things come in small packages
by Nick Davies. Xtra!, May 30, 2002, no. 459.
Best Of Toronto 2002 supplement, Critic's Pick: Film, best...
by Matt Galloway. Now, Oct. 31, 2002, v. 22, no. 9.
More Dead Artists!?: Casualties of the Last Decade, the New...
by Tom Sherman. Before and After the I-Bomb: An Artist in the Information Environment, 2002. Banff: Banff Centre Press, 2002.
So this is fame?: 15 seconds on the street
by R.M. Vaughn. The Globe and Mail, Nov. 2, 2002.
Systematically Observing Surveillance: Paradoxes of Observation...
by Christian Katti. CTRL[SPACE]: Rhetorics of Surveillance, 2002. Karlsruhe: ZKM, 2002.
The Eye of Power: A Conversation with Jean-Pierre Barou and...
by Michel Foucault. CTRL[SPACE]: Rhetorics of Surveillance, 2002. Karlsruhe: ZKM, 2002.
The Visual Crash
by Paul Virilio. CTRL[SPACE]: Rhetorics of Surveillance, 2002. Karlsruhe: ZKM, 2002.
Rye Grads Score Film Fest Heat: Their film only got a B from...
by Nicole Cohen. THE EYEOPENER ONLINE, Sept. 19 Fall, 2002.
Nature is Perverse Sometimes (Version 6.1)
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
The Face of the Machine
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
Julian Stallabrass
by Julian Stallabrass et al. Curating New Media, 2002. Gateshead: B. Read, 2002.
Silvia Kolbowski
by Andeas Kahre. Front, Jan. 1, 2002.
Docudrama Series: Arthur Kleinjan
by Andrea Kahre. Front, Nov. 2002.
Ki Wight: Event
by Andreas Kahre. Front, May 2002.
Zombies and Cyborgs: Obsolete, involuntary and automated bodies
by Andreas Kahre. Front, Jan. 2002.
Touched by a Monster
by Andreas Kahre. Front, May 2002.
Potrait of a Street: The Soul and Spirit of College
by Paul Townend. Take One, May 2002.
Spider: Stripped to the Bone: David Cronenberg's
by Maurie Alioff. Take One, Dec. 2002.
On Ethics and Aesthetics: The Things I Cannot Change and Courage...
by Mathew Hays. Take One, July 2002.
Mathew Gansallo
by Mathew Gansallo and Beryl Graham. Curating New Media, 2002. Gateshead: B. Read, 2002.
Video's Body, Analog and Digital
by Laura U. Marks. Touch: Sensuous Theory and Multisensory Media, 2002. Minneapolis: University of Minnesota Press, 2002.
Video Haptics and Erotics
by Laura U. Marks. Touch: Sensuous Theory and Multisensory Media, 2002. Minneapolis: University of Minnesota Press, 2002.
Reona Brass: Belonging
by Andreas Kahre. Front, May 2002.
New Wine into Old Bottles: Some Comments on the Early Years of Art...
by Laura Cottingham. Outer & Inner Space: Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson, and the History of Video Art, 2002. Richmond, Virginia: Virginia Mudeum of Fine Art/University of Washington Press, 2002.
Video Installation and the Poetic of Time
by Eleanor Heartney. Outer & Inner Space: Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson, and the history of Video Art, 2002. Richmond: Viriginia Museum of Fine Art/University of Washington Press, 2002.
Fish Scales: Allan Sekula's TSUKIJI
by Edward Dimendberg. Parkett 66, 2002. Santa Monica: Christopher Grimes Gallery, 2002.
Once Upon America
by Howard Hampton. Film Comment, July Summer 2002, v. 38, no. 4.
Film Buff
by Emilia Scofield. Filmmaker, Winter 2002.
Apprenticeship
by Allan King. The Film Reference Library, 2002.
Representation, Politics, and Cultural Imagination in Indigenous...
by Terence Turner. Media Worlds: Anthropology on New Terrain, 2002. London: University of California, 2002.
Local Conditions, Western Forms: The 8th international Cairo...
by Marilu Knode. Art in America, Jan. 2002, v. 90, no. 1.
Reality Check
by Sheila Heti. Now, Oct. 24 Fall, 2002, v. 22, no. 8.
Occupied Territories: Mapping the Transgressions of Cultural...
by Molly Hankwitz and Jayce Salloum. Framework: The Journal of Cinema and Media 43.2, Fall 2002, v. 43, no. 2.
Portraits and Places in the Videography of Jayce Salloum
by Michael Allen. Parachute, Oct. 1, 2002.
Bill Viola: Going Forth by Day: Moving Pictures
by John G Hanhardt and Maria-Christina Villasenor. A Guide to the Guggenheim Museum, 2002. New York: Guggenheim, 2002.
For Real: Telling the Truth in Art & Writing
by A.S.A. Harrison. C Magazine, Winter 2002, no. 76.
Stop Making Sense: Christian Jankowski's lack of common sense has...
by Eddie Silva. The Riverfront Times, Sept. 18, 2002, v. 26, no. 38.
For Real: Telling the Truth in Art and Writing
by A.S.A Harrison. C Magazine, Winter 2002, no. 76.
Video primer: A Series of 5 Video Programs: Personal Stories
by Michelle Jacques. Video Primer, 2002. Toronto: Art Gallery of Ontario, 2002.
Video Primer: A Series of 5 Video Programs: Masquerade
by Michelle Jacques. Video Primer, 2002. Toronto: Art Gallery of Ontario, 2002.
Video Primer: A Series of 5 Video Programs: Language
by Michelle Jacques. Video Primer, 2002. Toronto: Art Gallery of Ontario, 2002.
Intimate Dwelling: Finding Our Way Home: Do you feel you belong,...
by Anne Brydon. Home Show, Sept. 12 Summer, 2002.
Home Show
by Amy Karlinsky. Home Show, Sept. 12 Summer, 2002.
Films in the Garden
by George Robinson. The Squealer, Fall 2002.
Cinema for the People!
by Jeanne Liotta. The Squealer, Fall 2002.
Baltimore Because: Escape from the Land of Pleasant Living: Tour...
by Kristen Anchor. The Squealer, Fall 2002.
Grilling the Underground: Fotopoulos at Flaherty
by Matt Wolf. The Squealer, Fall 2002.
The Flaherty Experience: A Personal Report
by Klaus Eisenlohr. The Squealer, Fall 2002.
These People: A Conversation Between Ed Halter & Stephanie Gray...
by Stephanie Gray. The Squealer, Fall 2002.
Austin Allen Uses Buffalo for a Documentary on Frederick Law Olmsted
by Kara Olidge. The Squealer, Fall 2002.
An Interview with Diane Bonder: Squeaky Wheel International...
by Kelly Spivey. The Squealer, Fall 2002.
Nature is Perverse Sometimes, Version 1
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
Machines R Us
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
Nilima Sheikh and Shahzia Sikander at the Asia Society - New York...
by Eleanor Heartney. Art in America, Mar. 2002, v. 90, no. 3.
At play in the palace: the Palais de Tokyo, France's brash new...
by Sarah S. King. Art in America, June 2002, v. 90, no. 6.
Weird Geographies: Video Art from the Atlantic Region/Translantique
by Sarah Hollenberg. Arts Atlantic, Fall 2002, v. 19, no. 73 / 4.
Eleanor Antin: The Adventures of a Nurse (Parts 1 and 2), 1976
by John B. Ravenal. Outer & Inner Space, 2002. Richmond: Virginia Museum of Fine Art, 2002.
Lynda Benglis
by Unknown. Outer & Inner Space, 2002. Richmond, Va: Virginia Museum of Fine Art, 2002.
Janine Antoni - Reviews: Santa Fe
by Ellen Berkoviech. Artforum, Dec. 2002.
Always Nice to be Recognized
by Tom Sherman. Fuse, Nov. 2002, v. 25, no. 4.
No Where Near the End, or, No notes Towards Trading the Future
by b.h. Yael. Fuse, Nov. 2002, v. 25, no. 4.
Art for Glob
by Richard Fung. Fuse, Nov. 2002, v. 25, no. 4.
The Singing Dunes: Colin Campbell, 1943-2001
by John Greyson. C Magazine, Summer 2002, no. 74.
Sappho (1972)
by Joan Jonas. PAJ: A Journal of Performance and Art, May 2002, v. 24, no. 2.
Video Scratching on M-M-Macs
by Leander Kahney. Wired, July 12, 2002.
Moving Images of Home
by John Di Stefano. Art Journal, Winter 2002, v. 61, no. 4.
Return to Oz: Peter Campus's Pioneering Videos
by Karen Rosenberg. The Village Voice, Sept. 2002.
Peter Campus
by Talya Halkin. The New York Sun, Sept. 12, 2002.
Back On Campus: Peter Campus, a Founder of video art, is surveyed...
by Margaret Sundell. Time Out New York, Sept. 2002, no. 363.
Photography as an art form
by Martin DeGroot. Guelph Mercury, Nov. 21, 2002.
Guerrilla Video: Electrons Outside the Vacuum
by M.E. Luka et al. Guerrilla Video, Aug. 14 Summer, 2002.
Digital Artist: Kenneth Doren has tamed computer technology enough...
by Ian Doig. Avenue Magazine, Jan. 2002.
A sublime record of a life lived to the fullest
by Jason McBride. The Festival Daily, Sept. 12, 2002.
Life is a Time Based Medium
by Kika Thorne. Video Ground Zero, 2002.
Introduction
by Sergio Edelsztein. "?", 2002. Tel Aviv: Centre for Contemporary Art, 2002.
Dancing onto the big screen: The annual Moving Pictures Festival...
by Paula Citron. The Globe and Mail, Oct. 22, 2002.
Turning Television into Radio
by Tom Sherman. Before and After the i-bomb, 2002. Banff: Banff Centre Press, 2002.
Reel dance explosion: Bodies in motion captured by the camera's...
by Susan Walker. The Toronto Star, Oct. 18, 2002. New York: Whitney Museum of American Art, 2002.
A Tangled Triangle: Strands from the Archive-Rhizome
by Vera Frenkel. Lost in the Archives, 2002. Toronto, On: Alphabet City Media Inc., 2002.
MAWA, Mentoring Artists for Women's Art: MAWA PRESENTS Joanne Bristol
Mawa, May Summer 2002.
ImagineNative Leads the Way
by Cuthbert Duncan. LIFT Magazine, Nov. 2002, v. 22, no. 6.
Ten Years of Rendezvous with Madness
by Shannon Brownlee. LIFT Magazine, Nov. 2002, v. 22, no. 6.
"Screen Tests":: Media Narcissism, Theatricality, and the...
by Ursula Frohne. CTRL[SPACE], Rhetorics of Surveillance from Bentham to Big Brother, 2002. Karlsruhe: ZKM, 2002.
Cooper Battersby and Emily Vey Duke: Songs of Praise for the Heart...
by Steve Reinke. YYZine, Jan. 9 Winter, 2002, v. 2, no. 1.
To Touch the Other:: A story of Corpo-electrontic Surfaces
by Christine Ross. The Feminism and Visual Culture Reader, 2002. New York: Routledge press, 2002.
Cut to the Radical of Orientation: Twin Notes on being in touch in...
by George Quasha and Charles Stein. The Feminism and Visual Culture Reader, 2002. New York: Routledge press, 2002.
Echoes of Touch and the Temptations of Scientific Representations
by David Tomas. The Feminism and Visual Culture Reader, 2002. New York: Routledge Press, 2002.
Julie_on_line
by Ingrid Mueller. Arts Atlantic, Spring 2002, no. 71.
Michael Campbell [MindReader. Truck Gallery]
by Paul Robert. Border Crossings, Feb. 2002, v. 21.
Sounds and Images: The documentary tradition
Media & culture: an introduction to mass communication, third edition, 2002. Boston: Bedford/St. Martin's, 2002.
Burb bets: Outskirts: Art For The Suburbs
by Thomas Hirschmann. NOW, Sept. 19, 2002, v. 22, no. 3.
Books
by Elizabeth Peters and Ken Miller. The Independent, July Summer 2002.
Renderings of Digital Art
by Christiane Paul. The MIT Press, 2002, v. 35, no. 5.
The Community Is Watching, and Replying: Art in Public Places and...
by Anne Bray. Leonardo, Feb. 2002, v. 35, no. 1.
Sounds of Silence
by Deirdre Hanna. Modern Painters, Winter 2002.
Peruvian Video/Electronic Art
by José-Carlos Mariátegui. Leonardo, Aug. 2002, v. 35, no. 4.
Ancient Images and New Technologies: The Semiotics of the Web
by Philippe Codognet. Leonardo, Feb. 2002, v. 35, no. 1.
Fringe Experientiality
by James Missen. Public, 2002, v. 25.
Poetico-Political Audio Visions
by Sandra Lischi. Public, 2002, v. 25.
Coco Fusco: How not to Sing an Anthem
by Ana Nuño. Nka: Journal of Contemporary African Art, Fall 2002, no. 16/17.
Dance and Media Technologies
by Johannes H. Birringer. PAJ: A Journal of Performance and Art, Jan. 2002, v. 24, no. 1.
Floating Worlds: Amy Jenkins's Dream Videos
by Fred Camper. PAJ: A Journal of Performance and Art, 2002, v. 24, no. 3.
Live Performance and Technology: The Example of Jet Lag
by Philippa Wehle. PAJ: A Journal of Performance and Art, Jan. 2002, v. 24, no. 1.
The Experience and the Object: Making a Documentary Video Installation
by Inga Burrows. Journal of Media Practice, 2002, v. 3, no. 1.
The Long Road: Isaac Julien in Conversation with B. Ruby Rich
by B. Ruby Rich and Isaac Julien. Art Journal, Summer 2002, v. 61, no. 2.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Video Art is Dead, Long Live Video Art
by Shalom Gorewitz. Journal of Religion and Health, Spring 2002, v. 41, no. 1.
The Curatorial Incubator
by Lisa Steele. Toronto: Vtape, 2002.
Middle Eastern Media Arts: An Introduction
by Dorit Naaman. Framework: The Journal of Cinema and Media, Fall 2002, v. 43, no. 2.
Come to Life
by John Kelsey. TimeOut New York, Dec 2002, no. 378.
Aida Ruilova
by Elizabeth Schambelan. Artforum, Dec 11, 2002.
Better Worlds. Activist and utopian projects by artist
by Jan Allen et al.
Taras Polataiko
by Shirley J. Madill et al.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Northern Exposure
by Peter Howell. The Toronto Star, May 13, 2001.
North meets South of France: Premiere of Zacharias Kunuk's...
by Katrina Onstad. The National Post, May 15, 2001.
Permafrost on the Riviera
by Liam Lacey. The Globe and Mail, May 18, 2001.
The grace of aging: Video artist Colin Campbell's multple personae
by Andrew Griffin. Capital Xtra!, Feb. 16, 2001.
Remaking Home Movies
by Richard Fung. Subclip, Winter 2001, no. 7.
A way of imagining film: In Conversation with Loretta Todd
by Richard William Hill. Fuse, Feb. 2001, v. 23, no. 3.
Karma Clarke-Davis
by Unknown. Images, 2001. Toronto: Images Festival of Film and Video, 2001.
Newsreel
by Marco Zee-Jotti. Filmwaves, 2001, no. 15.
Video Inn and the CRTC
by N/A N/A. In Vision, 2001.
A Conversation Between a Reader and a Writer
by Kenna Manos. Arts Atlantic, Fall 2001, v. 18, no. 2.
Jan Peacock: Video as Experience
by Tim Dallet. Arts Atlantic, Fall 2001, v. 18, no. 2.
Alternative viewing: DVD's offer new weapon in attacking public...
by Peter Goddard. The Toronto Star, Dec. 6, 2001.
A family's battle with cancer
by Gillian Clair. Orangeville Citizen/Free Press and Economist, Oct. 5, 2001.
Reel experimental: Michael Snow's latest film, Corpus Callosum, is...
by Barbara Goslawski. The Globe and Mail, Jan. 29, 2001.
Focusing on the ReelWorld
by Gayle MacDonald. The Globe and Mail, Apr. 6, 2001.
The arts are fed on scraps from the city's elite
by Christopher Hume. The Toronto Star, Feb. 3, 2001.
Colin Campbell: Video Fictions
Colin Campbell: Video Fictions, 2001. Ottawa: Available Light Screening Collective, 2001.
Top 20 Toronto Films since 1981
by Cameron Bailey. Now, Oct. 25, 2001, v. 21, no. 8.
Tent city debuts
by Tom Lyons. The Toronto Star, Oct. 31, 2001.
Hefty program for second aboriginal film festival: 10 screenings...
by Susan Walker. The Toronto Star, Nov. 16, 2001.
AGO exhibit remains to be seen: Human remains is disturbing but...
by Rob O'Flanagan. The Sudbury Star, May 5, 2001.
Specifically Video
by Katharine Meynell. Filmwaves, Winter 2001, no. 14.
A universe to Discover: what the new technologies offer to us
by Wim Wenders. POV, Summer 2001, no. 43.
cyberman
by Peter Wintonick. POV, Winter 2001, no. 43.
Film: A medium to remember
by Shannon Brownlee. Lift, May 2001, v. 21, no. 3.
ImagineNATIVE: writing back indigenous culture
by Kalli Paakspuu. POV, Winter 2001, no. 45.
Him: See this man? He is Satan. That's all we know about him, and...
by Scott Anderson. Lola, Fall 2001, no. 10.
Kika Thorne's Shifting Focus: Protest and collective process shape...
by Emily Pohl-Weary. Trade, Fall 2001.
Bruce LaBruce
by Bruce LaBruce. Mix, Summer 2001, v. 27, no. 1.
Shocked and constrained
by Bambi Acconci and Trixie von Lukacs. Lola, Summer 2001, no. 9.
States of Alterity: A screen capture of Vancouver video
States of Alterity, 2001. Toronto: Pleasure Dome, 2001.
Sex and Noise and Neoism: Artcrime mastermind Istvan Kantor...
by Chris Barry. Montreal Mirror, Nov. 8, 2001, v. 17, no. 23.
Photophobia3
by Anya Wassengerg. Artsbeat, Aug. 2001, v. 14, no. 2.
Passionate pioneer of video art: He made important, often funny...
by Sarah Milroy. The Globe and Mail, Nov. 17, 2001.
Feelings: About a girl
by Bruce LaBruce. EYE WEEKLY, Nov. 22, 2001, v. 11, no. 7.
Colin Campbell: June 7, 1942 - Oct 31, 2001
by Andrew Paterson. Xtra!, Dec. 27, 2001, no. 448.
Primal sphere: Video artist Karma Clarke Davis takes an emotional...
by Catharine Tunnacliffe. EYE WEEKLY, Apr. 12, 2001, v. 10, no. 27.
occupied territories
by Molly Hankwitz. Front, Nov. 2001, v. 12, no. 5.
Simple Stories
Argos festival, 2001. Brussel: Argos Festival, 2001.
Lisa Steele: On Trinity's Beginings
by Lisa Steele. Video Vogue, Spring 2001.
Popeye Gonick and the Filmy Spinach of Sex
by Robert Enright. Border Crossings, Feb. 2001, v. 20, no. 77.
Defying the Gaze: The Work of Thecla Schiphorst
by Ann MacDonald. Border Crossings, Feb. 2001, v. 20, no. 77.
Magnetic Force
by Cameron Bailey. NOW, Dec. 6, 2001, v. 21, no. 14.
Tell me a story: The Web Works of Elizabeth Fischer
by Bart Gazzola. Writing for Electronic Media, 2001. Saskatoon: Video Verite Artist Centre, 2001.
Ahasiw Maskegon-Iskwew: Language, Realism, Webs, Domains
by Terry Billings. Writing for Electronic Media, 2001. Saskatoon: Video Verite Artist Centre, 2001.
Wanda Koop: In Your Eyes
In Your Eyes. book two, 2001. St. Norbert: St. Norbert Arts Centre, 2001.
Reel Addictive
by Adam Nayman. EYE WEEKLY, June 14, 2001, v. 10, no. 36.
Quaking in his presence: Artist Kenneth Doren challenges his viewers
by Jennifer McVeigh. FFWD, Sept. 20, 2001.
From Nest to Nest, Creating on the Fly
by Ann Wilson Lloyd. The New York Times, June 3, 2001.
Young filmakers' erections and reflections
by Mireille Juchon. RealTime, June 2001, no. 43.
Your High Imperial: Performance by Kenneth Doren
by Kristin Evenden. Artichoke, Spring 2001, v. 13, no. 1.
Filmmaker's Pet Project is Part of 'Digital Divas'
by Alison Macor. Austin-American Statesman, Sept. 6, 2001.
What Is Church?: Rural Churches of Nova Scotia & Prince Edward Island
by Ingrid Jenkner and David Askevold. What Is Church? - Rural Churches of Nova Scotia & Prince Edward Island, 2001. Halifax: Mount Saint Vincent University (MSVU) Art Gallery, 2001.
Bare-assed kugel takes township by design: Being near naked in...
by Caroline Hooper-Box. Sunday Independent, 2001.
Guy Brett & Deanna Patherbridge
by Guy Brett and Deanna Petherbridge. The Producers: Contemporary Curators in Conversation (2), 2001. Gatshead: BALTIC, 2001.
Colin Campbell: 1945 - 2001
by Unknown. Colin Campbell 1945 - 2001, 2001. Toronto: Vtape, 2001.
the Turner Prize 2001: Isaaic Julien
by Jessica Lack. The Tate, Winter 2001, no. 27.
Trespassing beyond the frame: John Smith talking film with Cate Elwes
by Catherine Elwes. Filmwaves, 2001, v. 2, no. 15.
Tacita Dean at Tate Britain
by Catherine Elwes. Filmwaves, 2001, v. 2, no. 15.
Transit visa to the Labyrinth
by Jalal Tawfiq. Transit visa on video and cities, 2001. Beirut: Transit visa, 2001.
Bill Viola: Five Angels for th Millennium and Other New Works
by Nicky Hamlyn. Filmwaves, 2001, no. 15.
Video In Venice
by Laura Malacart. Filmwaves, 2001, v. 15.
Spaced Out
by Paul Hithersay. Filmwaves, 2001, v. 15, no. 1.
Uri Tzaig
by Cedar Levinson. Filmwaves, 2001, v. 2, no. 15.
New Landscapes: Community Art, Video Process and Fantasies of...
by Petra Kuppers. Afterimage, Nov. 2001, v. 29, no. 3.
The Novelty Hustle
by Barbara London. Trans Double Issue, 2001, no. 9/10.
Neither/ Or: in conversastion with Stan Douglas
by Daniel Jewesbury. Mix, 2001, no. 243.
Carnegie International
by Sylvie Fortin. Fuse, Apr. 2001, v. 23, no. 4.
Richard Fung's Sea in the Blood: Visualizing Memory, Complicity...
by Margo Francis. Fuse, Apr. 2001, v. 23, no. 4.
High Tech Storyteller: A Conversation With Performance Artist Lori...
by Lynn Bell and Janice Williamson. Fuse, Dec. 2001, v. 24, no. 4.
Wounds Become Scars
by Barbara Fischer. Love Gasoline, 2001. Toronto: Mercer Union, 2001.
Galerie Der Stadt Stuttgart - Joan Jonas - Brief Article
by Noemi Smolik. Artforum, Sept. 2001, v. 40, no. 1.
Everything Happens at once: The everyday becomes the infinite in...
by Jacqueline Cooper. Canadian Art, Spring 2001, v. 18, no. 1.
A Story in Six Parts
by Lara Bradley. The Sudbury Star, Aug. 24, 2001.
Toronto's Window Galleries: all you need is love
by Suzanne Farkas. Year01 forum, Spring 2001, no. 8.
The Spectacle of Noise: Istvan Kantor's recent video work. a selection
by A.K Nort. ArgosFestival, 2001. Brussel: Argos, 2001.
What happens when cancer returns?: Editorial page, guest column
by Jennifer Keck. Northern Life, Sept. 28, 2001.
Daring to say the M word: Toronto T.O. DO Selected Listings
by Helen Buttery. The National Post, Jan. 27, 2001.
Aernout Mik: Video Installation
Absolute Arts, 2001.
The Neutron Hazer and the Mystic Gulf: Remembering Remembrance Day
by Robin Pacific. Fuse, Feb. Winter 2001, v. 25, no. 1.
Of Arabs and Museum and Civilizations
by Rawi `Hage. Fuse, Feb. Winter 2001, v. 25, no. 1.
Laurel Woodcock: Take Me, I'm Yours: Sweet Surrender + Meaning Machine
by Jan Allen. Agnes Etherington Art Centre, 2001. Guelph: Agnes Etherington Art Centre, 2001.
Bugaboo
by Paul Kelley. Agnes Etherington Art Centre, 2001. Guelph: Agnes Etherington Art Centre, 2001.
Wide Impact
by Deirdre Hanna. NOW, Apr. 12, 2001, v. 20, no. 32.
Interrupting the program...: descrambling TV through video
by Heidi May. Canadian Art, Summer 2001, v. 18, no. 2.
Art Courtesy Services: Artist John Marriott in conversation with...
by Dave Dymnent. Mix, Spring 2001.
(Un)reasonable search and seizure in Québec City: Lessons for...
by Malcolm Rogge. LIFT: The Liason of Independant Filmmakers of Toronto, June 2001, v. 21, no. 3.
Talking Pictures: Screenwriters on the films of Eric Rohmer
by Peter Bowen et al. Filmmaker, Winter 2001, v. 9, no. 2.
Six Degrees of Nosferatu
by Thomas Elsaesser. Sight and Sound, Feb. 2001, v. 11, no. 2.
The Discreet Fury of Luis Buñuel
by Peter Hogue. Film Comment Magazine, Jan. 2001, v. 37, no. 1.
Labyrinth of Chances
by Tony Rayns. Sight and Sound, July 2001, v. 11, no. 7.
REVIEWS: 'Legitimate Theater' at LACMA
by Rick Gilbert. Artweek, Sept. 2001.
REVIEWS: 'Legitimate Theater' at LACMA
Arts Court, 2001. Ottawa: Arts Court, 2001.
REVIEWS: 'Legitimate Theater' at LACMA
All Queer All Canadian All Night Long, 2001 Tour, 2001. Regina: Queer City Cinema, 2001.
REVIEWS: 'Legitimate Theater' at LACMA
Centre For Art Tapes Newsletter, 2001. Halifax: Centre For Art Tapes, 2001.
Artistic Environments of Telepresence on the World Wide Web
by Luisa Paraguai Donati and Gilbertto Prado. Leonardo, 2001, v. 34, no. 5.
Developing Strategies for the Conservation of Installations...
by Pip Laurenson. Journal of the American Institute for Conservation, 2001, v. 40, no. 3.
Media City 7: International Festival of Film and Video
by Michael Zryd. Sense of Cinema, Apr. 10, 2001, no. 13.
Paul McCarthy: Rites of Masculinity
by Jennie Klein. PAJ: A Journal of Performance and Art, May Spring 2001, v. 23, no. 2.
Sculpting in Time and Space: Interactive Work
by Emily Hartzell and Nina Sobell. Leonardo, Apr. 2001, v. 34, no. 2.
Strip-Joint Interventions: My Night with Charmaine
by Cliff Eyland. C Magazine, Summer 2001, no. 70.
Witnessing Video Testimony:: An Interview with Geoffrey Hartman
by Hartman Geoffrey H and Ballangee Jennifer. The Yale Journal of Criticism, Spring 2001, v. 14, no. 1.
Rhetorical Dimensions of Native American Documentary
by Steven Leuthold. Wicazo Sa Review, Fall 2001, v. 16, no. 2.
Girls on the Remake
by Cynthia Chris. Afterimage, Mar. 2001, v. 28, no. 5.
Mexican Nationalism, Mass Media and Gender/Sexuality:: Unmasking...
by Laura G. Gutierrez. Latin American Literary Review, 2001, v. 29, no. 57.
The Touch through time:: Raoul Hausmann, Nam June Paik and the...
by Ina Blom. Leonardo, June 2001, v. 34, no. 3.
Destabilizing Gender
by Sabine Russ. Make Magazine, Spring 2001, no. 91.
In situ
by Melina Clifford and Gaetane Verna.
Cinema Frames, Videoscapes, and Cyberspace: Exploring Shu Lea...
by Gina Marchetti. Cinema Frames, Videoscapes, and Cyberspace: Exploring Shu Lea Cheang's Fresh Kill, Fall 2001, v. 9, no. 2. Duke University Press, 2001.
It's All Rights Ma I'm Only Watching
by Jonathan Culp. POV, Spring 2000, no. 39.
Faces of the Future: 100 young Canadians to watch
by Unknown. Maclean's, Jan. 1, 2000.
Exercise your eyes at Images
by Cameron Bailey. Now, Apr. 13, 2000, v. 19, no. 33.
Sex, Lies and Porno Tape
by Gemma Files. EYE WEEKLY, Mar. 30, 2000.
Splitting Images
by Gemma Files. EYE WEEKLY, Apr. 13, 2000, v. 9, no. 7.
True Stories Well Told: The Independent Films and Videos of Ardele...
by Phyllis Gottlieb. Rutgers Focus, Feb. 18, 2000.
Anger fires video-maker
by Deirdre Hanna. Now, Mar. 30, 2000, v. 19, no. 31.
Genealogies of Blood and Breath: The blood records. Dunlop Art...
by Sky Glabush. Border Crossings, May 2000, v. 19, no. 2.
Sex, Smurfs and video tapes
by Thomas Hirschmann. The National Post, July 8, 2000.
Telling Tales: The Irresistible Excavation of the Other
by Catherine Elwes. Filmwaves, Summer 2000, no. 12.
The endless trapeze act of the arts
by Vera Frenkel. The Globe and Mail, Oct. 2, 2000.
Entire Inuit community put to work on feature film
The National Post, Nov. 2, 2000.
Gen Xers arm for protest with camcorders and VCRs
by Sharlene Azam. The Toronto Star, Nov. 14, 2000.
Sometimes Video Art Might Resemble Television
by Andrew James Paterson. Lola, Spring 2000, no. 6.
Dreaming of Electric Sheep
by Joe McKay. Lola, Spring 2000, no. 6.
Back in Five Minutes: Here Comes Success With AA Bronson
by Jenifer Papararo. Lola, Fall 2000, no. 7.
Raising a New Aboriginal Voice
by Rebecca Caldwell. The Globe and Mail, Sept. 8, 2000.
From a native perspective: Noteworthy: ImagineNATIVE: The...
by Helen Buttery. The National Post, Sept. 9, 2000.
From an Inuit point of view
by Blake Gopnik. The Globe and Mail, Sept. 13, 2000.
Toronto's other global film festival
by Susan Walker. The Toronto Star, Sept. 8, 2000.
Interview: Lisa Steele & Kim Tomczak
by Corinna Ghaznavi. Canadian Art, Winter 2000, v. 17, no. 4.
Nazi-looted art subject of video exhibit
by S. K.. Canadian Jewish News, Nov. 29, 2000.
Canada's first Inuktitut feature-film nears completion
by Valerie G. Connell. Nunatsiaq News, Aug. 18, 2000.
Deconstructing Hollywood
by Blake Gopnik. The Globe and Mail, Oct. 3, 2000.
Drum Roll: Karma Clarke-Davis
by Corinna Ghaznavi. Canadian Art, Fall 2000, v. 17, no. 3.
Time tripping in the art zone
by Blake Gopnik. The Globe and Mail, Oct. 10, 2000.
Inhaling Passions: Art, Sex and Scent
by Jim Drobnick. Sexuality & Culture, Summer 2000, v. 4, no. 3.
"Concerning Memory"
by Kay Roberts. Time Out, 2000.
Lux: A decade of Artists' Video and Film
by Marc Glassman. Take One, Fall 2000.
Book Reviews: Video Loupe: a collection of essays by and about the...
by Elaine Kowalsky. n. paradoxa, July Summer 2000, v. 6.
Missing art, missing lives
by Deirdre Kelly. The Globe and Mail, Dec. 18, 2000.
National Gallery gesture is hardly ground breaking
by John Bentley Mays. The National Post, Dec. 9, 2000.
Her, herself & Anne Russell
by Peter Goddard. The Toronto Star, July 21, 2000.
Digital Identity: Introduction
by Elizabeth Kidd and Liane Davison. Digital Identity, 2000. Surrey: Surrey Art Gallery, 2000.
taboos, titillations and thrills
by Andrea Mantin. taboos, titillations and thrills, 2000. Halifax: MSVU Art Gallery, 2000.
V is for video
by Mark Schilling. in si-tu _, 2000. Lennoxville: Art gallery of Bishop's University, 2000.
Fundamental Anxieties
by Heather Mackay. Azure, Nov. 2000, v. 16, no. 132.
Community and Plural Relations: A Dialogue Between Philosophers...
by Jean-Ernest Joos. Parachute, Dec. Fall 2000, no. 100.
Shirin Neshat: The Image Dispute
by Nathalie Leleu. Parachute, Dec. 2000, no. 100.
Black Box: The Videos of Steve Reinke
by Robin Metcalfe. Parachute, Dec. 2000, no. 100.
Nina Levitt: Divers et Differance
by Corrina Ghaznavi. Parachute, Dec. Fall 2000, no. 100.
Speaking Bodies
by Nicole Gingras. Exhibition Catalogue, 2000. Ottawa: Gallery 101, 2000.
Asian Invasion vs. The Pristine Nation: Migrants entering the...
by Larissa Lai. Fuse, Sept. Fall 2000, v. 23, no. 2.
Feminist Angst: Giv Us a Break!
by Dayna McLeod. Hour, Mar. 2, 2000.
Wendy Landry on the video installations of Jan Peacock: Attempts...
by Wendy Landry. C Magazine, Winter 2000, no. 67/68.
Video Art: A Top Twenty
by John Slyce and Matthew Collings. Modern Painters, Summer 2000, v. 13, no. 2.
Douglas Gordon: A New Generation of Readymades
by Christine Van Assche. Art Press, Mar. 2000, no. 255.
Video in transit
by Thorhallur Magnusson. Nu: the Nordic Art Review, 2000.
Interview with Bruce LaBruce and G.B. Jones
by Cameron Bailey. Lux: A Decade of Artists' Film and Video, 2000. Toronto: YYZ Books/Pleasure Dome, 2000.
Interview with Mike Hoolboom
by Cameron Bailey. Lux A Decade of Artists' Film and Video, 2000. Toronto: YYZ Books/Pleasure Dome, 2000.
i can see your history in the way you move: at present
by Karyn Sandlos. like a dream that vanishes the films of barbara sternberg, 2000. Toronto: The Images Festival of Independent Film and Video and Pleasure Dome, 2000.
Crusading for the collaborative process: Kenny Doren retrospective...
by Kay Burns. FFWD, May 11, 2000.
Content & Collaboration: The work of multimedia artist Kenneth...
by Kathryn Burns. Where Calgary / Gallery Guide, Fall 2000.
A Flutter of Images
by Sheila Farr. Seattle Times, Oct. 27, 2000.
Canadian artist captures the natural world on video
by Regina Hackett. Seattle Post Intelligencer, Oct. 20, 2000.
Somewhere to Run: You Can't Go Home Again harnesses the creativity...
by Roberta Fallon. Philidelphia Weekly, Mar. 1, 2000, v. 29, no. 9.
LA's Media Renegades
by Steve Anderson. The Independent, Apr. 2000.
Thick Skinned
Thick Skinned, 2000. Toronto: Gallery 44 Centre for Contemporary Photography, 2000.
Any While, Mean Time
by Michelle Jaques. Present Tense: contemporary project series NO.14 - Karma Clarke-Davis, 2000. Toronto: Art Gallery of Ontario (AGO), 2000.
Seeing Crusading
by Zoe Williams. For his and his diggers: a collection of the past, May 12, 2000. Calgary: Truck, 2000.
Foreword
by Jim Ellis. For his and his diggers: a collection of the past, 2000. Calgary: Truck, 2000.
Nettie Wild
by Nettie Wild. POV, Spring 2000, no. 39.
Primal Therapist
by Michael Atkinson. The Village Voice, Aug. 15 Summer, 2000, v. 45, no. 32.
Snapshots of the Transcendental (excerpt): Images 2000
by Zoe Druick. POV, Summer 2000, no. 40.
Jeremy Deller: The Battle of Orgreave
by Alex Farquharson. Frieze, 2000, no. 61.
Reels of Change: Film and Video for the Working Mind
by Unknown. Mayworks, 2000.
Sadie Benning
by Unknown. Whitney Museum of American Art, 2000. New York: Whitney Museum of American Art, 2000.
Yvonne Welbon
by Maxwell L. Anderson et al. 2000 Biennial Exhibition, 2000. New York: Whitney Museum of American Art, 2000.
Mandy Morrison
by Unknown. Whitney Museum of American Art, 2000. New York: Whitney Museum of American Art, 2000.
Pipilotti Rist
by Ewa Lajer-Burcharth. Artforum, Sept. 2000, v. 39, no. 1.
Pipilotti Rist at Luhring Augustine
by Michael Rush. Art in America, Sept. 2000, v. 88, no. 9.
Black Box: The Videos of Steve Reinke
by Robin Metcalfe. Parachute, Winter 2000, no. 100.
Nina Levitt: Divers and Différance
by Corinna Ghaznavi. Parachute, Winter 2000, no. 100.
Shirin Neshat: The Image Dispute / La Querelle des images
by Nathalie Leleu. Parachute, Winter 2000, no. 100.
Mexican experimental cinema and Ximena Cuevas
by Sergio de la Mora. Jump Cut: A Review of Contemporary Media, July 2000, no. 43.
Transparent Scenarios
by Michael Rush. Art in America, Oct. 2000, v. 88, no. 10.
Montreal Diary
by Matthew Hays. The Globe and Mail, Aug. 15, 2000.
Fear and Loathing on the Granting Trail: Canadian Art Versus...
by Hal Niedzviecki. Journal of Canadian Studies, Fall 2000, v. 35, no. 3.
Kaleidoscopectomy: The short and long of it
by Nick Davies. Xtra!, Apr. 6 Spring, 2000, no. 403.
When There Is No Limit To Spirit: Tall Orders: On the Spiritual in Art
by Rozena Maart. Fuse, Jan. Winter 2000, v. 22, no. 4.
Nervy First Nations Festival
by Cameron Bailey. NOW, Sept. 7 Fall, 2000, v. 20, no. 1.
NEWSBRIEFS: Awards: V tape Video Award
by Dana Samuel. Prefix Photo, Fall 2000, no. 2.
Between the Cracks: Poverty and Disability
CWHN Network, Spring 2000.
Digital Dumpling
Xtra!, Oct. 19, 2000, no. 417.
Oka through the eyes of Obomsawin
Maclean's, July 10, 2000, v. 113, no. 28.
In the Merry Month of May
by homocore chicago. Homocore, Apr. 2000, v. 8, no. 1.
On The Scene At Annie Sprinkle's Herstory of Porn, Sat, April 1:...
by Ingrid Randoja. NOW, Apr. 6, 2000, v. 19, no. 32.
Barbara Prokop & Larissa Fassler: "Art may imitate life, but life...
by Mia Johnson. Preview, Nov. 2000.
Honour Songs: Trent University honours two outstanding citizens
Frist Nations Messenger, June 2000.
She Was Like My First Mother
by Peter Hudson. Winsom: River of Life, 2000. Chatham: Thames Art Gallery, Chatham Cultural Centre, 2000.
Potent Pairing of Jamaica-born Artists
by Cate McQuaid. The Boston Globe, Apr. 8, 2000.
Sex, Love, and Anti-Oppression: G-SPrOuT!
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Attack [retreat]
by Steve Reinke. Attack [retreat], 2000. Brussels: argos, 2000.
Film Recalls painful Canadian event
by Rob O'Flanagan. The Sudbury Star, Sept. 23, 2000.
Iñigo Manglano-Ovalle
by Michael G. Auping and Valerie Cassel. Whitney Biennial, 2000. Whitney Museum of American Art, 2000.
Video art both silly and engaged: Second collaboration between...
by Miranda Purves. The National Post, Mar. 30, 2000.
Opera for Cyborgs: Allegro molto con brio
by Jim Ellis. Canadian Theatre Review, 2000, no. 101.
The Ghost of an Exquisite Corpse
by David Clark. LUX: A Decade of Artists' Film & Video, Fall 2000. Toronto: YYZ Books, 2000.
Flaming Creatures: New Tendencies in Canadian Video
by Gary Kibbins. LUX: A Decade of Film and Video, 2000. Toronto: YYZ Books/Pleasure Dome, 2000.
Video Triumphs in the Galleries
by Burian Frye. The Independent: Film and Video Monthly, July 2000, v. 23, no. 6.
On the edge of Madness
by Robert Faulkner. The Toronto Star, Nov. 10, 2000.
You Say You Want A Revolution
by Jason Anderson. EYE WEEKLY, Aug. 31, 2000, v. 9, no. 47.
Interview Paul Wong: 1981-2001 CSV Historical Anthology Series
by Greg Woodbury. Subclip, Fall 2000, no. 6.
TV Afterlife: With their latest work, Chris Petit and Iain...
by Chris Darke. Film Comment Magazine, July Summer 2000, v. 36, no. 4.
Renaissance Riot Girl Rising
by Chris Chang. Film Comment Magazine, July Summer 2000, v. 4, no. 36.
Mike Kelley and Paul McCarthy
by Charles Reeve. Para-Para, Dec. 2000, no. 6.
The Godfather of Gross Out: John Waters: demented forever, but...
by Dennis Harvey. Film Comment Magazine, July 2000, v. 36, no. 4.
Cover Versions: Fact and Fiction are up for grabs in "Beaver...
by Chris Chang. Film Comment Magazine, July 2000, v. 36, no. 4.
Alternate States: Nicole Armour enters the parallel reality of...
by Nicole Armour. Film Comment Magazine, July 2000, v. 36, no. 4.
Be black and buy
by Ed Guerrero. Sight and Sound, Dec. 2000, v. 10, no. 12.
Satellites of love: With its Hollywood stars and volcanic...
by Laura Mulvey. Sight and Sound, Dec. 2000, v. 10, no. 12.
Exquisite Corpses
by Scooter McCrae. Filmmaker, Summer 2000, v. 8, no. 4.
The Autobiography of Steve Reinke
by Tom Folland. Steve Reinke, July Summer 2000, v. 12, no. 3. New York: Thread Waxing Space, 2000.
Video art
by Mick Hartney. From Expressionism to Post-Modernism: Styles and Movements in 20th Century Western Art (Grove Art Series), 2000. Oxford University Press, 2000.
Beyond the cube
by Jennifer Leonard. EYE WEEKLY, Oct. 5, 2000.
Apocalypse: Beauty and Horror in Contemporary Art
London: Royal Academy of Arts, 2000.
Beyond the cube
Boutros Al Armenian/Mediterranean Modern: Jamelie Hassan, 2000. Windsor: Art Gallery of Windsor, 2000.
Beyond the cube
les Cinemas novembre decembre 2000, 2000. Paris: Centre Pompidou, 2000.
Beyond the cube
Centre d'art contemporain de Basse-Normandie saison 2000-2001, 2000. Herouville Saint-Clair: Centre d'art contemporain de Basse-Normandie, 2000.
Beyond the cube
CD V-D-O, 2000.
Digging for Identity
by Perry Bard. Afterimage, Jan. Winter 2000, v. 27, no. 4.
Oka Crisis: worst moment revisited: Native filmmaker's documentary...
by Matthew Hays. The Globe and Mail, June 21, 2000.
Watch Me! Webcams and the Public Exposure of Private Lives
by Brooke Knight. Art Journal, Winter 2000, v. 59, no. 4.
SF, Technoscience, Net.art: The Politics of Extrapolation
by Eugene Thacker. Art Journal, Fall 2000, v. 59, no. 3.
Martha Wilson: Not Taking It at Face Value
by Jayne Wark. Camera Obscura, 2000, v. 15, no. 3.
Expositions: Fragments et dialogues impossibles
by Julie Lanctôt. Vie des Arts, 2000, v. 44, no. 179.
Experimental Ethnography: The Work of Film in the Age of Video
by Scott MacDonald. Canadian Journal of Film Studies, Spring 2000, v. 9, no. 1.
Video Displayed: Marketing Mixes Forms
by Lizzy Balogh. PAJ: A Journal of Performance and Art, Sept. 2000, v. 22, no. 3.
Revisiting the Power of Absence: Silences, Shadows, and Remembering
by Vera Frankel. Memoire et Archive, Mar. 2000.
Black and White:: Mercedes de Acosta's Glorious Enthusiasms
by Patricia White. Camera Obscura, 2000, v. 15, no. 3.
Fantasy and Distraction: An Interview with Pipilotti Rist
by Christine Ross. Afterimage, Nov. 2000, v. 28, no. 3.
Donigan Cumming: Marche Bonsecours, Montreal
by Sylvain Campeau. C Magazine, Spring 2000, no. 65.
Watch: bona fide, Chicago
by Esther Grisham. C Magazine, Spring 2000, no. 65.
Video Triumphs in the Galleries
by Brian Frye. The Independent, July 2000.
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
by Laura U. Marks. Durham and London: Duke University Press, 2000.
Video Space: A Site for Choreography
by Douglas Rosenberg. Leonardo, 2000, v. 33, no. 2.
Images of Intermedia: 13th Annual Images Festival of Independeent...
by Laura U. Marks. Afterimage, July 2000, v. 28, no. 1.
[retreat]
by Steve Reinke.
Play It Again, Stan
by Blake Gopnik. The Globe and Mail, Oct. 2, 1999.
Queen's Cantonese: A crash course in cultural humour
by Nick Davies. Xtra!, Nov. 18, 1999, no. 393.
Bitch Bark Canoe
by Debra Anderson. Xtra!, May 6, 1999, no. 379.
Space: The Final Frontier
by Dara Gellman. Xtra!, Nov. 4, 1999, no. 392.
Images fest has a thing for sex
by Cameron Bailey. Now, Apr. 22, 1999, v. 18, no. 34.
Double the demons
by Richard Burnett. Montreal Gazette, Aug. 1999.
Bridging Ancient and Modern: Native Ceramic and video artist Nora...
by Lynn Cline. The Independent, Dec. 1999.
Great Expectations for Indie Festival
by Peter Goddard. The Toronto Star, Apr. 23, 1999.
Video Mode
by Stephan Pascher. Merge, 1999, no. 6.
The Importance of Matthew Barney
by Michael Kimmelman. The New York Times Magazine, Oct. 10, 1999.
Queer Art Stock-Taking
by Kim Fullerton. Xtra!, Dec. 30, 1999, no. 396.
Gisele Amantea
by Will Straw. C Magazine, Feb. 1999, no. 61.
How girls and boys become who they are
by Cameron Bailey. Now, Apr. 1, 1999, v. 18, no. 31.
Promise: Lady in the Lake: Fluid Forms of Self in Performance Video
by Kathleen P. Adams. Promise, 1999.
dial H-I-S-T-O-R-Y
by Wilson Lee. Lola, Winter 1999, no. 5.
So faraway So Close
by James Lawrence. Contemporary Visual Arts, 1999, no. 24.
Dimitris Kozaris
by Katerina Gregos. Contemporary Visual Arts, 1999, no. 24.
Eija Liisa Ahtila: Time Wounds All Heals
by Terry Myers. art/text, Oct. 1999, no. 66.
Phyllis Baldino
by Sue Spaid. art/text, Oct. 1999, no. 66.
Stan Douglas
by Scott Watson. art/text, Oct. 1999, no. 66.
Gross Pleasure
by Jen Weih. Lola, Summer 1999, no. 4.
Performing Generations
by Jessica Wyman. Lola, Summer 1999, no. 4.
Nature Boy
by Katy Siegel. Artforum, Summer 1999, v. 37, no. 10.
Who's Afraid of Film & Video in Scotland?: The Exhibition of...
by Ann Vance. Variant, Summer 1999, v. 2, no. 8.
Untitled
by Kathryn Walter and Kyo Maclear. Private Investigators: Undercover in Public Space, 1999. Banff: Banff Centre Press, 1999.
dirty laundry and clean technology: can computers ever be innocent?
by Laiwan. Unspecified Source, Oct. 14 Fall, 1999.
A moving picture of reel life: Images Festival reflects street heat
by Peter Goddard. The Toronto Star, Apr. 22, 1999.
True Story
by Sue De Beer. FELIX: A Journal of Media Arts and Communication, 1999, v. 2, no. 2.
Church funds spiritual healing: Help offered to residential school...
by Barbara Aggerholm. The Toronto Star, June 26, 1999.
Seeking the spirit
by Unknown. University Affairs, Feb. 1999.
Strength in Numbers
by Deborah Stratman. Afterimage, Summer 1999, v. 26, no. 6.
A Work For the Love of All at Once: Local artist Kenneth Doren...
by Mikko Canini. The Calgary Straight, Feb. 4, 1999.
Filmmaker looking for a few good women for documentary
by Mary Francis Hill. Westender, May 6, 1999.
After AIDS: Michael Balser and Andy Fabo's "Stamina"
by Darien Taylor. Fuse, Apr. 1999, v. 23, no. 1.
Buds unfold, flowers bloom and artists create at EAG
by Gilbert A. Bouchard. SEE Magazine, Apr. 15, 1999.
Documentary tells a story most of us would rather miss
by Tracy Tjaden. Winnipeg Free Press, Sept. 17, 1999.
Art and the Age of the Digital: Net.art in the age of digital...
by David Ross. San Jose State University, Mar. 2, 1999.
The Early Video Project: Les Levine Interview
by Les Levine and Davidson Gigliotti. The Early Video Project, Dec. 9, 1999.
Seeing The Light: Moonstruck: Adam Chodzko illuminates three of...
by Adam Chodzko. The Tate, Summer 1999, no. 18.
Performing the Other: A Consideration Of Two Cages
by Mary Kate Kelly. College Literature, Winter 1999, v. 26, no. 1.
(Brief) Programme Notes
by Ger Zielinski. Dragged out...a studied glance at current radical drag, 1999. home-style, 1999.
The Secret Life of the City
by Lisa Gabrielle Mark. Accidental Audience: Urban Interventions YYZ Publication, 1999.
Would You Rather Be a Cyborg?
by Reva Stone. Poolside, Fall 1999.
Thirza Cuthand
by Shawna Dempsey. Poolside, Fall 1999.
Time Passes: A Review of Nelson Henricks' Video Work: 1986-1999
by Alethea Lahofer. Poolside, Fall 1999.
Beyond the End of Town
by Kathryn Burns. Poolside, Fall 1999.
Don Goodes 'Dangerous' Suburban Videos
by Blair Marten. Poolside, Fall 1999.
Doomsday with Bikini 'Bitches'
by Jaimz Barton. Poolside, Fall 1999.
Shirin Neshat - artist - Interview
by Octavia Zaya. Interview, Sept. Fall 1999.
Surveying The Scene: Excerpts from The D.I.Y. Distro Resource Guide
by Tara Mateik. FELIX VOYEURISM, 1999. New York: The Standby Pogramm, Inc, 1999.
Between Rene Clair and Rene Clemont: The Cool World of Shirley Clarke
by DeeDee Halleck and Shirley Clarke. FELIX, 1999. New York: The Standby Program, Inc., 1999.
Chapter 2: Video Art: Personal Narritives
by Micheal Rush. New Media in Late 20th-Century Art, 1999. New York: Thames & Hudson, 1999.
Vtape: FAQ & info
by Lissa Gibbs. The Independent, July 1999.
Profile: Vtape - Studio 452
by Urban Space staff. 401 Richmond Newsletter, 1999.
Plague Years: a life in underground movies.
by Ger. Zielinski. Parachute, Apr. 1999, no. 94.
Janine Antoni at Luhring Augustine
by Nancy Princenthal. Art in America, July 1999, v. 87, no. 7.
Art terrorists mock the vote
by Nate Hendley. EYE WEEKLY, June 10, 1999.
Feature Film
by Charlotte Mullins. Tate, Summer 1999, no. 18.
Manglano-Ovalle: The Poetics of Tolerance
by Ana Sokoloff. Art Nexus, Feb. Spring 1999, no. 31.
Chilli in your Eyes: La Pasión According to Ximena Cuevas
by Sergio de la Mora. Senses of Cinema, Sept. 1999.
Peter Campus
by John Hanhardt. Bomb, Summer 1999, no. 68.
Virtualities: Television, Media Art, and Cyberculture: Margaret Morse
by Elizabeth Seaton. Canadian Journal of Communication, Nov. 2, 1999, v. 24.
Operetta
by Bernard Lamarche. Le Devoir, Apr. 25, 1999.
With magnifying glass in hand...: Marusya Bociukiw's Nancy Drew &...
by Leanne Johnson. Kinesis, Mar. 1999.
Woman of Steele
by Bert Archer. NOW, July 15, 1999, v. 18, no. 46.
Video Violins: Troublemakers (written, directed and produced by...
by Tim Murphy. Noise Queen, Fall 1999, no. 20.
Contemporary Visual Festival
by Anon. Mix, Fall 1999, v. 25, no. 2.
Guillaume Paris: H.U.M.A.N.W.O.R.L.D.
by Cecile Dazord. Parachute, 1999, v. 100, no. 66.
Hot New Stuff on Video from All Over the World
by Cameron Bailey. NOW, Oct. 21, 1999, v. 19, no. 8.
28 films brefs sur la vie
by Luc Perreault. La Presse, Oct. 20 Fall, 1999.
Artists in their (liquid) element
by Lehmann Henry. The Gazette, Oct. 23, 1999.
Court Métrages: Festival International Nouveau Cinéma Nouveaux...
by Éric Fourlanty. VOIR Montréal, Oct. 14, 1999, v. 13, no. 41.
Whiff of Sex Wafts over Brazen Desh Pardesh
by Cameron Bailey. NOW, June 10, 1999, v. 18, no. 41.
Art is African Spiritual Odyssey for Jamaican Artist
by David Johnson.
Confessions of an Unrepentant Intellectual: An Interview with...
by Tania Bolskaya. DiSCORDER Magazine, Nov. 12, 1999.
Marriott's Snarl Becomes a Grin
by Gary Michael Dault. The Globe and Mail, June 26, 1999.
Interview With Kenneth Doren: by Matilda Sanchz on Multimedia and...
by Matilda Sanchez. Hand Held Media, Sept. 1999.
The Archaeology of Origin: Transnational Visions of Africa in...
by Sheila Petty. The Archaeology of Origin, 1999. Montreal: ABC Art Books, 1999.
Loretta Todd: Today Is a Good Day: Remembering Chief Dan George
by Cara Mertes. The Independent, May 1999.
Performance, Video, Texas and Beyond ...: Kinga Araya
by Ed Sinclair. Video Vogue, Winter 1999.
reVISION99
by Nina Czegledy. WRO 99, 1999. Wroclaw: WRO 99, 1999.
NJP Digest: Electronic Art Intermix, New York
WRO99: The 7th Annual International Media Art Biennale, 1999. Wroclaw: WRO99, 1999.
Quietly ruling the roost
by Sheila Johnston and Hadani Ditmars. Sight and Sound, Jan. 1999, v. 9, no. 1.
Johaardien caught off guard by response to AIDS film
by Will Nothacker. The Argus, May 28, 1999.
Steve McQueen
by Barry Schwabsky. Art + Text, Oct. 1999, no. 66.
The Archaeology of Origin: Transnational Visions of Africa in a...
by Dr. Sheila Petty. Halifax: MSVU Art Gallery and Dunlop Art Gallery, 1999.
At the Dunlop
Regina: Dunlop Art Gallery, 1999.
Articule 20ans 1979-1999
by articule. Montreal: Articule, 1999.
Steve McQueen
Crossroads, 1999. Halifax: The Centre for Art Tapes, 1999.
Canadian Currents
Toronto: Absolute Choice Curatorial Collective, 1999.
Signals In Syracuse
by Ann Curran. Afterimage, Jan. 1999, v. 26, no. 4.
Quest for What: Jim Supanick locates the HalfLifers in the video...
by Jim Supanick. Film Comment Magazine, Sept. 1999, v. 35, no. 5.
Artisanal Prefigurations of the Digital: Animating Realities,...
by Maureen Cheryn Turim. Wide Angle, Jan. 1999, v. 21, no. 1.
Artisanal Prefigurations of the Digital: Animating Realities,...
by Maureen Cheryn Turim. Wide Angle, Jan. 1999, v. 21, no. 1.
Body and Screen
by Margaret Morse. Wide Angle, Jan. 1999, v. 21, no. 1.
Jacques Perron: Galerie Oboro, Montreal
by Sylvain Campeau. C Magazine, May 1999, no. 62.
Letter From New York: May 1999
by Dena Shottenkirk. C Magazine, May 1999, no. 62.
Letter from London: May 1999
by Carol Peaker. C Magazine, May 1999, no. 62.
Venitian Views
by Joyce Mason et al. C Magazine, Nov. 1999, no. 63.
Not Laura Secord
by Jamelie Hassan. So, to Speak, 1999. Montreal: Éditions Artextes, 1999.
Keepers of the Power
by Carol Kalafatic. Gendering the Nation: Canadian Women's Cinema, 1999. Toronto: University of Toronto Press, 1999.
Canadian Currents: A Selection of CD-ROMs and Internet Projects
by Nina Gzegledy.
High-concept filmmaking on a low budget
by Robert Everett-Green. The Globe and Mail, Apr. 24, 1998.
Inside Out/Outside In?
by Andrew James Paterson. Fuse, Spring 1998, v. 21, no. 2.
An Uncertain Market for Video Art
by Marina Isola. The New York Times, Feb. 15, 1998.
Art of the Moment, Here to Stay
by Roberta Smith. The New York Times, Feb. 15, 1998.
On/Black/Stage/Women
by Saada Branker. The Word, Feb. 1998.
Northern Exposure
by Catherine Elwes. Art Monthly, June 1998, no. 217.
A Study of Surfaces: A Review
by Josephine Mills. BlackFlash, Summer 1998, v. 16.1.
Clip Art
by Tralee Pearce. Capital City, Sept. 17, 1998, v. 1, no. 22.
Gritty art show can fill your mind as you drain your body
by Blake Gopnik. The Globe and Mail, July 16, 1998.
Greyson cuts through culture of sampling
by Peter Goddard. The Toronto Star, July 3, 1998.
Greyson's exuberantly eccentric film defies description
by Douglas Bell. The Globe and Mail, July 3, 1998.
Tomboy on the Bridge: Recent Videos by Sadie Benning
by Kathleen Pirrie Adams. Mix, Winter 1998.
Posers: Alex Bag, Karma Clarke-Davis and Eliza Griffiths
by Ingrid Chu. Lola, 1998, no. 1.
First Vancouver Aboriginal Film Festival A Success
by Ronald B. Barbour. First Nations Drum, Dec. 1998.
Cigarettes, Coffee & Dep Wine
by Nelson Henricks. Fuse, Summer 1998, v. 21, no. 3.
The Absurdity of Dieting
by Cynthia Sharp. Kinesis, Mar. 1998.
Seven Day Poodle Diet spoofs our obsession with weight loss
by Fiona Hughes. Vancouver Courier, Mar. 1, 1998.
Ethical License
by Blake Gopnik. Canadian Art, Fall 1998, v. 15, no. 3.
Jan Peacock
Jan Peacock, 1998. Halifax: Dalhousie Art Gallery, 1998.
The story is always partial: A conversation with Vera Frenkel:...
by Dot Tuer and Clive Robertson. Art Journal, Winter 1998, v. 57, no. 4.
Total recall: History, memory & new documentary
by Sara Diamond and Gary Kibbins. Trade Initiative, 1998. Vancouver: Satellite Video Exchange Society, 1998.
Steve Reinke: Untitled (I saw my mother being kind to a child)
by Emily Vey Duke. I've forgotten your name, 1998. Vancouver: Anna Leonowens gallery, 1998.
Slow Dance
by Patrik Andersson. Canadian Art, Summer 1998, v. 15, no. 2.
A Thousand Words: Gavriel Orozco talks about his recent films
by Daniel Birnbaum. Artforum, Summer 1998, v. 36, no. 10.
Covering The Spread
by Dale Peck. Artforum, Summer 1998, v. 36, no. 10.
Kelly Mark: Art Gallery of Ontario
by Lisa Gabrielle Mark. Artforum, Summer 1998, v. 36, no. 10.
A Subversive Etiquette: Yoko Takashima delivers sophisticated,...
by Sarah Milroy. Canadian Art, Summer 1998, v. 15, no. 2.
A White Light: A remarkable series of videos recreating Inuit...
by Peggy Gale. Canadian Art, Winter 1998, v. 15, no. 4.
Shooting the breeze with Deb VanSlet
by Amy Barratt. Mirror, July 30, 1998.
Web film takes a monster step
by Robert Everett-Green. The Globe and Mail, June 24, 1998.
Mike Hoolboom: Fringe Filmmaker Flaunts Subconscious in Ode to...
by Cameron Bailey. Now, Oct. 8, 1998, v. 18, no. 6.
Bill Viola's Video Arcade
by Andrew Solomon. The New York Times Magazine, Feb. 8, 1998.
Picturing the Toronto Art Community: The Queen Street Years
by Phillip Monk. C Magazine, Sept. 1998, no. 59. Toronto: C International, 1998.
More cheese, please: foreskins at the forefront of freedom
by Gordon Bowness. Xtra!, Sept. 18 Fall, 1998, no. 61.
Fringe romps in visual paradise: rebels don't make money, but they...
by Peter Goddard. The Toronto Star, Jan. 2, 1998.
Installations in Public Washrooms
by Lee Rodney. Fuse, Winter 1998, v. 22, no. 1.
In Lieu: Various Locations, Toronto, July 27 - August 22
by Ingrid Chu. Parachute, July 2, 1998.
Continent-hopping as artistic excercise
by Mariko Kuyama. Japan Times, June 21 Spring, 1998.
Performance art fights bad rap
by Glenn Sumi. Now, Aug. 20, 1998, v. 17, no. 51.
Theatrics have lead role in video art exhibit
by Liam Lacey. The Globe and Mail, 1998.
Nana, George et Moi: Discours multiples
by Élie Castiel. Séquences, Jan. 1998.
Sculpture on site: Walker art center
by Patricia Briggs. Artforum, Nov. 1998, v. 37, no. 3.
Empathy, Mutation, Audience
by Simona Lodi. Tony Oursler, 1998. Milano: Edizioni Charta, 1998.
Somalia through an artist's eyes: Work going on display at war museum
by Johnnie Bachusky. The Toronto Star, Jan. 12, 1998.
Lassoing talent for High Performance Rodeo
by Chris Dafoe. The Globe and Mail, Jan. 10, 1998.
Our Collective Fears
by Sherri Telenko. id Magazine, Fall 1998.
Gen X's Close Encounters
by Paul Gessel. The Ottawa Citizen, Sept. 28, 1998.
Video channeling: video art from modernist sculptor Keith Sonnier
by Linda Yablonsky.
Somalia Yellow: Artist Explores Canada's Role in War-Torn Country
by Dinah Clarkson. Calgary Herald, Jan. 1998.
Machine Age: Senor Stereotype
by Austin Bunn. The Village Voice, June 9, 1998, v. 43, no. 23.
Grandpa
by Tony Asimakopoulos. Sawvideo, Mar. 1998.
Being In Pictures: Dorit Cypis' film threat
by Marcus Miller. Hour, Oct. 22, 1998.
The Wonderful, Horrible Images of Florida Sigimondi
by Peter Little. POV, Jan. Winter 1998, no. 33.
Hollywoodism: Jews, Movies, and the American Dream
by Mark Breslin. POV, Fall 1998, no. 35.
Flowers in the dustbin: termite culture and detritus cinema
by Scott MacKenzie. CineAction, 1998, no. 47.
Untitled
1998 British Canadian Video Exchange, 1998. Toronto: Vtape, 1998.
Brave New Girls: moments of rage and beauty. The art of Shawna...
by Robert Enright. Border Crossings, May Spring 1998, v. 17, no. 2.
Writing Video Art
by Jonathan L. Beller. Afterimage, July 1998, v. 26, no. 1.
Stories From a Generation: Early Video at the LA Women's Building
by Cecilia Dougherty. Afterimage, July 1998, v. 26, no. 1.
Machyderm Inc.: Niagra Artists Company, St. Catharines
by Ivan Jurakic. C Magazine, Spring 1998, no. 57.
Pelle Wichmann Northern Exposure
by Anna Maris. Coil, 1998, no. 6.
Video Dance: Sketches on Process & Structure
by Katrina McPherson. Coil, 1998, no. 6.
The Migratory Impulse: Temporality and the Hyper-redundant
by Marcelyn Gow. Coil, 1998, no. 6.
Journey
by Pier Luigi Tazzi. Anish Kapoor, 1998. London: University of California Press, 1998.
Gillian Wearing at Jay Gorney - New York: Review of Exhibition
by Nancy Princenthal. Art in America, Jan. 1998, v. 86, no. 1.
"Blick-Wechsel": (Changing the Point of View) African Video Art
by Unknown. Institut fur Auslandbeziehungen, 1998.
Art Goes to the John
by Alan A. Vernon. EYE WEEKLY, July 2, 1998.
John Marriott
by Lisa Gabrielle Mark. Artforum, Mar. 1998, v. 36, no. 7.
Iñigo Manglano Ovalle: The Garden of Delights
by Maureen P. Sherlock. Iñigo Manglano-Ovalle: The Garden of Delights, 1998. Winston-Salem: Southeastern Center for Contemporary Art, 1998.
Hoolboom ranks with Snow, Weiland, Cronenberg: Indie ace's new...
by Peter Goddard. The Toronto Star, Oct. 9, 1998.
Great Scots: Video artists record what's Glasgowing on
by Keith Marchand. Mirror, Nov. 26, 1998.
Film Review: Yo Yo Gang / Troublemakers
by Tony Arena. Violin Outbreak, Spring 1998, no. 14.
Pixelvisionary: The Grainy World of Sadie Benning
by Dara Gellman. Xtra!, Dec. 3, 1998, no. 368.
Biographical Sketch and Video Notes
by Cliff Eyland and David Askevold. David Askevold: Cultural Geographies, 1998. Charlettetown: Confederation Centre Art Gallery and Museum, 1998.
From Chaos to Creation: Ed Video Screening twelve works at the...
by Michelle Elle Pettis. The Ontario Magazine for Artists, Dec. Winter 1998.
Chaos and Disaster inspires video artists
by Alan Ferris. The Guelph Mercury, Nov. 27 Winter, 1998.
Our Collective Fears
by Sherri Telenko. i-D, Nov. 26 Winter, 1998.
Hey You!
Xtra!, Apr. 23, 1998, no. 352.
Artists take their works to people-friendly mall
by Maryam Sanati. The Globe and Mail, Oct. 12, 1998.
Painting in Time: Robert Armstrong on Painting, Film and Video
by Robert Armstrong. Oval Office, Sept. 1998, v. 2, no. 2.
Lights, Camera, Bad Art: Jeni Baker goes to the movies
by Jeni Baker. Oval Office, Sept. 1998, v. 2, no. 2.
Laura's Theme: Jeni Baker on Laura Gannon's Video Art
by Jeni Baker. Oval Office, Sept. 1998, v. 2, no. 2.
Y f'sait chaud pire qu'en Floride: Installation de Dominique...
by Real Jodoin. Turbulences VIDÉO, Apr. 1998, v. 19.
Video killed the radio star...: But helped the artist go mobile
by Isabel Nunez. Mainichi Daily News, July 7, 1998.
Between the Lines: Valerie Mrejen's words and pictures
by Francis McKee. Coil Journal of the Moving Image, May Spring 1998, no. 6.
Rodeo show puts war artist on the spot
by Martin Morrow. Calgary Herald, Jan. 9, 1998.
Tarting Up Rhubarb!: Diva's Diversity
by John Kaplan and Glenin Sumi. NOW, Jan. 29, 1998, v. 17, no. 22.
David Askevold: The California Years
by Mike Kelley. David Askevold: Cultural Geographies, 1998. Charlottetown: Confederation Centre Art Gallery & Museum, 1998.
The Queen Gets a Makeover: Guillermo Gomez-Pena serves up an...
by Jan Breslauer. Los Angels Times, June 14 Spring, 1998.
All that glitters is Litter: Hard on the trashy trail of art gold
by Kim Fullerton. Xtra!, Apr. 9, 1998, no. 351.
Biographical sketch & video notes
by Cliff Eyland and David Askevold. David Askevold: cultural geographies and selected works, Oct. 1998, v. 45, no. 2. Charlottetown, P.E.I.: Confederation Centre Art Gallery and Museum, 1998.
Scoring Film
by Elizabeth Licata. Afterimage, July 1998, v. 26, no. 1.
Scoring Film
1998 British Canadian Video Exchange, 1998. Toronto: V tape, 1998.
Scoring Film
by Sally McKay and Harold Alegria Ortiz. The Bank of Symbiosis: An Archaeological Intervention, 1998. Toronto: The Symbiosis Collective, 1998.
Scoring Film
de très courts espaces de temps/ very short spaces of time, 1998. Paris: Centre national de la photographie, Paris, and Editions Actes Sud, Arles, 1998.
Scoring Film
Crossings/Traversees, 1998. Ottawa: National Gallery of Canada, 1998.
Images teems with alternative visions
by Ingrid Randoja. NOW, Apr. 23, 1998, v. 17, no. 34.
La vidéo à part entière!
by R. D.. Centre France - Dimanche, Mar. 15, 1998.
"Unheimlich" Maneuvers: The Genres and Genders of Transsexual...
by Christie Milliken. The Velvet Light Trap, Spring 1998, no. 41.
The Failure to Assimilate: The Video Works of Cecilia Dougherty
by Leah Gilliam et al. The Failure to Assimilate: The Video Works of Cecilia Dougherty, 1998. New York: Thread Waxing Space, 1998.
Shaun Gough
by Moritz Gaede. C Magazine, Feb. Spring 1997, no. 52.
Virtuality: Tony Brown
by Petra Halkes. Canadian Art, Spring 1997, v. 14, no. 1.
Steve Reinke
by Lisa Gabrielle Mark. Poliester, 1997, v. 6, no. 19.
A Rambling Fireside Commentary on the Seven Dukes of Kleinberg
by Andy Fabo. Fuse, June 1997, v. 20, no. 3.
Elizabeth MacKenzie: The Works, Edmonton
by Blair Brennan. C Magazine, Feb. 1997, no. 52.
Toronto/generator/crossroads
by Peggy Gale. visuell(s), 1997, no. 6.
Harmonious and hazardous couplings: Laboratory exercises in mutuality
by Nada Beros. Martinis Observatorium, 1997. Venezia: Venezia Biennale, 1997.
Fresh Blood: A Consideration of Belonging
by Sandra Haar. Fuse, Winter 1997, v. 20, no. 1.
An artist in motion
by John Bentley Mays. The Globe and Mail, Apr. 12, 1997, no. 122.
Vito Acconci's Home Movies
by Juan Cruz. Art Monthly, Oct. 1997, no. 210.
I Love You To Death
by Gilda Williams. Art/Text, Nov. 1997, no. 59.
Signs of the Times
by Ian MacMillan. Modern Painters, Fall 1997, v. 10, no. 3.
Blood Records re-examines treatment of tuberculosis
by Christopher Hume. The Toronto Star, Dec. 6, 1997.
Filmaker defined by the erotic
by Peter Goddard. The Toronto Star, July 18, 1997.
Diverse City: Out On Screen Festival projects a cukltural kaleidoscope
by Brett Josef Grubisic. Xtra West, Aug. 7, 1997.
Love those lesbian flicks: Vancouver's out of Screen queer film...
by Rebecca Johnson. Kinesis, July 1997.
Queer Jewish films hit the screen
by Baila Lazarus. Western Jewish Bulletin, Aug. 8, 1997.
Saskatchewan artists saying it with videos
by Shelia Robertson. The StarPhoenix, Sept. 13, 1997.
Reviews
by Judy Oxenham. Visual Media, May 1997, v. 9, no. 5.
Escape from Baghdad
by Bill Brownstein. The Gazette, Nov. 8, 1997.
Documentary explores relationship between a grandmother and a gay man
by Unknown. The Canadian Jewish News, Nov. 6, 1997.
The MLX Festival
by Mark J. Huism. The Village Voice, Nov. 11, 1997, v. 42, no. 45.
Hot Summer Guide: Nouveau picks from the crop of the Festival...
by Matthew Hays. The Mirror, June 5, 1997.
Nana, George et Moi au Festival Image & Nation: Une recherche...
by Denis-Daniel Boullé. Fugues, Oct. 1997.
Nana, George et Moi: Portrait attachment
by Pierre Ranger. Vox, Oct. 24, 1997.
Mona Hatoum's world-wise forms
by Blake Gopnik. The Globe and Mail, Aug. 23 Summer, 1997.
Neonudism
by Nell Tenhaaf. Parachute, Jan. 1997, no. 85.
Radical Aesthetics: Third annual film fest comes to the Foufounes...
by Alex Halperin. The McGill Daily, Sept. 11, 1997.
Movie should shame Cracker Barrel Officials
by Ruth Ann Leach. Nashville Banner, Jan. 23, 1997.
The avant-garde extracts its pound of flesh
by Ray Conlogue. The Globe and Mail, Sept. 27, 1997.
Video in the Nineties
by Rudolf Frieling. Current Media Art, 1997. Karlsruhe: Goethe-Institute, ZKM, 1997.
Kim Tomczak: Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Michael Snow: Mixed Media Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Edward Poitras: Installation Artist
by Roger Matuz. Contemporary, 1997. Toronto: Gale Canada, 1997.
Jan Peacock: Video Artist, Installation Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Robert Morin: Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Joey Morgan: Installation Artist
by Roger Matuz. Canadian Contemporary Artists, 1997. Toronto: Gale Canada, 1997.
Eric Metcalfe: Video Artist, Performance Artist
by Roger Matuz. Canadian Contemporary Artists, 1997. Toronto: Gale Canada, 1997.
Lisa Steele: Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Zacharias Kunuk: Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
General Idea: Mixed Media Artists
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Vera Frenkel: Video an Installation Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Stan Douglas: Installation Artist, Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Daniel Dion: Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Sara Diamond: Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Norman Cohn: Video Artist
by Roger Matuz. Contemporary Canadan Artists, 1997. Toronto: Gale Canada, 1997.
Colin Campbell: Video Artist
by Roger Matuz. Contemporary Canadian Artist, 1997. Toronto: Gale Canada, 1997.
Stan Douglas: Installation Artist, Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Mining the Media Archive: When history meets simulation in the...
by Dot Tuer. Fuse, Nov. 1997, v. 20, no. 5.
Big box debate goes on video
by Andrew Bruce. The Guelph Mercury, Feb. 12, 1997.
Art-world snowbirds nest in New York: Expatriate artists / A...
by Michael Posner. The Globe and Mail, Nov. 29, 1997.
Good Clean Fung: Retrospective des oeuvres video de RICHARD FUNG
GOOD, CLEAN FUNG: Retrospective des oeuvres video de RICHARD FUNG, 1997. Montreal: OBORO, 1997.
1611: Jennifer Abbott's A Cow At My Table
by Warren Arcan. Fuse, June 1997, v. 20, no. 3.
Beth B'S: Visiting Desire
by Barbara Mainguy. POV, Winter 1997, no. 31.
Project Grizzly: Mansized Ontariana
by Laurance Green. POV, Winter 1997, no. 31.
The Hundred Videos: Steve Reinke
by Teresa Casas.
Some of my Performance in Review
by Annie Sprinkle. Art Journal, Winter 1997, v. 56, no. 4.
Accidental Encounters With Art: an insider survey of art outdoors...
by A.A. Bronson et al. C Magazine, Spring 1997, no. 53.
Mike Hoolboom's Letters from Home side steps AIDS clichés
by Bart Testa. POV, Summer 1997, no. 32.
Homo Eroticus: The Films of Wrik Mead
by Unknown. ImagesFestival of Independent Film and Video, Apr. 1997. Toronto: Images Festival, 1997.
Chris Ofili - artist
by Louisa Buck. Artforum, Sept. 1997, v. 36, no. 1.
Vito Acconi and the politics of the body in postmodern performance
by Philip Auslander. from acting to performance, 1997. New York: Routledge, 1997.
Bodies of Evidence: Feminist Performance Art
by Erin Striff. Critical Survey, June 1997, v. 9, no. 1.
Steve Reinke (exhibition): The Power Plant, Toronto, January 17 -...
by Ger. Zielinski. Parachute, Oct. Winter 1997.
Joan Jonas at Pat Hearn - New York, New York - Review of Exhibitions
by Eleanor Heartney. Art in America, Dec. 1997, v. 85, no. 12.
Steve McQueen
by David Frankel. Artforum, Dec. 1997, v. 36, no. 3.
The Sleeper: Rodney Graham in Venice
by Peggy Gale. Canadian Art, Summer 1997, v. 14, no. 2.
The Dentist
by Robin Peck. Canadian Art, Summer 1997, v. 14, no. 2.
Threads of Memory and Exile: Examining the Art of Story Telling in...
by Dot Tuer. Images Festival of Independent Film and, 1997. Toronto: Northern Visions, 1997.
Pleasure Dome: Spring/Summer '97
by Unknown. Pleasure Dome, Spring 1997.
The Self - Isolation Ward
by Donna Lypchuk. EYE WEEKLY, Dec. 4 Winter, 1997.
Dragon's tale a fateful enterprise: Digging through the memoirs of...
by Dennis Eng. Life Magazine, Aug. 20, 1997.
Documentaries show city dangers for blacks and Indians: The Arts:...
by John Allemang. The Globe and Mail, Aug. 14, 1997.
Tearing down the Walls: Arts
by Wendy Kan. South China Morning Post, Aug. 28, 1997.
(Be)Longing
by Alice Ming Wai Jim. Fuse, Aug. 1997, v. 20, no. 4.
Sundance's big risks and strange mediocrity offer hope for filmmaking
by Susan Gerhard. San Francisco Bay Guardian, Jan. 29, 1997.
Surviving The Goldrus: Sundance '97
by Patricia Thomson. The Independant Film & Video Monthly, Apr. 1997, v. 20, no. 3.
Out At Work
by Dennis Harvey. Variety, Feb. 3, 1997, v. 339, no. 1.
Making a run for united borders
by Brian Levinson. The Yale Herald, Mar. 28, 1997.
Loving a Disappearing Image
by Laura U. Marks. Cinemas, Fall 1997, v. 8, no. 1-2.
The Oxide Mandate: Queer Media in Halifax
by James MacSwain. Queer Looking/ Queer Acting, 1997. Mount St. Vincent: Mount St. Vincent University Press, 1997.
"Urban Elder" Is a Must-See
Newsletter of the Native Canadian Centre of Toronto, June 1997, v. 10, no. 9.
Out at Work
by Mia Butzbaugh. Labor Notes, Feb. Spring 1997, no. 215.
Miroir, miroir: Troisième Manifestation internationale vidéo et...
by Manon Morin. ICI Montréal, Sept. 25, 1997.
Orlan: Nouveau Visage
by Stéphane Aquin. VOIR (Montréal edition), Sept. 18, 1997.
La rentrée vidéo
by Marie-Michèle Cron. VOIR (Montréal edition), Aug. 28, 1997.
Champ libre remet ses prix
by Bernard Lamarche. Le Devoir, Sept. 30, 1997.
Champ libre: Ménagerie de verre
by Bernard Lamarche. Le Devoir, Sept. 25, 1997.
Champ libre: De la technologie pauvre
by Bernard Lamarche. Le Devoir, Sept. 24, 1997.
Foufounes virtuelles: Champ Libre installe aux Foufs sa 3e...
by Stéphane Baillergeon. Le Devoir, Aug. 24, 1997.
L'art électronique et la vidéo se manifestent
by Jean-François Bégin. La Presse, Sept. 20, 1997.
Champ libre aux créateurs
by Jean-François Bégin. La Presse, Sept. 20, 1997.
Orlan, prêtresse de la mutilation: Un mélange de Cruella et d'un...
by Suzanne Colpron. La Presse [magazine insert], Sept. 25, 1997.
Visuel interactif: Des installations déposées dans les monobandes
by Bernard Lamarche. Le Devoir, Sept. 28, 1997.
Forgotten Warriors: Loretta Todd reveals Canada's shame
by Gail Maurice. Aboriginal Voices, Apr. 1997, v. 4, no. 2.
EXPLODING POSSIBILITIES
by Kathleen Pirrie Adams. Xtra!, Nov. 20, 1997, no. 341.
Inuit Tell Their Own Stories
by Donna Smith. Aboriginal Voices, Nov. 1997, no. 219.
Notes on "Scoping Boys" and "Scoping Girls": Scoping Girls and...
by Robert Lee and Lee Rodney. Fuse, 1997, v. 20, no. 4.
The Festival That Rocks: Toronto's Images Festival of Independent...
by Barbara Mainguy. The Independent, July 1997.